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The cross talk world, which has always been full of laughter, has recently set off a lot of turmoil, like a complicated farce, which makes many cross talk lovers and audiences look in the clouds.
There are many protagonists in this farce, Mr. Hou Yaohua started the live broadcast, Yang Yi made remarks, and Zheng Hao's eye-catching performance, which can be described as wonderful. Let's start with Zheng Hao. Zheng Hao was banned for a month and then resumed broadcasting, but instead of restraining his words and deeds, he became more and more unscrupulous and his words were more out of line. This makes people wonder, under normal circumstances, shouldn't a person who has experienced the punishment of silence be more cautious in his words and deeds? Why did he get even worse? Isn't there anything strange about this?
Many people speculate about this, is it Guo Degang behind his back, or at least acquiescing, to Zheng Hao's behavior? After all, in the circle of cross talk, the relationship between master and apprentice and the same door is complicated, and many times a person's words and deeds may not be completely out of personal will. Take Zheng Hao as an example, if there is no support or hint from Guo Degang, would he dare to be so bold?
Let's turn our attention to the relationship between Guo Degang and Hou Yaohua. Guo Degang probably hopes to maintain a state of "well water does not interfere with river water" with Mr. Hou Yaohua, and everyone is okay and safe. No one wants to make enemies for themselves for no reason and deepen their hatred for no reason. But Yang Yi's operation in the live broadcast broke this superficial calm. He even asked Hou Yaohua to apologize to Guo Degang, which undoubtedly pushed Guo Degang into an embarrassing situation. Can Guo Degang not be angry in his heart? He certainly didn't want to be caught up in such a situation.
Let's talk about Guo Degang's attitude towards Gangsi self-media bloggers. It's an interesting topic. Guo Degang naturally doesn't have a good face for those who specialize in hacking him, which is not difficult to understand. Surprisingly, however, he doesn't seem to be too interested in the overly fanatical tightrope crowd either. In his view, these two groups are like two ends of the scale, one at the end of the scale. As long as one of the groups is quiet, the other group will not be able to make a fuss. This may sound strange at first, but when you think about it, it's not unreasonable.
Based on the above circumstances, many people have come to the conclusion that all of Zheng Hao's performances were instructed or at least acquiesced by Guo Degang. Moreover, some people predict that Zheng Hao will return to Beijing to perform in two months at most. Is this a speculation or a well-founded inference?
Let's take a closer look. If Zheng Hao's behavior was really instructed by Guo Degang, then what was Guo Degang's motive? Is it to establish one's authority in the cross talk world, or is it to deal with some kind of potential threat? Or is it just a spur-of-the-moment decision? If it is acquiescence, does it mean that Guo Degang has some omissions in managing his disciples?
From another point of view, if all this has nothing to do with Guo Degang and is purely Zheng Hao's personal behavior, then why did Zheng Hao do this? Is it to attract eyeballs and earn traffic, or is there really any unknown grievances and dissatisfaction?
As bystanders, it is difficult for us to make an accurate conclusion without conclusive evidence. But this farce did bring a lot of shock to the cross talk world. It was supposed to be a cross talk stage that brought joy and thinking to everyone, but now it is occupied by these disturbances, which is really a pity.
For example, the audience was looking forward to hearing more wonderful cross talk jokes and seeing the actors show superb skills and humorous performances on stage. But now, everyone's attention is attracted by these gossips and disputes, who still has the heart to pay attention to the artistic charm of cross talk itself?
Such a farce may also have an adverse impact on the development of the entire cross talk industry. New actors may be led astray by this bad atmosphere, thinking that they can become famous as long as they can create topics and attract attention, but ignore the improvement of the basic skills and artistic accomplishment of cross talk. This is undoubtedly a blow to those who truly love cross talk and are committed to inheriting and developing this art.
Let's take an example, just like a garden that was originally clean and tidy, some weeds suddenly grow, which not only affects the overall appearance, but also may rob other flowers of nutrients. The same is true in the cross talk world, if these farces are allowed to continue, really good works and good actors may be buried.
You can't lose confidence in the cross talk world because of this farce. After all, in this circle, there are still many excellent actors who are sticking to their original intentions and silently dedicating wonderful performances to the audience. They are not moved by fame and fortune, they just want to pass on the art of cross talk and carry it forward.
For example, Guo Degang himself, although he is at the center of this turmoil, it is undeniable that his contribution in the field of cross talk is also obvious to all. His cross talk works have brought joy and emotion to countless people, cultivated a group of excellent disciples, and made important contributions to the inheritance and development of cross talk.
Another example is Yue Yunpeng, who has won the love and recognition of the audience with his unique performance style and solid basic skills. His success is not accidental, but stems from his love and unremitting efforts for cross talk.
Although this farce makes people feel a little disappointed and helpless, we can't deny the entire cross talk world because of this. I believe that with the joint efforts of many people of insight, the cross talk industry will be able to see the light of day and return to the right track based on art.
We still hope that this farce can subside as soon as possible, so that the cross talk world can return to the harmony and tranquility of the past. It allows the actors to focus more on creation and performance, and brings more and better works to the audience. I also hope that the audience can maintain a rational and objective attitude, not be confused by the momentary hustle and bustle, and use our support and encouragement to create a good atmosphere for the healthy development of the cross talk industry.
I don't know what everyone thinks of this farce in the cross talk world? Do you think there's something else going on here, or do you think it's just a frivolous hype? Welcome everyone to communicate and discuss together, maybe we can find out the truth together, and there is a clear sky in the cross talk world!