The new flagship model of Fujifilm's medium format digital camera GFX series, the "GFX100 II", which is a mirrorless camera equipped with a large-format sensor, the progress of the GFX100 II lies in its high-speed performance. In addition to the newly developed GFX 102MP CMOS II HS sensor with high-speed readout, the GFX series also features the latest image processing engine "X-Processor 5" series that was previously introduced in APS-C mirrorless X. Continuous shooting performance, autofocus performance, video performance, and operational response have all been greatly improved.
1. Designed for ease of use
The first major difference compared to the previous model, the GFX100, is the body size. The GFX100 has an integrated vertical handle, while the GFX100 II has a vertical battery handle sold separately, making the body more compact. The body tends to be larger compared to the size of the sensor, but even with large format, the grip is deep and thick, allowing you to hold it firmly and operate it with ease. IN ADDITION, A NEWLY DEVELOPED TEXTURE WAS USED ON THE RUBBER SURFACE OF THE BODY, CALLED "BISHAMON-TEX". The three-arrow pattern improves grip in all directions when holding the camera.
In terms of operability, a new "triple function button" has been added, which can be pressed with the index finger while holding the camera. The buttons are not printed on the surface, so you can assign them your favorite functions. The spacing between the buttons is good so I don't have to press the wrong button, and I can use it comfortably while viewing through the viewfinder. For example, to adjust exposure compensation, press the function button and turn the command dial to adjust.
Looking at the top, you'll notice a sub-LCD display that lets you see the camera settings at a glance, even when the power is off. The LCD screen is larger than the previous model, and the text display is also larger, so I find it very easy to read and practical. In addition, the top of the GFX100 II is angled and tilted forward 11 degrees to improve visibility.
The LCD on the back, like the GFX100 and GFX100S, is tilted in 3 ways. The large 3.2-inch, 2.36-million-dot display beautifully displays the images I capture, and every time I take a picture, I feel happy.
On the other hand, the viewfinder's point count and magnification have been improved compared to the previous model. It uses Fujifilm's highest specification EVF (approx. 9.44 million dots) and 1.0x viewfinder magnification. The extremely wide field of view and clear images gave me an extremely immersive shooting experience. Personally, probably what impressed me the most about the GFX100 II was the viewfinder. It offers such a wonderful look and feel.
In addition, the GFX100 II's EVF unit can be removed from the fuselage. Like the GFX100, it is compatible with the separately sold accessory "EVF Tilt Adapter", which allows you to change the mounting angle of the EVF by mounting it between the fuselage and the EVF unit. By pointing the EVF straight up, you can take photos in a more flexible camera position, such as holding the camera on your chest while looking through the viewfinder.
2. Use with the new lens "GF55mmF1.7 R WR".
For this shoot, we used the new G-mount lens "GF55mmF1.7 R WR" released at the same time as the GFX100 II. It is a large-aperture monofocal lens with a standard angle of view equivalent to 44mm in the 35mm format, and an F1.7 aperture for soft and beautiful bokeh.
Among lenses with the same aperture of F1.7, the "GF80mmF1.7 R WR" is popular as a portrait lens that can provide excellent depiction, but this GF55mmF1.7 R WR also looks good for portraits and snapshots. It will become a new standard lens that can be used for a full range of purposes such as landscapes.
The GF55mmF1.7 R WR is the first GF lens to use an 11-blade circular aperture. Even when the lens is zoomed out from the wide-open aperture, the bokeh remains round, making it a lens that can enjoy beautiful bokeh performance in a variety of situations. The minimum shooting distance is 0.5m, the maximum magnification is 0.17x, and the weight is about 780g.
3. Large format brings extremely high image quality
The GFX series is equipped with a large-format sensor with an area of approximately 1.7 times that of a full-size sensor. A large sensor with a diagonal length of 55 mm (43.8 mm wide x 32.9 mm high) can receive more light (information) and has other features such as rich gradation representation, accurate color reproduction, and excellent resolution to achieve an overwhelmingly high image. Quality that cannot be achieved with a camera.
The GFX100 II has an extraordinary pixel count of 102MP, which is about 102 million pixels. Although it is equipped with a newly developed sensor, the number of pixels itself remains the same as the previous model. The most common mirrorless cameras have around 25 million pixels, but this one has four times as many pixels. In other words, four colors can be used, while a typical camera can only express one. Even complex colors can be presented with smooth layers, and accurate color reproduction allows you to take photos with beautiful texture and full of three-dimensionality.
拍摄设备：FUJIFILM GFX 100 II + GF55mmF1.7 R WR 拍摄设置：F5 1/100 秒 ISO100 胶片模拟：REALA ACE
拍摄设备：FUJIFILM GFX 100 II + GF55mmF1.7 R WR 拍摄设置：F1.7 1/320 秒 ISO80 胶片模拟：REALA ACE
拍摄设备：FUJIFILM GFX 100 II + GF55mmF1.7 R WR 拍摄设置：F1.7 1/1100 秒 ISO80 胶片模拟：REALA ACE
拍摄设备：FUJIFILM GFX 100 II + GF55mmF1.7 R WR 拍摄设置：F1.7 1/1500 秒 ISO80 胶片模拟：REALA ACE
Even in backlit scenes in direct sunlight, the GFX100 II renders excellent depiction. The clouds might have been blown away if a normal camera had been used in this scene, but with GFX's wide dynamic range and rich layers, the shadows of the clouds can be clearly captured. Combined with the high-contrast "classic negative" colors, I was able to take a photo that emphasized the three dimensions of the clouds.
摄影器材：FUJIFILM GFX 100 II + GF55mmF1.7 R WR 摄影设置：F4 1/4000 秒 ISO80 胶片模拟：经典负片
If you're using GFX, you should definitely try a horizontal aspect ratio of "65:24". The lens I used this time has a standard angle of view equivalent to 44mm, but if you shoot with this aspect ratio, you can naturally feel the spaciousness of the panoramic photo. This aspect ratio has a large crop at the top and bottom, and allows you to shoot horizontally in lengths of more than 16:9, making it perfect for situations where you want to create a cinematic look.
拍摄设备：FUJIFILM GFX 100 II + GF55mmF1.7 R WR 拍摄设置：F8 1/100 秒 ISO640 胶片模拟：REALA ACE
Fourth, subject detection auxiliary shooting
The GFX100 II can now capture a wider range of subjects more easily than ever with subject-detection autofocus included in the 5th generation X-Series models. It can detect not only people, but also animals, birds, cars, motorcycles, bicycles, airplanes, trains, insects, and drones (insects can be detected as "birds" and drones can be detected as "airplanes").
When an animal or insect is detected, the detection frame automatically tracks the head and eyes to focus on it, so I was able to focus on composing and taking a picture without having to move the AF area every time. However, the GFX's depth of field is very shallow, so it's a good idea to check if your eyes are in focus every time you take a photo. The detection frame is focused on the head, but in the case of a butterfly, it is usually focused on the foot slightly forward.
拍摄设备：FUJIFILM GFX 100 II + GF55mmF1.7 R WR 拍摄设置：F2.5 1/100 秒 ISO160 胶片模拟：REALA ACE
拍摄设备：FUJIFILM GFX 100 II + GF55mmF1.7 R WR 拍摄设置：F1.7 1/2000 秒 ISO3200 胶片模拟：Velvia
The GFX100 II also improves continuous shooting performance. The mechanical shutter enables high-speed continuous shooting of up to 8.0 frames per second (5.0 frames per second for GFX100S), making it ideal for sports photography, which was difficult with previous GFX cameras. The buffer memory has also been increased compared to the previous model, so you can easily shoot continuously at shorter intervals. #夏日生活打卡季#