Model plays and revolutionary modern plays are the products of a special era, and many excellent works have been created in ten years, but many actors have also been popular, and the proportion of Peking opera repertoire in these plays is particularly large.
However, because the era of these plays is relatively special, so after the special era, these plays have also been hidden, and some model plays have also been coldly treated, like Yang Chunxia left the Peking Opera stage and entered the study class for three years before returning to the stage, and Song Yuqing also had no drama to perform and finally went abroad to develop.
However, in the 1980s, Li Weikang and Geng Qichang sang excerpts from the model play "Red Lantern" on the stage of the Spring Festival Gala, and these programs were very well received, many people liked it very much, and some people thought that the model play and the revolutionary modern play could return to the stage.
However, this time Li Weikang and Geng Qichang sang the model drama at the Spring Festival Gala, which was only a flash in the pan, and what accompanied it was the controversy about the model drama and the revolutionary modern drama.
Barkin mentions in Caprice that hearing a model play will cause nightmares for several days. Deng Youmei and Liu Changyu launched a fierce debate, Deng Youmei did not think that the model plays returned to the stage, and Liu Changyu said that these plays should return to the stage now that they are popular.
Fortunately, although there were many objections later, these plays still returned to the stage.
In fact, there is nothing wrong with these plays, and these plays are all fine works that have been pondered repeatedly, and the screenwriters and actors of these plays will experience life, but which screenwriter and actor of today's Peking Opera new drama will experience life.
Therefore, there is nothing wrong with the model play and the revolutionary modern play itself, and it has high artistic value!
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