Peach Blossom Creek Tang · Zhang Xu
The faint flying bridge is separated by smoke, and the fishing boat is asked on the west side of the rock.
The peach blossoms flow with the water all day long, and the hole is on the side of the clear stream.
This poem was written during the reign of Emperor Xuanzong of the Tang Dynasty, when the Tang Dynasty had gone from prosperity to gradual decline. Zhang Xu borrowed the artistic conception in Tao Yuanming's "The Story of the Peach Blossom Spring" in the Eastern Jin Dynasty to create this poem of seven unique scenes, expressing the yearning for paradise and the pursuit of a better life.
The poem begins with a distant view, "Faint Flying Bridge Smoke Across the Wild", depicting a deep picture of deep mountains and wild valleys, clouds and smoke, and flying bridges looming, creating a hazy and mysterious sense of fairyland. "Asking the Fishing Boat on the West Side of the Stone Rock", the camera zooms in, the poet stands next to the ancient Stone Rock, asking about the fishing boat drifting in the stream, bringing the reader into a close-up scene full of life interest.
By asking the fisherman, the poet expresses his deep yearning for paradise and his pursuit of an ideal life. He knew that the Peach Blossom Garden was fictional, but he still couldn't help but ask, and behind this knowingly questioning, it revealed the poet's dissatisfaction with reality and the sense that the ideal realm was difficult to find. The last sentence "Where is the hole in Qingxi?" The ending sentence not only leaves suspense and leads to reverie, but also expresses the poet's inner melancholy and helplessness.
The poems are elegantly conceived and have novel layouts. The poet depicts the scenery from far to near, from the real to the virtual, advancing layer by layer, which is fascinating. The words are concise, and the artistic conception is ethereal. Words such as "faint", "flying bridge", "wild smoke" and so on all give people a sense of hazy beauty; And "The End of the Day with the Flowing Water" vividly depicts the scene of peach blossoms drifting with the water, with far-reaching implications.
Mountain trip to stay Tang · Zhang Xu
The state of the mountain makes the spring glow, and it is not a light yin to return.
Even if it is sunny and rainless, it will be wet in the depths of the clouds.
"The mountain light and the state of things make the spring glow", the poet depicts the revival and dazzling scene of all things in the mountains in spring with vivid brushstrokes. The word "lane" here is used very cleverly, giving the mountain light and the state of things a human attitude, making the whole picture vivid and full of vitality and vitality of spring.
"Don't be a light yin and return to it", the poet makes an emotional turn here. He cautioned visitors not to leave because of the slightest cloud. This place is not only a retention for tourists, but also reveals the poet's deep love for the beautiful scenery in the mountains, and does not want to miss it because of small weather changes.
"Even if it is sunny and rainless, it will be wet in the depths of the clouds." These two verses further elaborate on the poet's reasons for staying. Even if the weather is sunny and there is no rain, when you go deep into the misty mountains, your clothes will be wet because of the humidity in the mountains. Here the poet uses an exaggerated technique to emphasize the uniqueness and charm of the mountain scenery, but also implies a philosophy: the real beauty is often hidden in the subtle places, and we need to explore it deeply.
Spring outing value rain Tang · Zhang Xu
If you want to find Xuan Qingzun, the smoke and clouds on the river are dusk.
The east wind blows away the rain, but the Ming Dynasty waits for the Huayuan.
"Want to find Xuan Threshold Lie Qingzun", the poet began to express the original intention of the spring outing, wanting to find an elegant pavilion, put on wine and delicacies, and enjoy the comfort of spring. The "Xuanji" here refers to the high and open pavilions, and the "Qingzun" refers to fine wine, which together create a leisurely and elegant atmosphere of spring outing.
"The smoke and clouds on the river go to dusk", however, the poet's spring outing plan encountered an unexpected rainy day. The river was filled with smoke and clouds, the sky was getting darker in the evening, and the spring rain was continuous, which brought a trace of regret to the originally expected spring outing.
"The east wind blows away the rain, but the Ming Dynasty waits for the Huayuan." In the face of the spring rains, the poet is not completely disappointed, but pins his hopes on the east wind, hoping that it will blow away the rain clouds and make the weather better tomorrow. Because the poet is still looking forward to entering the beautiful garden smoothly tomorrow and continuing his spring journey.
This poem depicts the situation of spring outing and rain, showing the poet's yearning and pursuit of a beautiful spring. Despite the rainy episode, the poet remains optimistic and looks forward to continuing to enjoy the spring outing tomorrow. The poem expresses both the poet's love for the beauty of nature and his positive attitude in the face of adversity.
Chuncao Tang · Zhang Xu
The spring grass is green for thousands of miles, and the sunset in the border city is gone.
I know that I have been at sea for three years, and I don't send a book in the clouds.
"The spring grass is green for more than ten thousand miles", the beginning depicts a magnificent scene of lush spring grass and stretching for thousands of miles. The spring grass is green and vibrant, giving people a sense of infinite vitality and hope. However, this vast spring grass also contains the vastness and depth of sorrow.
"The sunset in the border city sees the separation", the poet turns his perspective to the border city, and in the afterglow of the sunset, the residence of the person is particularly desolate. The desolation of the border city combined with the loneliness of the setting sun further accentuated the atmosphere of parting.
"Three years of farewell at sea", the poet directly expressed his parting feelings. Three years at sea is a long time, and the pain of parting is getting deeper and deeper. The "sea" here may symbolize a distant parting, or it may symbolize an insurmountable barrier.
"Don't send a book in the clouds", the concluding sentence ends with the regret that the letter was not sent. Between the clouds, it symbolizes a high and unreachable place, and it also symbolizes the difficulty of delivering letters. Between the leaves, the letters are not communicated, which adds to the sadness and helplessness.
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