Paimon: Eat melon, don't ask, look at it rationally.
Frozen pears: This wave can be regarded as a good typical case.
Let's briefly repeat the story: this 2.6 version of the Rong Cai Festival because the early grapefruit with too good performance, early grapefruit CV (voice actor) - Sakula small dance, so it sucked a lot of fans, just a few days of fans rose by a quarter. Some new players are more jumpy, and still have a "good early grapefruit" in the case of a private message reminder, so there is a scene where CV hangs a screenshot of the fan's private message to hang a dynamic scene.
The cause of everything stems from this "fan" who came up to the minefield and jumped, shouted the name of the character and added the dog's head. Coupled with the improper handling of the early grapefruit CV, it directly detonated a series of rhythms.
Frozen Pear thought it was just a small thing, but it passed quickly, and it turned out that I underestimated the anger of the players (it felt like most of them were happy people). Stripped of those rhythmic remarks, the rational player's comments on Sakura's little dance are nothing more than "emotional intelligence is too low, public figures have not yet realized the importance of external words and deeds, and treat the external platform as a circle of friends."
In addition to the emotional intelligence of external PR performance, Sakula Xiao dance does not have many other points worth spraying, such as "not liking and character binding", which is very necessary and annoying to most voice actors.
The characterization depends on: the plot, the artist, the modeling boss, the voice actor, the operation, the technical development and a large number of people behind the scenes, which is disrespectful to other personnel. Moreover, in the big environment, there is no CV can rely on a character to eat to the point of death, eliminate the subconscious cognition of the player to go further, once the CV and the character are too much associated, it is easy to label itself and limit the future, which is disrespectful to the CV.
Of course, these are irrelevant to the player, it belongs to "hanging high regardless of oneself, the rhythm brings up early and goes to bed early and gets up early". So, closer to say: Reiser's English match, Oz's middle match, they because of real-life events, resulting in the role has been "stagnant" for a long time and not UP. If the CV is too tied to the character, and they are subject to their real-life improper behavior, do you feel diaphragm because of the original liking of a character?
After all, the dubbing circle is small, and many cases are not understood. Then take the entertainment circle that the melon-eating masses like to watch the most for example. Wang Chuanjun, who successfully took off the label, and Liu Teacher, who could not tear off the label, such a comparison, I believe everyone will understand.
The essence of most CV dubbing is to come for money, this is the duty of people, cutting off people's financial roads is tantamount to seeking wealth and killing people, and they think that they are humorous, I think it is a demon. There are people who watch the hilarity and don't think it's too big, with the rhythm to let the family delete all the related early grapefruit videos, and even let her quit the early grapefruit dubbing.
Everyone is playing the Kao Ge Terrier, but no one has ever taken to heart what Kao Ge wants to express: "You people don't confuse voice actors with characters." Remember the old six in "Let the Bullets Fly"? No one cares how many bowls of flour he eats, he just wants people to "die". When you were finished scolding, you left, leaving a field of chicken feathers.
The rhythm has been completed, and one of my jobs is to dub the original god early grapefruit CV, and now it is also hung up by some people as "just early grapefruit heat". I'm curious, those who originally came because they liked the sound of the morning grapefruit, but now they have become people who want to destroy the morning grapefruit, what do you think? Not understanding, too magical.