Time flies, the years go by, and we seem to have gradually forgotten those "treasure actors" who shine and heat on the movie screen. Back then, they touched the hearts of the audience with their sincere acting skills, but most of them have now left us.
Before you know it, those familiar faces are no longer on the big screen. In their place, a new generation of young actors is coming. They have more professional acting skills, but they often lack enough life experience to integrate their own experiences into the roles like the older generation of actors.
As a result, we feel that the current "tough guy actors" are hard to find and cannot be compared with the "treasure actors" of the past.
Ah, when I think of watching their works in the cinema, I was irrepressibly shocked and moved! Liang Shan, Gao Bo, Li Wei...... One by one has left an indelible mark on our hearts.
Perhaps, this is the charm of the movie, it can freeze the living characters forever in the memory of the audience. For me, they are the living fossils of Chinese films, immortal spiritual symbols, and they will always be worthy of our nostalgia, remembrance and learning Xi.
Times are changing, and there are many talents, but the title of 'treasure actor' seems to be only an outpouring of our memories of the past. Let us cherish the memory of these predecessors who have made significant contributions to the Chinese film industry with the mentality of appreciation and inheritance, and look forward to the new generation of actors who can one day become the 'treasures' of the film industry."
In the 30s of the 20th century, Shanghai Film and Television Studio ushered in the first batch of "treasure actors" to join, kicking off its golden age.
I remember that when Liang Shan and other old artists joined Shanghai Film Studio, they were already well-known in the film industry and had rich acting experience. In Shanghai Film Studio, these "treasure actors" finally have a stage to display their talents, and reached the peak of their artistic careers here.
"Red Women's Army", "Crossing the River Reconnaissance", "Autumn Weng Encounters Immortals", ...... A series of well-known masterpieces were born under their superb interpretations, which pushed Shanghai Film Studio to the center of the Chinese film industry.
In the 40s, a group of young actors such as Guan Hongda joined, injecting new vitality into Shanghai Film Studio. In the 50s, powerful actors such as Deng Nan emerged, making the talent team of Shanghai Film Studio stronger and stronger.
In their hands, typical images of workers, peasants and soldiers came to life in front of the audience on the screen. In the 60s, Shanghai Film Studio entered its heyday, and artists such as Jiang Shan reached the peak of their acting careers, and their excellent acting skills established a good brand image for Shanghai Film Studio.
It can be said that the golden age of Shanghai Film Studio was created by these "treasure actors" together. Without their dedication, there would be no glory of the studio. They are the soul and foundation of Shanghai Film Studio, and they are also witnesses and participants in the history of Chinese film.
These "treasure actors" of Shanghai Film Studio are all masters of performing arts, and each of them has given full play to their strengths in their masterpieces, pushing their acting skills to the pinnacle.
I still remember that Liang Shan played Huang Zhenshan in "Red Women's Army", that kind of unpretentious charm, truly restored the mental journey of an ordinary farmer.
Paul Li's father Li in "Song of the Phoenix" travels through time and space to hit people's hearts, and his temperament reveals a trace of childishness that does not match his age. Deng Nan's monk Ah Xin in "Stage Sisters" vividly interprets the kindness and simplicity of a positive character.
Zhang Yan won the actor for his interpretation of the role of Jiang Maofu in "The Laughter of Moon Bay", which shows that his acting skills have been perfected. Bai Mu's restrained performance style is different, especially his role as Du Wenjie in "Spring Miao", where the delicate fluctuations of his heart are perfectly revealed through subtle facial expressions.
The statement is good at villain roles, and the enemy intelligence chief in "Crossing the River Reconnaissance" can be called his masterpiece, and his vicious and cunning face is portrayed creepy.
It can be said that these "treasure actors" are all acting schools, and their enthusiasm and professionalism in their acting careers have embarrassed future generations. The well-known screen images have achieved their status as masters of performing arts.
As the most important cradle in the history of Chinese film, the group of "treasure actors" cultivated by Shanghai Film Studio has made indelible contributions to the development of China's film industry.
From the silent film period to the sound film period, from black and white film to color film, these actors witnessed and promoted the technological progress of Chinese cinema. They have proved with their strength that Chinese actors are by no means worse than foreign actors, and they have performance standards comparable to those of the international film industry.
It is they who have brought Chinese films to the world stage and won many awards at international film festivals.
As one of the top film production bases in China, Shanghai Film Studio has gathered many top actors. Whether they play the leading role or supporting role, they are able to portray the characters delicately and vividly, showing the super acting skills of Chinese actors.
It can be said that without this group of "treasure actors" with superb acting skills, there would be no prosperity of the Chinese film industry.
In the history of Chinese film, they have left a unique spiritual wealth and shaped countless classic screen images. It is these images that enrich the connotation of Chinese films and enhance their artistic taste.
Without them, the development of Chinese films will inevitably jump into the blank of history.
The "treasure actors" of Shanghai Film Studio, whose group from birth to decline, are just like a microcosm of Chinese films from germination to prosperity to decline.
After the 80s, the older generation of actors who represented the golden age of Shanghai Film Studio, such as Liang Shan and Li Paul, have gradually faded out of the screen. The four major villains such as Statement and Dong Lin have also entered the late stage of their acting careers.
Batches of new-generation actors took over their baton, but after all, they could not completely fill the gap they left.
In the 21st century, most of the old artists who once shined on the screen have passed away one after another. Gao Zheng, Tie Niu and other old-timers passed away one by one, and the group of "treasure actors" of Shanghai Film Studio is also disappearing in the torrent of the times.
Today, Niu Ben, the only living among them, is also Fang Hua and easy to age.
Time passes, years that will never come again. What we have lost is not only the actors themselves, but also the glorious era they represent - the golden age of Shanghai Film Studio.
Although the new generation of actors has made more and more sophisticated films, it is difficult to reproduce the thick and deep charm and charm.
The times are moving forward, and life is dispersing. In the face of this impermanent fate, we can only gently and reminisce in our hearts about the screen treasures they left behind.
These "treasure actors" of Shanghai Film Studio, their superb acting skills on the screen with their lifelong enthusiasm, have become a magnificent chapter in the history of Chinese film.
From Liang Shan to Niu Ben, from silent films to sound films, from black and white to color, they use their acting skills to depict the bits and pieces of the century-old development of Chinese films. The classic screen images that are popular among the people have become the precious spiritual wealth of Chinese films and enriched the connotation of film art.
Although the years have not forgived people, and many old artists have passed away, the works and spirit they left behind are always worth learning from Xi. As Hemingway said, people die, but good books last forever.
The classics left by these "treasure actors" have become the precious spiritual wealth of Chinese films and will always be remembered by history and the people.
Let us uphold the spirit of our predecessors, never forget our original intention, and continue to contribute to the development of China's film industry. Let us also look forward to the new generation of filmmakers who can absorb the essence of their predecessors, create brilliance again, and write a new chapter in Chinese films.
Finally, let us devote ourselves to creation with full passion, treat every character with a rigorous style, render every story with heart, and continue to contribute to the development of Chinese films.
I believe that as long as there is a dream and passion, the future of movies will be more dazzling.