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Source: Zhejiang Provincial Museum
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Jin Rongjing once commented on Shen Zengzhi's calligraphy: "Mr. has learned from Bao Anwu early, and he has a pen, and he loves Zhang Lianqing, and he wants to write to show that the source of his calligraphy is changing, and the reason for his strength." Afterwards, by the post into the stele, the north and south of the book flow into a metallurgy, intricate changes, in order to send the wonder in its chest, a few forget the pen and paper, the heart is only. Throughout his life, Shen never gave up in the pond and left a considerable number of copying calligraphy, from which he can confirm the direction of his calligraphy. Under the prevailing atmosphere of the times, Han and Wei inscriptions such as "Zhang Qian", "Zheng Wengong" and "Erjiao" are certainly the objects that Shen Zengzhi attaches great importance to, but for the typical famous works of the two kings, such as "Seventeen Posts", "Book Spectrum" and "Chunhua Pavilion Post", he also invested equal energy and carefully copied and studied. In addition, Shen was also the first calligrapher to include the Dunhuang testament unearthed from archaeological excavations and the Northwest Han Dynasty into the model book for reference. During the official eunuch tour, he often wandered in the factory, and in his later years, he lived in Shanghai as a Manchu widow, and Shen Zengzhi successively purchased a large number of tablets. Shen's criteria for choosing inscriptions are, first, not chasing precious inscriptions. The second is to pay special attention to the engraving. His calligraphic insights are mainly preserved in the form of inscriptions, scattered on the scriptures or collected inscriptions, as well as some notes and letters, and Shen's inscriptions and calligraphy practices can often be cross-referenced and complementary, which is a concentrated embodiment of "learning to cultivate books", and is also in line with Shen Zengzhi's identity as a scholar.
Shen Zengzhi excerpted Bao Shichen's "Art Boat Shuangji" on the book screen
"The ancients have a fixed law, with the size of the glyph as the potential, Wuding "Jade Buddha Record" word square half an inch, "Diao Huigong" "Zhu Junshan" word square half an inch, "Zhang Menglong" and other stele words square inch, "Zheng Wengong" and "Zhongming Altar", the word square two inches, each stele word square four or five inches." "The ancients talked about the true book, and the rate was based on not losing the meaning of the seal. The revenge person begged for it but could not say it, so that the person who resembled it with a straight point obliquely brushed deserves it. "The grass is not true, and it is dedicated; It's really not grass, it's not Hanza. Really take dot painting as the form, so that it turns into temperament; The grass is emotionally dotted and transformed. Although they are different from each other, they are generally related. ""Zhu Junshan Stele" uses the pen to be especially elegant, and the words are square and perverted. His lines and paintings are mostly crooked, and the bones and blood are beautiful. The four brothers of the crane belong to the family, and they are sleepy. ”
Shen Zengzhi Lishu excerpted "The Treasure Tablet" into a fan "Jun Shao's magnificent quality, long and tall and tall, open and clear, from nature, ice clean and simple (quiet), Tao (concurrently) reeds." The virtue of purity, Rong Jin Guiren. The return of several lines is clumsy, but the arm has been painful and the book has been wasted. Old man Yu Zhai. ”
Shen Zengzhi excerpted the fan of Sun Guoting's "Book Pedigree".
"Another time and a book, there is a good and a match, a combination is charming, and a good is sparse. To put it simply, each has its own five, Shen Yi is leisurely, and one is also together; Feeling Hui Hui (knowing, two together). "The clouds sail on the moon, and the boats move on the shore. The flowers fall in spring, and the fragrance is quiet and the night is clear. ”
Shen Zengzhi collected the "Orchid Pavilion Preface" and Liu's repeated Yunjing book
"Yingben line law is sparse than Dingwu, and the "Shaoxing Imperial Mansion Calligraphy and Painting Style" recorded in the inscription horizontal scroll style, the so-called "Lanting" is seven inches and six minutes high, and each line is eight points wide. Weng's quotation of "Calligraphy and Painting Style" to prove the scale of martial arts, if it is better to prove that Yingben is the "Lanting" of Shaoxing's inner house! This is measured by the creation of the ruler, I don't know how the calligraphy and painting of the Song Dynasty are fruitful, but the number of monuments recorded in the "Le Yi" is similar to the number of monuments measured by the construction ruler, and it is not far away! ”
"This post has always been suspected of being Mi Lin, only with the intention of the ear. Zhou Mi "Qi Dongye Language" recorded "Shaoxing Imperial Mansion Calligraphy and Painting Style": out of the real handwriting book, inferior Jin and Tang Dynasty authentic works, and stone carving Jin and Tang Dynasty famous posts, and the first up and down (seam) with Shaoxing seal, Mi Fu Lin Jin Tang miscellaneous books, etc., and finally with Shaoxing seal. According to the "Bo Yi" in the house of the word book has Shaoxing double seal, not to say that in the back, the so-called double seal, is the first to lead the seal. At that time, the original engraved was genuine, and there is no doubt that it is not Mi Lin! "The original engraving of the ink pen is fine, and there is a slight text under the side (B). B was altered and then not written. This book is the most refined in the reprint, and it is inevitable that this is wrong, so he is not surprising! This is the "Tiehan Zhai Inscription" called Liu Gongyong Benye, "Huang Ting" is subtle and confused, depending on the original engraving almost no pen is not prepared, the little less, the original stone Xiusu, this slightly more hearty ears, "Lanting" is soaring and ups and downs, and it is still far away. ”
"Orchid Pavilion Preface" Liu's repeated Yunjing book is selected from Chen Xijun's inscription "Siguzhai Huangting Jing" rubbing, and Shen Zengzhi self-titled "Shaoxing Inner Mansion Ben Chu Mo Lanting Liu's repeated Yingjing book". With Zhu and ink pens in small characters, he wrote many paragraphs, and recorded the title of the Yuan people's dry text "Orchid Pavilion Preface".
Yingshangben "Lanting" and "Huangting" carved stone, also known as "Sigu Zhaiben", one explains the eight years of Jiajing (1529), one says the last year of Wanli, out of Yingzhou (now Yingshang County, Fuyang, Anhui) in the ancient well, so it is also called Yingjingben. The front and back of the stone are engraved, one side is the "Orchid Pavilion Preface", one side is the "Huang Ting Jing", there is the seal book "Si Gu Zhai Stone Carving" in front of the "Yellow Court", there are two seals of "Yongzhong" and "Ink Wonderful Pen Essence" after the "Orchid Pavilion", and the inscription "Tang Lin Silk Book" is the main book in small characters, which is missing 21 words compared with the general version. Early rubbings can be seen in the inscriptions engraved by the Ming people. At the end of the Ming Dynasty, the original stone was chiseled and destroyed by Zhang Junying of Zhixian County. When the Qing Dynasty was rediscovered, only the remnants remained, and the remnants are now in the Anhui Museum. Yingshang was classified into the Chu Lin system, unearthed that is valued, Shen Zengzhi according to the "Sang's Lanting Examination", that it is the Southern Song Dynasty Imperial Mansion collection missing twenty-one character book, according to this original "Book History" recorded by Jiang Changyuan (word Yongzhong) obtained the Sujia Huang Juan copy, Wang Lianqi believes that it is the re-engraved copy of the Imperial Palace, Si Gu Zhai is the Yuan people should be this Zhai number, so it should be the Yuan carving. It is rare to find that the real book on the Yingshang is not broken, and there are many kinds of re-engraving, among which the most common engraving is also the most refined. Shen Zengzhi collected Zhu Tuoben, that is, the reprint, Shen pointed out that the difference with the original is that the "ink and wonderful pen" printed "wonderful" word, the copy is engraved, and believes that this kind of copy is Yang Bin's "Tiehanzhai Shuba" mentioned in the Liu Gong copy of the copy. In addition, Shen Zengzhi started with the scale recorded in the "Shaoxing Imperial Mansion Calligraphy and Painting Style" to associate and compare the relationship between the Lanting Pavilion and Yingben in Shaoxing, which shows that he has a keen interest in the scale forensics, the alteration of the copy, and the difference between the ink script and the engraving. Shen Zang's re-engraving of "Yingshang Lanting" has four, and Zhu and Mo rubbing each have two.
Shen Zengzhi's collection of "Gu Xiao's Remnants"
"Fan Wenqing Weng, the northern Jinshi family, there are Song Zhishan and Dong Jinghanfeng. Hesitating all day long, picky and leftover, there is income, happily returning, its cost is only four or five thousand Beijing worms, straight pine flat a few star ears, and often get strange things. Its income is in Xianfeng, scattered in the early Guangxu. Weng pawn, covered at the end of Tongzhi. His disciple is Meng Zhiqing's observation (Ji Yi), a good golden stone, a little like Weng, and he does not appreciate it with others. "Gu Yi Ti", during the Chunxi period of the Southern Song Dynasty (1174-1189), Yang Qi, Hong Mai and others were engraved in Dangtu Junzhai (the site is in present-day Dangtu, Anhui). The full post is not bibliographic. The surviving version contains the poems of Su Shi, Lu You, and Su Shunqin, which are all fine and are valued by the world. The Palace Museum has a collection of original Song stone carvings unearthed in the early Qing Dynasty. The Zhejiang Provincial Museum has a collection of the Southern Song Dynasty "Gu Yi Ti" remnant rubbing, hand-mounted, album binding, including the remnants of the stone extension text a total of 15 open. Although the book is a fragment, it is a Song carved Song Tuoben, and there are many celebrities such as Fan Bin, Shen Zengzhi, Miao Quansun, Zhu Jiaji, Sha Menghai and other celebrities. During the Xianfeng period, it was purchased by Fan Bin in the factory in the capital, and Fan's inscription was set as "Gu Yi Ti", which was returned to Shen Zengzhi in the early years of the Republic of China, and there was a Shen inscription on the cover: "Song Ta's "Fengshu Post" eight pages, "Gu Yu Post" seven pages, Guangdao Yi Zhai received, Xuantong Bingchen (that is, the Republic of China five years, 1916) Hairi Building reinstalled. "Fan Bin's inscription "Gu Yi Ti" is actually correct, Shen Zengzhi when he re-mounted, there are many reversals and confusions in the order of rubbing, which leads to his misjudgment of one post as two posts. Mr. Sha Menghai has corrected Shen's mistake in the inscription at the end of the book. This volume is listed as a first-class cultural relic, and has been included in the first batch of "National Rare Ancient Books List".
"The remnants of the post are preserved. Even if you read it, if you drink a spoonful of water to the ancients, you know the taste of Cao Xi, why bother? On the twentieth day of the first month of the eleventh year of Tongzhi, he asked Qingzhi. "Planting case: This fragment is the eighth volume of Zeng Hongfu's "Fengshu Continuation", the bottom half of the word "Shu" still exists at the frontispiece, and the word "Xin" is numbered at the end of the third page, all of which are evidence of "Fengshu". Fan's title "Gu Yu Post" is wrong.
Sha Menghai annotated "Miao Quan Sun Bawei" and "Zhu Jiaji copied the full text of Qian Daxin's Bawei and attached his own opinions".
Sha Menghai inscription
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