1. Huang Binhong's paintings rarely depict thousands of rocks and ravines, often a main mountain, a stream, and two houses to form the picture.
The master didn't even have the consciousness to construct a three-dimensional space. In addition to the necessary streams and mountain roads to guide the line of sight, the relationship between the front and back depth is mainly achieved through the sparse contrast of lines.
2. Short-term arrangement, the achievement of a simple pen and ink appearance.
Huang Binhong's landscape is rich and rich, mainly through the accumulation of ink in the two-dimensional space.
The simple and slightly loose combination of short lines forms a flat brush-and-ink language, which is highly pure.
Simple and rhythmic, unified and varied, concise and connotative.
3. The combination of simple distant mountains and large areas of dense dots and lines forms a contrast between shades and densities, and has a strong sense of wholeness.
The dots and lines are clumsy, full of chemical machines, diluting the hills and ravines and three-dimensional sense
The main mountain is rich in dots and lines, and the changes are endless, and the pen and ink completely enter the free kingdom of Chenghuai and Guandao.
4. The dots and lines are densely mottled and the clump structure is very sculptural.
The rich and simple world of brush and ink is unpredictable, containing the master's profound learning and the spirit of Chinese culture.
5. The imagery is more simple than the traditional realism.
The master's paintings are neither figurative nor completely abstract, but an imagery between the similar and the dislike, the absolute and the never.
The Guru Dharma is different from the tradition. The dots and lines are simple and full of life
The semi-abstract brushwork, detached from the form and more subjective, is not tolerated by many people who are influenced by Western painting and sketches and are keen on realism.
The dots and lines have different shapes, and the shades of dry and wet vary greatly. Focus on the fun of pen and ink, and dilute the form and three-dimensional sense of trees and stones
The imagery is very modern, beyond the aesthetic category of ordinary people.
6. Rustic and concise, far from utilitarianism.
The simple brushwork comes from the noble character of the painter and the purity of his heart.
Simple and introverted, rich and rich.
Thick doesn't have to be ink multiple times. The combination of simple and dark brushwork can also give people a sense of richness.
The mountains and rocks are empty, and the trees and stones are simple and elegant. Frank and naïve, uninhibited.