【Art Resume】
Xue Fubin, Hui. Born in August 1944 in Beijing. He has successively served as a member of the 3rd and 4th Directors and Evaluation Committees of the Chinese Calligraphers Association, the 2nd, 3rd and 4th Vice Chairman of the Beijing Calligraphers Association, a director of the Beijing Municipal Federation of Literature and Literature, a member of the Beijing Municipal Committee of the Chinese People's Political Consultative Conference, a judge of the CCTV International Calligraphy Competition, and a judge of the "Lanting Award" of Chinese Calligraphy. His works have participated in the 2nd to 8th Chinese Calligraphers Association Calligraphy and Seal Engraving Exhibition, the China Youth Exhibition, and various important large-scale book fairs at home and abroad. It is also collected by Zhongnanhai, Diaoyutai, great hall of the people and so on. He has published Selected Calligraphy of Xue Fubin, Selected Seals of Xue Fubin, Miscellaneous Traces of Yu Mo (Collection of Poems), Chinese Calligraphy Teaching Series - Research on Xingshu, and a variety of calligraphy teaching materials.
He is currently a librarian of Beijing Municipal Literature and History, an advisor to the Beijing Book Court, the vice president of the China Ecological Calligraphy and Painting Academy, a member of the Chinese Poetry Society, the president of the Chinese Calligraphy Culture Research Alumni Association of Capital Normal University, and a special tutor of the Academy of Fine Arts of Tsinghua University.
Books and sages will be interesting in ancient and modern times
——Talking about Mr. Xue Fubin's poems, books, and prints
Recently read Mr. Xue Fubin's poetry collection "Yu Mo Miscellaneous Traces", which includes a "Wing Chrysanthemum":
Not the fashion is not crazy,
Why should the sun be more prosperous than the crowd.
New leaves in the silence of the hedge,
Laugh at the frost cold to send tuberose.
Suddenly, I felt that this poem was a portrayal of Mr. Wang's current personality.
Mr. Xue Fubin, self-proclaimed blunt bo, do not sign the master of the self-designation, the number of the Shuyuan Hall, the Shenlu, the leakage of the Zhai and so on. From the 1980s and 1990s to the beginning of this century, he was well-known throughout the country, devoting himself to the research, promotion and education of calligraphy art, and using television stations and other media to popularize and improve calligraphy. He has served as a member of the 3rd and 4th Directors and Evaluation Committees of the Chinese Calligraphers Association, the 2nd, 3rd and 4th Vice Chairman of the Beijing Calligraphers Association, a director of the Beijing Municipal Federation of Literature and Literature, a member of the 9th, 10th and 11th CppcC Beijing Municipal Committee, a judge of the CCTV International Calligraphy Competition, and a judge of the "Lanting Award" of Chinese Calligraphy. However, in recent years, it has faded out of the book world, retreated from the rapids, lived in simplicity, quietly immersed in the study of poetry and book printing, and entertained apprentices, which can be described as "knowing and stopping", which makes people impressed by their calm and indisputable. Of course, this is due to the unique personality of Mr. Good at introspection, away from impetuousness, indifferent fame and fortune, and does not compete for length and weakness. This is not easy for people to do today, especially when they are in the limelight.
1. Mr. Mister's poems and texts
Mr. Fu Bin is good at poetry, and many people know his calligraphy, but few people know his poetry and seal.
Part of his poems express personal feelings. Or straight to the chest, or to paint the object. In plain and direct language, write about your own inner thoughts and encounters, never drop the book bag, and do not pretend to moan. This "Self-Solution" can be seen in the situation:
Afraid of encountering high-ranking people and laziness to see officials,
Autism in life.
When you know that all things are different,
There is nothing to do with Buddhas and immortals here.
And in the trek, he laughed at himself as a "symptom", which was quite self-congratulatory. It can be seen that Mr. Fu Bin's indifference and frankness in the world. This kind of poetry is a direct embodiment of personality, or life. More than 10 years ago, he had a song "Self-Deprecating", which is a portrayal of his life:
The nightmare is undefended,
There are gate walls on the road.
Can know from profit and lust,
But less idle talk is short.
To understand Mr. Man's personality, reading his poems is the best path.
His poems are interesting, wonderful sentences, and it is amazing to read. For example, in "Night Reading Feelings", there is a poem that "the evil mosquitoes swing and come, do not hurt the bones but hurt the gods", writing things, satirizing people, vividly conveying the gods. For example, "Autumn Frost has no intention of believing, and the maple leaves are like Dan I have a white head" ("Wing Chrysanthemum"), "Meat and hemp are the most called brothers, work together to pay attention to the police officers" ("Journey to the West") and so on, which can be called the stroke of God.
His poems are mostly discussed by bookworms, and their views are quite powerful, and only those who are good at books and those who understand books can write such poems. For the aesthetic orientation of calligraphy, there is a "Book with Friends", which is brilliantly written:
Gu Nu is light and thin and fake,
Know that the pen and the meaning are connected.
Folk books are not necessarily shallow,
The soul of Shir is in the well.
This poem is extremely informative, and first of all, it despises the so-called calligraphy of drum nu and lightness. Think about how many writers today, or drumming for effort, or frivolous and boring. Secondly, it is said that "pen" and "meaning" are the same, good words must be pen to the pen, the meaning is strong, the pen is not intended to be boring, vainly called famous, deceive the world, naturally will be despised.
There is a "Learning Book Slang", which can be said to be a guide to learning books, although it is titled "Slang", but it is insightful.
The way to get started is inseparable.
The weather vane is alone, and the law is muddy.
There is no self, this is called a skill.
There I can't, it's hard to understand.
Italian harmony, scribe fundamentally.
Gegao rhymes with ancient, can be passed on the art.
The traditional concept of how to understand the "law" of calligraphy is discussed. The first is "not leaving", leaving the law, using the method of the pen, the law of structure, the law of the chapter, without the classics, it is nothing. Therefore, the Fa is the path to entry. It is also said that "no mud" and mud are in the law, so there is no wind god, and it falls into the chess column. It is necessary to pursue "Italian-Legal harmony". Finally, I emphasize that the really good calligraphy is "high style" and "ancient charm". Instead of being hilarious and sensational.
In the treatise poems, there are still more than 20 monograph fonts, from oracle bones, large seals, li, grass, kai, line, etc., according to their historical roles, technical characteristics, aesthetic wind gods or means of circulation and other summaries and summaries, refined and sublimated, each into one or two sentences, easy to remember, catchy reading, indeed conducive to the recognition and understanding of calligraphy learning. Pick up three of them today for the benefit of the reader.
Treatise on the Book of Conduct (Part 1)
At the end of the Han Dynasty, the two Jin Zhen,
The right army style is extraordinary.
How many inheritance pens are there,
Generation has clear labels of Han Merlin.
Treatise on the Book of Conduct (Part 2)
Not true and not grassy,
Interphase prevalence rate between the meanings.
Where the momentum takes shape,
The three drafts of Sanxi are his mountain.
"Hundred Kinds of Arias of Inscriptions on Han Tablets"
Park Mo Sang-woong ancient rhyme,
The turmoil is not the same as the previous dynasty.
Straight fold wave to open up a new face,
Change the law who takes the two Han Gong.
Another "Cursive" poem, writing the cursive posture:
Hands on hand,
The gods were amazed.
Thick and sprinkled with boundless width,
Full of paper and full of emotions.
In addition to Mr. Fu Bin's discussion of books and poems, there are also a large number of articles, which are in-depth, rational and interesting. Among them, "Try to Say Insight" and "Rambling Skills" are two masterpieces with both depth and unique insights, and their writing is simple and smooth, which is quite insightful. "The Dream of the Scholar", like a novel, borrows an old man's "Zhang Twelve" dream oral description, clarifies the "six points" of the study book, reading it is thought-provoking, and the learner will follow the practice and follow the traces to understand, and will be used for life.
Learn the secretary dream
As the saying goes: "Think about it by day, dream by night." "A few days ago, I received a letter from the China Book Association, and about each judge wrote a small article of about five hundred words. The content is to talk about "creative high theory". I have always been afraid of high theories, and I am afraid of two things: one is afraid of misleading people, and the other is afraid that what I am talking about is not high, and I am afraid of feeling guilty. Therefore, after thinking about it again and again, he did not dare to take the initiative to write.
Suddenly, one night, I shook my pen and went to sleep after "innovation" was hopeless. In the haze, I saw an old man, with wide robes and large sleeves, silver hair hanging down his chest, standing in front of the case, pointing to Yu Yan: "Ru Xueshu has been a year, he still does not distinguish new and good, he does not know how to accumulate hair, and Wu zi innovates, how stupid is it to this point?" Yu was stunned, and said, "Dare to ask the honorific title of the seniors, and I would like to listen to the Puritans!" The old man waved his hand and said, "I Zhang Twelve, I don't need to ask any more questions, although Imami Ru is thin and ambitious, he has not yet fallen into a light and crazy abyss, or he may be teachable." Now tell Ru Xueshu 'Twelve Points', notes can also be, hope to do their own thing. ”
Yu Nono, spread the paper and adjust the ink, sit in front of the case. The old man said slowly, "Ru Dangzhi has been passed down from ancient calligraphy to the law, and has changed according to its use." The exquisite remain, and the perverse abandon. Therefore, the law cannot be separated from the mud, and the art of calligraphy can be brilliant and endless, which is one of them. Second, famous masterpieces, whether ancient or modern, should be experienced and played. Learn from them and learn from them. However, do not be superstitious and blindly obeyed, so as not to tie your hands and become a book slave. Third, it may be possible to advocate a certain family, but it is also necessary to know each family. This knowledge of specialization can cure the disease of loneliness. Four: many reviews but do not deny indiscriminately. It is necessary to know that whoever can pass it on to the world must have something to teach. Reverence for stele suppression or reverence for stele, reverence for the king or respect for the king, are all personal likes and dislikes, the words of a family, there is no enough discipline. Fifth, pen and ink, where the bookish sentiment is also, should be relied on. Ruolan Ting, sacrificial nephew, leek flowers, cold food, are all models of double-mindedness, and there is no reason for non-pen and ink proficiency. Therefore, the ancients' classic heart is chased by hand, and it is never excessive. Sixth, always seek where "I" am. After learning from the past and knowing the present, everyone in the past has their own faces, this is the "I" in the Fa, and if you have learned and realized, the wind god is at ease. At this point, the old man abruptly stopped, brushed his sleeves away, and said: "The time of the son has passed, the rest of the 'six wants' will tell Ru tomorrow, there is a little boy in Jiangnan, I will promote it tonight." Say goodbye and pass away.
I still don't know who "Zhang Twelve" is, and who the Jiangnan boy is. Only what the old man said did not dare to be selfish, and now he will record it for the sake of goodness.
Mr. Mister's poems are relatively rich in content, and the writers are also accurate and in place, often with a bit of attention, which is eye-catching. There is a poem "In Memory of Mr. Lin Sanzhi":
Han Yi Gao Huai Ren Zongheng,
Do not argue about the length and shortness of the business.
Poor countless scenery guests,
Who fu mr. posthumous name.
Among them, the sentence "do not argue about the length and shortness of the business" is an accurate description of the scattered old, which can be known to the cultivation behavior and life attitude of the scattered old, and Mr. Is deeply dissolved and the old.
The 30th anniversary of Mr. Lao She's death
The pen is like a rafter to talk to all sentient beings,
Write fraternity sincerely,
Gratuitous but physically and mentally humiliated,
Conquer the unyielding sacrifice of peace.
Yu Ru," such as "In Memory of Mr. Lao She", "Mr. Gao Ershi", "Four Songs of The Journey to the West", etc., are all meticulous and sincere works.
Mr. Loves to hide strange stones, and has made several poems of "Playing with the Hidden Stones", the third of which is written like this:
Reclamation to make up for the day has not been completed,
The body is terrified.
Dare to speak of the wide and pedantic creation,
But the church worker lang got its name.
It praises the unpredictability of nature, and satirizes the inadequacy of mediocrity. The imagination is broad, the fun is strong, the reason is interesting, the taste of poetry is delicious, and it is high-fived to read.
Regarding Mr. Xue's poems and texts, the above is only a few examples, and it is difficult to see the whole thing.
2. Mr. Calligraphy
When it comes to Mr. Fu Bin's calligraphy, what is surprising first is his comprehensiveness and refinement, and secondly, the realm and style he pursues. It may be the need of his professional calligraphy teacher, who can grasp all kinds of fonts accurately, switch at any time and get the law in place. When demonstrating to students, nature is casual, and the listener has a lot of inspiration. No matter which font, the shape of the god appears immediately, which shows his daily dedication to calligraphy and dedication to teaching.
What does a good word look like? When Sun Guoting commented on Wang Xi in the book score, he said: "It is the book of the Right Army, and the last years are more wonderful, when the fate is thoughtful and deliberate, the ambition is peaceful, it is not exciting, and the wind rules are far away." Peace of mind is the same as the aesthetic interest of traditional culture. Calligraphy is part of classical culture, and it must also be consistent with the Confucian middle and neutral realm. Zhu Xi commented on the word "moderate" as "impartial, without fault and without failure." When it comes to writing, there is a question of grasping the "changing" fire. If the change is too much, it will flow roughly; if it is not enough, it will be dull and boring. A good word should be extremely rich in connotation, and it is displayed in a peaceful and gentle state, which is the realm.
Taking Wang Xizhi as an example, in the "Order of the Holy Teachings of the King" and various codexes, Wang has the highest technical content, and Mr. Wang said 20 years ago: All the means of change of today's people have not exceeded the scope of Wang Xizhi, which is indeed the supreme theory. The works of Wang Xizhi that we have seen are extremely rich and classic, from the brush technique, the structural technique, the handling of the chapter and the appearance of the wind god. However, the character Wang appears in a peaceful guise. It is difficult for us to find the mystery when we first learn, one of the reasons is that all the variations of Wang Zi are very subtle and introverted, and it is strange and dangerous in peace, so it is not easy to be detected. In this way, the face of the word is peaceful and connotative, and the machine is rich. That is, the so-called "seemingly ordinary and strange, as easy as easy but difficult". The aesthetics of calligraphy expressed by Mr. Li in literary works such as poetry, literature, dialect, and joint sentences are consistent with this realm. Mr. Li once made a couplet: "Thinking about its beauty is light and tasteful, and when it is deep, it is simple and vulgar", which can reflect Mr. Li's calligraphy aesthetics. Only those who have made great efforts to the classics of the ancients, have had a deep experience, and truly touched the ancients' beating artery beats, will they have such a deep experience, feeling and understanding. Therefore, in the "Learning Books and Slang", he clearly put forward the criteria for judging the calligraphy art of "gegao rhymes with ancient and can be passed on".
In the initial period of the calligraphy major of the College of Education, the scale is small, the teachers are small, and due to the needs of teaching practice, Mr. Fu Bin has undertaken the teaching and practice of many courses, so he has dabbled in all aspects of calligraphy and has a deep experience. Mr. Fu Bin studied Wei Bei in depth and made great efforts. Mr. Ouyang Zhongshi wrote of Mr. Fu Bin in the preface to "Residual Ink Miscellaneous Traces": "Especially in the study of Wei Bei, it can not only dabble in a variety of things, but also be extremely refined, and then on this basis, it is more pursued and a new look is reproduced." ”
Mr. Wang Xizhi is familiar with Wang Xizhi, and has written the book "Introduction to wang Xizhi's Travels", which can be seen that he is familiar with the colorful changes of Wang Zi. Mr. Wei's monument has never appeared exaggerated space reinforcement, leaning on the side, etc., but appears in a peaceful appearance. Mr. Despises the wind of encouragement, and he hates the words "shyness" and "open teeth and claws". Mr. Wei's Wei Monument is a kind of character that returns to peace, just as Sun Guoting said, "At the time of the general meeting, everyone is old." Such a realm will certainly not fall into the exaggerated frenzy of many Wei Bei scholars. This peaceful realm is the realm consistent with traditional culture, which means that it changes in peace, "GeGao Yun Ancient".
Judging from Mr. Wei's works, there was an exploration process, and some of the early works were taken from the Fa Shi Men Ming and Zheng Wen Gong Steles, and some were taken from the Fa Zhang Raptor Stele. As Mr. Ouyang said, "dabbling in a variety of things" and "imitating the extremely refined", and then it is integrated into its own style. For example, the work "Joke about the Red Chamber" is already a work of integration, with rich glyph changes, the long shape of "exhaustion" and "Tang", the flat shape of "also", "flow", "talk" and "illusion", with both pen and circle, dot painting and beautiful flowing beauty, and the change of knots is strange. For example, the leaning side of "to", the strengthening of the upper space of "wind", "world" and "fullness", the strengthening of the lower space of "transparency", and the wide middle of "phase", are all difficult for ordinary people to reach, but there is no sense of abruptness, and the whole passage is elegant and peaceful, and has reached the realm of "high rhyme".
Mr. Fu Bin has done various research and explorations on the book and has gained a lot. And this year, more than ancient rarity, but also often as a small Kai, Wei Tang compatible, unique. Mr. Yan has had an in-depth and mature exploration of Yan Ti kaishu. For example, the following work, "Summer Climbing the Car and Covering the Pavilion", appears in the face of "Yan", and conducts unique research and exploration on the knot body and space treatment. Most of the words were tightened up and loosened, strengthening the treatment of the upper space. For example, "bamboo", two apostrophes protrude a lot from the upper part, making the upper part extremely wide. The shortening of the vertical hook of the "hand" is also a structural feature that forms a tight upper and lower looseness. Although a work like this appears in the guise of Tang Kai, it must have mr. Li's own understanding, research and unique ideas. This technique of strengthening the upper space is often used in the calligraphy of Wang Xizhi, Wei Stele, Epitaph, and Zhong Xuan. It can be seen that Mr. Wang's familiarity, understanding and grasp of the classics, therefore, there is such a distinctive feature of the "Xue body" script appears, like a face rather than a face, there are various classic shadows, but do not show traces, which can not but be said to be a successful yan body calligraphy creation work.
Mr. Fu Bin lishu, traced back to the two Han Dynasties, under the Qing dynasty, took a wide range of methods, and forged it. In his early works, there were obvious objects of taking the law, some relying on the "Zhang Qianbei", some referring to the "Ode to the Stone Gate", and some taking the law Deng Shiru and Jin Nong.
The following painting is Mr. 2004's work, at that time, his lishu has been integrated, also Han Yiqing, there are Han stele, Moya, Jianshu multi-party integration, flat and positive in the momentum, strong pen strength, smooth writing, and there are signs of Mr. own cursive lines, full of affiliation, full of personality.
I would like to say a few more words about Mr. Fu Bin's cursive writing.
First of all, Mr. Fu Bin is famous in the book world for his unique and clean lines. For the use of pens, Mr. Li once said that such an example: use pens for cursive writing, do not rush, but like Huang Tingjian's pen, "hesitating and walking", walking on the road, calmly. Mr. Huang's cursive lines can move people, there is an indescribable feeling, it seems to stem from Huang Ting's calm and steady, but also Yan Zhenqing's arrogance, but also the Ming people's invincibility, just like his Wei Kai and Lishu, are gathering a lot of people in the pen. Mr. Li once had a "Treatise on Books and Poems": "There are guests who come to talk about writing homes, and the oneness of the one is exaggerated." Looking at the Sacred Hand Covenant, the literary quality is through the Reiki Self-Hua", Mr. Fu Bin advocates the Bo Guan Covenant. Integration, first of all, is to be familiar with the families, to be able to touch the classic blood, deep, and skilled. I remember 20 years ago, a friend took the work to consult Mr. Mr. Yan, Mr. Talked about the space treatment of Yan Zhenqing's book, wrote a few examples at will, the lines and structure are accurate in place, which shows that Mr. Yan Xingshu is very familiar with it.
There is also a unique place, that is, Mr. Weibei is integrated into the Wei Monument in the book, which is based on Mr. Weibei's deep accumulation. This road, which is more successful, is also relatively valuable. Xingcao and Wei Bei, the brush strokes are not easy to integrate, it is two states, but Mr. can integrate and penetrate, such as an antelope hanging horns, without showing traces, which is a relatively successful exploration. Sometimes, when the grass is fused together, people will feel the clues of Yan Zhenqing's "Poems of General Pei". In his writings, there are often waves of "Xue's" long strokes, which seem to be written in the shape of Wei Bei in the line of Huang Tingjian, which is full of pain and happiness, which makes people shine.
Mr. Wang Xizhi, Yan Zhenqing, Huang Tingjian and other families, the structure of the pen and ink traces back to the classics, coupled with personal learning temperament, creative casualness, rich skills. Sometimes the space is boldly exaggerated, showing great boldness, dry and moist with ink, and the rules are relaxed. For example, the work "Chuzhou Xijian" makes a lot of use of the structure and chapter processing techniques in the classics, and if the careful can carefully explore, they will benefit a lot from the technical level and get a lot of inspiration.
The three words "alone", "tree" and "sheng" are relatively thick, and "du pity", "rainy night", and "boat self-horizontal" form a three-character group, showing the rhythm of the chapter. The words "alone", "oriole", "tide", "wild", and "horizontal" emphasize the wide space in the middle, and the words "edge", "evening", "wild" and "horizontal" are pulled apart horizontally, showing the boldness of processing words. From the technical level, the skills of calligraphy and chapters are rich, and the penmanship is delayed and the speed is decent, and the reward is amazing!
The above is an attempted interpretation of Mr. Xue Fubin's calligraphy, because his talent is sparse and shallow, he can only say it roughly, and the more exquisite and exquisite points cannot be expressed.
3. Sir's seal engraving
Mr. Fu Bin also worked on seal engraving, but not many people knew about his seal engraving, probably obscured by the title of the book. In 2004, the World Book Publishing Company published the "Collection of Seal Engraving Works of Xue Fubin", which contains Mr. Xue Fubin's 140 square seal engraving works. In the self-prologue, there is the phrase "thirty years of obsession, the original intention is self-keeping", which shows the sincerity of the intention of the seal carving, and the depth of the love.
(i)
Mr. Fu Bin's seal engraving is first of all an expression, or to express deep inner emotions, or to feel something about the world, or to express the philosophy of life. For example, Zhu Wen's "Inch Grass Heart" seal, its side paragraph cloud: "Whoever speaks of the inch grass heart, repays the three Chunhui, respects the eighty-second anniversary of the birth of Xianci", its sentiment can be learned, this is the expression of filial piety.
Zhu Wenyin also "The Mandate of Heaven can be known", Qian Yun: "The fifty years of the Remaining Age, that is, the ancient so-called year of knowing the Mandate of Heaven, but everything in the world, the state of human feelings, how many do you know?" The interpreter is even more aware of the subtle, such as the retribution of good and evil, often when people are strangled, whenever the wicked are proud, it is not uncommon in ancient and modern times, that is, this case can be known that the destiny is unpredictable, and it can be said that it is known, or it is known, nor is it known. It can be seen that this seal expresses an emotion of unevenness, compassion and kindness, and lamentation of life.
Zhu Wenyin "Qingping", with eight words inscribed on the side paragraph: "Qing is not vain, and ping is idle", which is a philosophical expression after Mr. Qing's life understanding.
Bai Wenyin's "cold eye view" and the side money cloud "good and evil must not be known", must be done after people and things, after thinking and feeling.
Bai Wenyin "peace of mind", side of the cloud: "reasonable is peace of mind".
It can be seen that Mr. Wang's printing is not only for art, but to "reach his sentimentality and shape his mourning", to understand Mr. Wang's seal engraving works from the perspective of expression, and to print his poems.
(ii)
Mr. Wang's seal engraving works attach great importance to the layout of the space, in order to form a strong contrast, which is related to his familiarity with the classics and the profound accumulation of calligraphy, the "Master of Xiuyuan Hall" is extremely dense with the right, the space on the lower left is empty, which is shocking, "the sparse place is sloppy, the secret is not allowed to needle", which must be familiar with the Chinese seal and the way of calligraphy.
"No two methods" take the French gold text small seal, with its glyphs, the area occupied by the "law" on the printing surface is more extravagant, the strokes are also relatively concentrated, and the rest of the characters are contracted, forming a tight left, a wide middle and a lower width, a wide place like a person walking in the wilderness, and a secret place like a deep forest, which is reasonable and interesting.
"Cold Eye" small print, "Eye" indulgence", the last pen is recycled to strengthen the density, "Cold" contraction, large area of blank space in the lower left, and the upper part of the entire layout is sparse and blank.
This great omission is also reflected in the following works. It embodies the courage and courage of artistic processing.
(iii)
Mr. seal engraving, has its calligraphy with the pen interest, from the stroke characteristics to understand, can be described as "with the book into the print", Mr. seal engraving does not like straight and smooth, and still jagged, natural to carve decoration, a natural.
Mr. seal carving, but also its own unique appearance, white text seal, derived from the Chinese seal, knife fun, strong penmanship. Take "Write My Heart" as an example, the lower part of "I" has six strokes, and the upper part of "Heart" has five strokes, and the knife technique is sharp; the lower part of "Writing", five small vertical rows are lined up, unique and interesting.
In addition, there are still several white text seals that borrow from hanyu seals, which are simple and simple, clumsy and strange, peaceful and strange, stable and clever, and it is very attractive to read. For example: "Leave this photo", "Take the book as a friend", "The writer lyrics", "Lang Han" and so on.
Yu Ru's single knife engraving of several sides is also unique, quite light and interesting, such as "inch grass heart", "take the cloud", "peace of mind" and so on.
(iv)
Mr. seal engraving has made a variety of attempts, such as the inscription into the printing, Wei Stele is Mr. Strong, so there are sometimes Indian explorations, such as Zhu Wenyin "Sai Ong Ma", round and flowing beauty, like taking the cliff. "There is a place where there is a heart", then take the monument directly, and Zhu Wenyin "Fu Bin" will put the grass into the print. There are still those who intend to seal the mud, such as Zhu Wenyin's "Dadu" and "Miaozuo Nature", which are also full of natural interest.
IV. Concluding Remarks
Mr. Fu Bin advocates that the study of calligraphy is an individualized growth under the traditional observation and practiced by example. He has deeply studied and accurately grasped a large number of ancient classic works, and selectively absorbed and integrated them to form the "Xue"style. Now, Mr. Li is more than a year old, and he is still in the pool day by day, thinking about the trial. It should be said that Mr. Fu Bin regards calligraphy as a lifelong pursuit and does it as a career. With his qualifications, there are many opportunities to vigorously publicize in order to seek fame and profit, but he is low-key and self-disciplined, despises hypocrisy, silently cultivates, and does not make a fuss. On the one hand, this is due to personality, and on the other hand, it is thinking outside the red dust.
For beginner calligraphers, Mr. Fu Bin follows the rules and temptations, tirelessly teaching people, and often mentions the question of how Mr. Ouyang treats students. There are people who come to seek advice, regardless of age, level, mr. are equal, careful explanation and demonstration, tireless, quite a teacher style. For beginners to learn calligraphy, Mr. Li has the metaphor of "digging a well", advocating that it is necessary to choose a place to dig out the water, and not to stop at three or four nights.
Although Mr. Fu Bin has been more than a year old in recent years, he has gradually traveled less and communicated, but he occasionally has the opportunity to facilitate, and still communicates with his old friends in ink and ink, but gradually becomes much calmer, indifferent, and entertains himself with poetry and books. When a guest visits, he is still enthusiastic, detached, and happy.
Mr. Zhou Ruchang has a unique view of Li Shangyin's "the sunset is infinitely good, but it is near dusk", and it is very sad to understand, he believes that only at dusk, the sunset is infinitely beautiful. With the sentence of Yishan, the explanation of Mr. Zhou Ruchang, and the art of calligraphy of Mr. Fubin, it is too appropriate! Mr. Fu Bin's poems, books, and prints are all displays of learning and personality. The integration of poetry and book printing is also like the integration of personality in Mr. Life. Whether it is a person or an artistic achievement, it is a high standard in today's book world. Zigong commented on Confucius's "elevation of migao", and we can also use these four words when we look at Mr. Fubin's people, poems, books, and seals today.
Finally, he concludes with one of his five-sentence poems:
Learning books is like winning,
The beauty is in the confusion.
The road turns back to the peak,
Pleasant scenery is self-explanatory.