Does calligraphy have historical limitations? The answer seems to be neither yes nor none. If there is, we can still feel the charm of the famous calligraphy passages of a thousand years ago; if not, the words written by any literati are better than the masters of the Chinese Book Association today, although these masters have practiced art for a lifetime. The ancients did not regard writing as a professional art, but as a crown of articles, as a carrier of culture and emotion.
Contemporary calligraphy is indeed full of strong "innovation" and "personality", but it seems that the common problems are the lack of children's skills, unstable foundations, and insufficient cultural heritage, so the words written are often difficult to be accepted by the masses. What the representatives of today's calligraphy and painting class want to share is the works of Pan Linggao, a famous calligrapher in modern times.
Pan Linggao's calligraphy is in the same line as Su Shi and Liu Yong, such as cotton wrapped iron, containing bones and bones, which is a very rooted kung fu character and cultivation word, and is recognized by society! Mr. Ouyang Zhongshi said: "When you open the scroll, you don't have to look at the falling model, you know that it is Pan calligraphy." Even many calligraphy enthusiasts believe that Pan Linggao's calligraphy is comparable to the "Qing Sijia". In addition, the charm of "softness on the outside and rigidity on the outside, and inner bone on the outside" embodied in Pan's calligraphy is also completely in line with his personality and disposition. Next, enjoy his calligraphy works together-
<h1>Appreciation of Pan Linggao's calligraphy works</h1>
Pan Linggao's calligraphic knots are different from those of his predecessors, and they are full of interest and vivid charm. The overall feeling of his calligraphy is sparse, symmetrical and stable; fat and thin contrast, size and size; thickness and thinness are staggered, light and heavy are seen, ups and downs, rhythm is vigorous; fat is not bloated, thin is not thin, wide is not loose, fine is not delicate. In short, Pan Linggao's calligraphy is beautiful and divine, soft on the outside and rigid on the inside, delicate but not vulgar, subtle but not sharp.
Pan Linggao (1867-1954), Zi Xijiu, Hebei An xinren. In 1881, Zhongxiu Cai, in the twentieth year of Qing Guangxu (1894), was promoted to the middle of the harem examination, and was awarded the editing of the Hanlin Academy. After 1949, he served as a senator of the Military Commission of the Central People's Government and was one of the first librarians of the Central Museum of Culture and History.
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