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Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it

Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it

There was Qi Baishi in the world, and the remaining ink still exists in the world.

If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!

Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.

Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it
Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it
Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it

Hello Tibetan friends, today we have invited Mr. Tang Fazhou, then the successor of Qi Baishi, the disciple of Qi Liangzhi, the president of the Chinese Qi Baishi Academy of Painting and Calligraphy, the visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited teaching and research director, the contracted painter of Beijing Fine Art Academy and Rong Bao Zhai, the expert of Qi Baishi's calligraphy and painting big data identification, the president of the Shanghai Qi Baishi Art Research Association, and the chief operating officer of Baishi Shantang Culture Media, Mr. Tang Fazhou, once heard his master Qi Baishi's youngest daughter Qi Liangzhi say: I remember that time I was home for two days to find a doctor for my father to study the condition, prescribe medication. On the evening of the third day, my father said to me: "Tomorrow I am going to Baishipu, you can buy some fruits and offer, and hire two sedan chairs for us to sit on. I said, "No problem, don't worry, you can do it." After breakfast the next day, I accompanied my father to Baishijia, a group of more than 20 people, first to the old house in Xingtang, to rest for a while. After a long absence, seeing that many relatives have passed away, I can't help but feel that "the city is still there". Spin to the quinoa leaf garden, the triangle garden, the back of the fine dragon and other places, and visit the graves of grandparents.

Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it

▲ Qi Baishi's work "Ribbon Bird Osmanthus" · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou courtesy of the picture

He mourned at his grandmother's grave for a long time, and I think it was probably because his grandmother loved him so much that she died early and could not repay it. In front of the tomb, a couplet was carved with granite, and the edge of the tomb was: "Wu private looks back and has more grace". My father showed it to me and told me to write it down. Before noon, he went to Zhoujiadong Li Jiawu for lunch, and met with his two younger sisters, who had been separated from him for decades, as well as some relatives and friends. Last year's drought caused a famine not seen in decades, and everyone was sleepy. When my father saw this scene, he didn't limit how much, but they all shared the profits to help the urgent need, and even some difficult old neighbors who had never known him in their lives, as long as they came to see him, they also helped one by one according to the urgency of the situation.

Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it

▲ Qi Baishi's work "Bayleaf Grass Worm" · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou courtesy of the picture

Because some old people along the road knew that their father was back, they rushed to reminisce about the old days in order to tell their feelings after saying goodbye, until the sun set, and they began to return to Yuxia Peak. Walk to the Niuhuang Temple not far away, there is a lot of common name ox bone stone, the quality is very poor, my father ordered me to pick up a few pieces to take home, I don't know what it means, so I had to obey the order. The next day after breakfast, my father ordered me to hand him the ox bone stone, looked at it for a while, taught me to ponder the square, and then said to me, "Yesterday when I was sweeping the grave, I asked you to write down what the couplet over there said?" I said, "I have a lot of grace when I look back." My father said, "That's what I'm going to engrave." After carving, he said with satisfaction: "This chapter is well carved!" It's a pity that the stone is too inferior, so I'll keep it for you first, and I'll go back to Beijing and carve it. Later, the seals of "Wu Private Looking Back and Yu En" and "Regret Wutang" in the "Three Hundred Stone Seals" were all engraved from this and later. It's a pity that the seal left for me was lost during the fall.

Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it

▲ Qi Baishi's work "Dragonfly" · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou courtesy of the picture

Originally, in early March, in accordance with my father's wishes, he began to follow his father's wishes and invited two people to cook porridge at home to relieve those hard-hit households who really had no food. My father did not stop painting in his busy schedule, and a female disciple surnamed Bin came to see him in his early years, and he was very happy to meet again, and asked to make a painting as a souvenir. My father spread out a pen and paper in the lobby room and drew a three-foot shrimp as a gift. The other is Ma Guangkui, his most impressive and important student whom he has never met, and his father took the initiative to make two paintings for him, probably shrimp and crab and frog, as a greeting gift. In total, about a dozen paintings were made. (To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, one line, only do real calligraphy and painting, gather the heads of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! Perennial sales of high-end paintings and calligraphy, looking for cooperation with high-end painting and calligraphy brokers, partners, regional leaders, mainly operating Qi Baishi's painting brush before his death, Qi Baishi's special rice paper for painting shrimp, Qi Baishi's graphite block, Qi Baishi's self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, President of the China Qi Baishi Painting and Calligraphy Institute, paid tribute to the 160th anniversary of Qi Baishi's birth and reproduced the microcosm of Qi Baishi's calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Wang Tianchi, Wang Wennong, Yang Xiuzhen, Tang Fazhou and other Qi Baishi heirs worth more than 100,000 million of calligraphy, paintings, seals and authentic works can also accept NFT, digital collections, metaverse, cross-border brand alliance, cultural empowerment resource integration and other operations, welcome powerful network companies to bid. (Pictures and texts are selected from: Qi Baishi's Descendants Calligraphy and Painting Network) (The pictures in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Academy, Qi Baishi's Descendants Calligraphy and Painting Network)

Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it
Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it
Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it
Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it
Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it
Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it
Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it

Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou

Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)

Qi Liangzhi said that his father did not stop painting in his busy schedule, and Tang Fazhou, the successor of Qi Baishi, released it