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In December 2008, a heart-wrenching piece of news came from the cold winds in Beijing. A respected veteran artist in the Chinese film industry, Ms. Li Jian passed away quietly at the age of 91 at the Third Courtyard in Beijing.
She is the kind "Grandma Gazi" in the hearts of many audiences, and she is an indispensable bright spot in the history of Chinese film.
However, this actor, who once shined on the screen, chose the most simple way to say goodbye to the world. There is no solemn funeral, only a small mourning hall at home.
This artist, known as one of the "Four Old Dans" of Beijing Film Studio, used her usual low-key to bid farewell to her beloved stage and audience.
In a scholarly family in Qingdao, Shandong, a girl destined to leave a strong mark in the history of Chinese cinema was born in 1917. She is Li Jian, an actor who will be deeply rooted in the hearts of the people with the image of "Grandma Gazi" in the future.
Li Jian's father was an educator who followed Sun Yat-sen, and his mother was a well-educated lady. In such a family atmosphere, Li Jian has shown extraordinary talent and thirst for knowledge since he was a child.
In 1936, 19-year-old Li Jian graduated from Beiping Municipal No. 2 Girls' High School. With a passion for education, she chose to become a teacher. Her parents are pleased with the decision, and they want their daughter to continue her education while teaching and nurturing people.
However, fate always likes to joke, and a chance chance changed the trajectory of Li Jian's life.
Li Jian's sister Li Enqi was already a well-known actor at that time. One day, she invited her sister Li Jian to visit the movie set. This experience had a profound impact on Li Jian.
Although she politely declined the invitation to join the showbiz at first, the seeds in her heart have been quietly planted.
After that, Li Jian had the opportunity to watch his sister's drama performance. While watching "Put Down Your Whip" and "Plug the Storm", Li Jian was deeply fascinated. That's when an unexpected opportunity arose.
The actor who played the role of "mother" suddenly fell ill, and Li Jianmao recommended himself to successfully take over the role. This impromptu performance ignited Li Jian's inner passion for acting.
In 1937, 20-year-old Li Jian made a surprising decision: put down the whip and stepped into the entertainment industry. Together with her sister, she was admitted to the Film Unit of the Political Training Department and began actor training.
Li Jian's talent was quickly recognized, laying a solid foundation for her future acting career.
Looking back on the past, Li Jian often sighs at the wonder of fate. She once said: "I never thought I would become an actor, but life is always full of surprises. This unexpected artistic path not only changed Li Jian's life, but also brought an outstanding actor to the Chinese film industry.
Li Jian's change from the podium to the screen seems sudden, but it is actually the result of her subtle accumulation over the years. The patience and insight she cultivated in her education, as well as the cultural heritage she absorbed in her family, provided valuable nutrients for her future acting career.
Li Jian's story tells us that the turning point in life often comes from a decision to try, and true talent can always shine on the right stage.
In 1938, at the age of 21, Li Jian ushered in her screen debut "Defend Our Land". However, what is unexpected is that this young woman who has just stepped into the entertainment industry was selected to play a rural sister-in-law who was killed by the invaders.
This role seems to foreshadow Li Jian's unique acting path in the future - focusing on the creation of elderly female characters.
Since then, Li Jian's acting career seems to have skipped the stage of playing girls and young women, and directly entered the role of "sister-in-law", "aunt", "mother" and "mother-in-law".
In a series of films such as "Blood Splattered Cherry Blossoms", "The Legend of Su Feng", "Harbin Occupation", and "Deep Boudoir Suspicion", Li Jian's image of the mother and old lady left a deep impression on the audience.
Li Jian once sighed: "In the entertainment industry, we are often stereotyped. I'm good at Lao Dan, just like Ge Cunzhuang is good at villains, and Guo Zhenqing is always a heroic soldier. But we had to make each character have their own characteristics and charm.
These words show Li Jian's deep understanding and unremitting pursuit of performance.
After 1949, Li Jian found a stable job at the Beijing Film Studio. Over the next 20 years, she won the love of audiences across the country with her masterful interpretation of the role of the elderly.
Whether it is the "Golden Dragon Mother" in "New Children's Heroes", or the "Lu Zi Niang" in "Mining Lamp", or the "Iron Pillar Wife" in "Growing Up in Battle", Li Jian interprets the role well, showing the diversity and richness of the roles of elderly women.
It is particularly worth mentioning that in the 1960 movie "Blessing", Li Jian successfully created a shrewd and calculating image of "Xianglin's sister-in-law". Her performance made the audience feel a strong sense of disgust for this "bad mother-in-law", showing Li Jian's ability to handle complex roles.
Immediately after that in the movie "Red Flag Spectrum", she changed her style to play a sympathetic "Aunt Yan (Lao Xiang's grandmother)", with white hair and patched clothes, she created an image of an elderly person who has gone through vicissitudes, showing superb acting skills and role switching ability.
Li Jian often said: "Actors must experience the inner world of each character with their hearts, so that the character can really come to life." It is this in-depth understanding and interpretation of the role that makes Li Jian unique in the field of "elderly" roles, and has become the "grandmother" who is always kind and strong in the hearts of the audience.
Li Jian's performance style is natural and smooth, without any sense of carving. She was able to show her profound acting skills without highlighting herself without letting the light of the protagonist cover herself.
This style of performance allows each character she portrays to come to life, as if she is not acting, but actually living.
Li Jian's success lies not only in her ability to play the role of the elderly well, but also in her ability to show dozens or even hundreds of different faces in the same type of role.
Each of her "grandmothers" and "aunts" has their own personality traits and life experiences, and this delicate portrayal allows the audience to always feel a kind of authenticity and kindness when they see her performance.
From focusing on the role of elderly women at the age of 20 to becoming the most familiar "grandma" in the hearts of the audience, Li Jian's acting career is unique and wonderful. She uses her performance to show us that age is not a limit but a possibility.
Under her interpretation, those ordinary Chinese elderly women have become the most moving characters on the screen and have become the common memory of a generation.
1962 was an important turning point in Li Jian's artistic career at the age of 45. This year, she participated in the filming of the movie "Little Soldier Zhang Ga" and played the unforgettable "Grandma Gazi".
This character is not only an ordinary elderly woman, but also the epitome of an old man in rural China who has been resilient and unyielding in the face of war.
In the film, the grandmother played by Li Jian was tragically killed by "Kameda" in order to protect "Zhong Lian Chang". In the last moments of her life, Li Jian used her eyes full of vicissitudes to convey her endless hatred for the invaders and deep love for the motherland.
Her performance was full of power, making the audience deeply feel the strength and courage of the Chinese people in the war. The firmness of this look shook the hearts of countless audiences.
It is said that after the film was released in 1963, it caused suppressed crying voices from the audience in many places.
Li Jian once recalled: "When I played 'Grandma Gazi', I thought of my grandmother. She is also an ordinary old rural lady, but I admire her courage and wisdom in times of crisis.
I tried to inject her spirit into the role. This kind of performance that originates from life and is higher than life has made Li Jian's "Grandma Gazi" a classic role in the history of Chinese cinema.
Immediately afterwards, in the movie "Little Erhei Marriage" released in 1964, Li Jian created an impressive image of a rural lady. Her kind but worried demeanor, the ambivalence of worrying about her son's marriage but not daring to violate the tradition, was vividly interpreted by Li Jian.
Her performance is delicate and nuanced, portraying the joys, sorrows and sorrows of an ordinary rural woman vividly.
Li Jian's performances always accurately grasp the characteristics of the characters, so that the audience can hardly detect any traces of "performance". Her performance style is unpretentious, yet natural and delicate, without a sense of carving.
In the 20 years of the 50s and 60s of the last century, Li Jian participated in the shooting of more than 30 classic films. From "Lin Family Shop" and "Shajiadian Grain Station" to "Honghu Red Guards" and "Eternal Life in the Fire", Li Jian has left a strong mark on the history of Chinese film with her acting skills.
Although most of the characters played by Li Jian in these works are supporting roles, each role is vivid and vivid, which left a deep impression on the audience.
Li Jian has always adhered to the belief of "being willing to be a green leaf and doing a good supporting role", and has become a well-deserved "queen of supporting roles". She believes that every character has its own value and meaning, and that even the smallest supporting role can play an important role in the overall work.
This dedication and love for performing arts makes Li Jian devote all his efforts to every role.
Li Jian's success lies not only in her superb acting skills, but also in her deep understanding and interpretation of the role. She is always able to vividly show the inner world of the character, so that the audience can feel the joys, sorrows and sorrows of the character.
Whether it is a kind grandmother or a tricky mother-in-law, under Li Jian's interpretation, each character has a distinct personality and a rich inner world.
The works of this period not only established Li Jian's status in the Chinese film industry, but also made her the most intimate and familiar image of "grandma" in the hearts of the audience.
Her performing arts have reached a new level and made important contributions to the development of Chinese cinema.
In 1966, a sudden "Cultural Revolution" swept through China's literary and art circles like a hurricane. Many outstanding film and television workers were forced to leave the stage and scattered all over the motherland.
Li Jian, an old artist who once shined on the screen, was not spared. She was forced to leave her beloved acting career for a while and leave the screen stage of her dreams.
This period was undoubtedly difficult for Li Jian. However, even in the darkest of days, she never gave up her love for acting. Although he was unable to perform in front of the camera, Li Jian still insisted on practicing his lines at home, studying the role and maintaining the sensitivity and enthusiasm that an actor should have.
She often says, "Even if I can't act, I want to be ready to get back on stage as soon as the opportunity arises."
It wasn't until 1975 that Li Jian, who was over half a hundred years old, was able to return to the audience's field of vision. Although the years have left marks on her face, her passion for acting has not diminished in the slightest.
She once again threw herself into the interpretation of roles such as "grandma", "aunt", and "mother", as if time had never passed on her.
In the next 20 years, Li Jian has dedicated more than 30 wonderful works to the audience. Among them, the most well-known include "Yu Lin's Mother" in "Look at This Family", "Grandma Qi" in "Flying to the Pacific", "Aunt Chen" in "People to Middle Age", and "Mama Li" in "Dream of Red Mansions".
Each character, Li Jian, poured all her passion and energy into portraying these ordinary elderly women vividly.
In 2000, the 83-year-old Li Jian played Xu Zhimo's grandmother in the TV series "April Day in the World", once again proving her enduring charm as an actor.
Faced with the question of age, Li Jian said firmly: "There is no age limit for actors, as long as you are sober-minded, as long as the industry still needs you, you can continue to act."
From 20 to 83 years old, Li Jian has gone through more than 60 years on the road of acting. When someone asked her if she was tired of always playing the role of an elderly person, her answer was still full of enthusiasm: "No, if I have the opportunity, I am willing to play for another 60 years!" This dedication and love for performance has made Li Jian an artistic monument that transcends the ages.
Li Jian's story tells us that a true artist will not be knocked down by the times and storms. With her persistence and love, she has crossed the turbulent era and continued to shine in the new era, becoming an indispensable part of the Chinese film industry.
In 2007, the China Film Performing Arts Society paid tribute to Li Jian with a special honor. At the age of 90, she was awarded the "Golden Phoenix Award Special Honor Award", which is the highest recognition of her lifelong artistic pursuit.
This award not only affirms Li Jian's outstanding achievements in her acting career, but also celebrates her perseverance.
Although the years have ruthlessly carved traces on Li Jian's face, her gentle and kind demeanor is still as moving as a character on the screen. She has spent her life interpreting the artistic spirit of "being willing to be a green leaf and being a good supporting role", setting an example for future generations.
Li Jian often said: "The life of an actor lies in the character, and the life of the character lies in the memory of the audience."
In December 2008, 91-year-old Li Jian died of illness in the Third Hospital of Beijing. Her death is a great loss to the Chinese film industry, but the artistic legacy she left behind will forever nourish China's film and television industry.
The vivid characters created by Li Jian will always be fresh in the hearts of the audience.
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