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In the Chinese film and television industry, Guo Baochang is an admirable name. However, what few people know is that the famous director who created the "Mansion Gate" series once had an embarrassing background.
Only two years after he was born, he was sold by his biological mother for 80 yuan and became the adopted son of a wealthy family. The ups and downs of fate did not break him, but sharpened his will.
From being wrongly branded as a reactionary student to becoming a high-profile director, Guo Baochang's life is like a wonderful movie. He went through three marriages, separated from his only son for many years, and finally found sincere love in his old age.
This is a moving story of tenacity, talent and emotion, and let's walk together into the ups and downs of Guo Baochang's life.
Guo Baochang's life has been full of drama from the beginning. He was born in Beijing in August 1940 under the name of Li Baochang. However, fate soon played a cruel joke on the child.
When he was only two years old, his father unfortunately froze to death on the streets, and his mother, who could not afford to raise him, sold him to Wu Stationmaster of Shacheng Railway Station in Hebei Province for 80 yuan.
This is just the beginning of Guo Baochang's bumpy fate. His third aunt felt that 80 yuan of ocean was too cheap, and redeemed him and sold him for 200 yuan to Guo Rong, the wife of the wealthy family Lejia in Beijing.
In this way, the young Guo Baochang became the adopted son of Lejia and began his wealthy life.
However, the life of a wealthy family is not as good as imagined. Although he has no worries about food and clothing, Guo Baochang is discriminated against and bullied because he is not his biological child. This experience left a deep imprint on his young mind, and also cultivated his sensitive and delicate character, laying the groundwork for his future artistic creation.
In 1959, with his love for film, Guo Baochang was admitted to the directing department of Beijing Film Academy with excellent results. However, fate played a joke on him again.
In 1964, due to his background, Guo Baochang was wrongly branded as a reactionary student and sent to the Zhangjiakou Unit 4619 Cadre School for labor reform.
The life of the cadre school was hard and monotonous, but it was also here that Guo Baochang met his first love. This relationship is like a ray of sunshine in the darkness, illuminating his hard life.
However, trapped by the environment at the time and his own situation, Guo Baochang never mustered up the courage to confess. It wasn't until the girl took the initiative to express her heart and quoted the plot in "Liang Shanbo and Zhu Yingtai" that the two finally came together.
This experience made Guo Baochang deeply appreciate the power of love, and also allowed him to portray the emotions of the characters more realistically in his later creations. Despite the hardships of life, love gave him the courage and motivation to keep going.
In 1965, Guo Baochang graduated from the directing department of Beijing Film Academy, but due to his background, he did not get the job arrangement he deserved, so he could only continue to stay in the cadre school to engage in manual labor.
During this period, his relationship with his first girlfriend gradually deepened, and the two supported each other to get through the difficulties together.
However, the hardships of life do not end there. In 1967, his girlfriend planned to return to his hometown to visit relatives, passing through Beijing. Guo Baochang was concerned about his adoptive mother Guo Rong who was far away in Beijing, and asked his girlfriend to bring a letter and 40 yuan.
Unexpectedly, the letter and money were stolen when his girlfriend got on the train. Despite this, his girlfriend still managed to find Guo Rong, and the scene of the two hugging and crying was moving.
This experience not only reflects Guo Baochang's deep affection for his adoptive mother, but also shows the sincere feelings between him and his girlfriend. These life experiences have accumulated rich materials for Guo Baochang's future creations, and also shaped his tenacious character.
From an abandoned child to the adopted son of a wealthy family, to being wrongly branded as a reactionary student, Guo Baochang's youth was full of ups and downs. However, it was these experiences that forged his unique outlook on life and artistic perspective, which laid the foundation for him to become a generation of famous directors in the future.
In 1973, Guo Baochang finally waited for the opportunity to be rehabilitated and was assigned to work in Guangxi Film Studio. Before that, he and his first girlfriend held a simple and warm wedding in Beijing, starting his first married life.
The two are full of hope and look forward to a bright future.
However, the reality of the dilemma soon became apparent. In Guangxi Film Studio, Guo Baochang was arranged to do odd jobs, with a meager salary of only 43 yuan per month.
The wife has no job, and the life of the family of three is extremely difficult. The birth of their son in 1975 brought joy to the family, but it also added financial burden.
The weight of life and the pressure of raising children often led the young couple to get into arguments.
In 1978, Guo Baochang's beloved adoptive mother Guo Rong died of illness in Beijing. However, due to financial constraints, he could not even pay for the ticket back to Beijing for the funeral.
This blow made Guo Baochang feel helpless, and it also made him more determined to make a breakthrough in his career.
In 1979, Guo Baochang finally ushered in a turning point in his career. He was appointed as the director of the film "The Mist of the Goddess Peak". However, the crew members did not buy the new director, and the filming progress came to a standstill.
In the face of all kinds of doubts and difficulties, Guo Baochang showed extraordinary courage and determination. He shocked the audience with the bold words of "I, Guo Baochang, am the director when I sit down, and I am a hooligan when I stand up", and won the respect of the crew.
"The Mist of the Goddess Peak" was a huge success in the end, opening a new chapter in Guo Baochang's directorial career.
In the 80s, Guo Baochang's career began to get on the right track. He has successively created many popular works such as "Latent Shadow", "Chunlan Qiuju", "Joint Police Detective", etc., and gradually gained a firm foothold in the director industry.
His talent has been recognized by the industry, and he has also attracted young filmmakers such as Zhang Yimou and He Qun to join, contributing to the rise of China's fifth generation of directors.
However, the success of his career did not save his marriage. The hardships of life, the troubles of long-term separation, and the difference in values brought this marriage to an end.
In 1980, Guo Baochang divorced his first wife, and his son lived with his ex-wife. Not long after, his ex-wife took his son to Africa, which made Guo Baochang lose the opportunity to get together with his son, and his heart was full of pain and guilt.
This experience made Guo Baochang deeply realize the importance of balancing career and family. Although he lost his first marriage, he found sustenance in his filmmaking, integrating his emotions and experiences into his works, creating more profound and humane films.
Guo Baochang's story teaches us that even in the face of life's difficulties, we must maintain the pursuit of our dreams. He proved with his practical actions that as long as he perseveres, he will eventually usher in the spring of his career.
Despite the setbacks in his family life, these experiences also provided him with rich material for his later creations, making his works more relevant to life and touching people's hearts.
With the booming career, Guo Baochang's love life has also ushered in a new chapter. In 1981, he remarried an employee in the logistics department of the Guangxi Film Studio.
This marriage gave Guo Baochang a brief period of solace, but soon faced new challenges.
In 1984, Shenzhen Film Company threw an olive branch to Guo Baochang and promised to provide a generous salary package. For Guo Baochang, whose monthly salary was less than 100 yuan at that time, this was undoubtedly a huge temptation.
However, the second wife was reluctant to leave Nanning, and serious disagreements arose between the husband and wife. Guo Baochang struggled internally, wanting to pursue career development but also unwilling to give up his family.
In the end, he chose his career and went to Shenzhen to work alone. This decision became the trigger for the breakdown of his second marriage.
During his time in Shenzhen, Guo Baochang's talent was fully utilized. He has successively directed a series of excellent works such as "Love in the Restaurant", "Love in Hometown", "He Chose to Make a Living", and has become famous in the industry.
However, just as his career was thriving, he met the most important woman in his life - Liu Gege.
In 1989, Guo Baochang directed the 8-episode TV series "Special Zone Immigration", with Liu Gege as the heroine. Liu Gege is 15 years younger than Guo Baochang, not only beautiful and talented, but also has a unique artistic temperament.
During the filming process, the two developed a deep relationship. However, Guo Baochang felt inferior because of the age gap and past marriage experience, and he did not dare to confess.
During this period, Guo Baochang's heart was full of contradictions and struggles. On the one hand, he was attracted by the talent and charisma of Lyugge; On the other hand, he worries that his age and experience will become an obstacle between the two.
This complex state of mind is also reflected in his works, making his creations more profound and humane.
In 1995, when Guo Baochang returned to Beijing to create "Mansion Gate", he finally mustered up the courage to express his heart to Liu Gege. To his surprise, Liu Gege also had the same feelings for him.
The two embarked on a new journey in life hand in hand.
In 2001, Guo Baochang's "Mansion Gate" was broadcast on CCTV, setting a staggering rating of 17.74% and establishing his status in the Chinese film and television industry.
This work is not only the pinnacle of Guo Baochang's career, but also a comprehensive display of his own life experience and family history. In the process of creation, he brushed shoulders with death three times, which fully reflects his persistent pursuit of art.
Liu Gege wholeheartedly supported Guo Baochang's career, and she gave up her acting career to become Guo Baochang's intimate partner in life. She is not only Guo Baochang's lover, but also his right-hand man, taking care of Guo Baochang's diet and daily life at the shooting scene.
While his career was at its peak, Guo Baochang finally found a home emotionally. This relationship made him rediscover the power of love and made his creations more colorful.
As Liu Gege said: "Guo Baochang is like a thick book, and I have never been able to fully understand its profound connotations in my life." This sentence not only expresses her admiration for Guo Baochang, but also reflects the deep spiritual fit between the two.
Guo Baochang's story tells us that true love may come later, but as long as you persist in pursuing, you will eventually find your own happiness. Under the dual nourishment of career and love, Guo Baochang's life and artistic creation have ushered in a new peak.
After forming a family with Liu Gege, Guo Baochang's life became warm and fulfilling. Although the two were unable to have children in common due to their age gap, their relationship grew stronger.
Liu Gege has become Guo Baochang's strongest backing and wholeheartedly supports his career.
In 2013, Guo Baochang challenged himself again and created "Mansion Gate 1912". Although this work did not respond as well as its predecessor, it still won the love of the audience.
In the process of creation, Guo Baochang showed amazing perseverance and dedication to art. In order to raise funds, he did not hesitate to drink with others on social occasions, and was even hospitalized twice for alcohol poisoning.
This fighting spirit is admirable and reflects his infinite love for art.
In the same year, Guo Baochang received a news that made him excited: his son, who was far away in Africa, was about to return to China to settle down. When the father and son, who had not seen each other for many years, met at the airport, they were so excited that they burst into tears.
At this moment, Guo Baochang felt the joy of family reunion and made up for the regrets in his heart over the years.
In his later years, Liu Gege took more nuanced care of Guo Baochang. She strictly controls Guo Baochang's eating habits, takes care of his daily life, and becomes the guardian of his health.
Under the careful care of his wife, even at the age of 83, Guo Baochang still maintains a good mental state and enthusiasm for creation.
Guo Baochang's later life is a perfect combination of career and love. He not only created brilliance in his career, but also reaped sincere love emotionally and achieved a double harvest in life.
This experience has taught us that as long as we maintain our love of life and pursuit of our career, it is never too late for happiness and success.
Looking back, Guo Baochang's life is like a movie with ups and downs. From an abandoned child to a nationally acclaimed director, he has experienced too much suffering and glory.
Now in his third marriage, he has finally found true happiness.
Liu Gege's careful care allows the 83-year-old Guo Baochang to still maintain a strong creative enthusiasm. They support each other and savor the beauty of life together. Guo Baochang's story tells us that no matter how difficult life is, as long as we maintain love and perseverance, we will eventually usher in our own happiness.
Finding a balance between career and love may be the most fulfilling state of life. Guo Baochang used his life to interpret this truth.
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