On this summer day of global attention, the Paris Olympics slowly bloomed on the banks of the Seine River like a brilliant fireworks, which not only ignited the passion of the athletes, but also triggered a heated discussion on the creativity and scale of the opening ceremony from the global audience.
As spectators of this cultural feast, we might as well step into this interweaving of light and shadow and explore those impressive and slightly controversial moments.
When the curtain of the opening ceremony of the Paris Olympics slowly opened, an unusual picture quietly entered the world's field of vision - the warm presentation of the same-sex theme made the CCTV commentators seem to be frozen by time at that moment, and even the action of switching pictures seemed a little hesitant.
This is not a simple scene accumulation, but through delicate emotional expression and creative choreography, it shows the pure and sincere emotional bond between different genders.
For example, the two dancers on the stage dance together in a wordless tacit understanding, dressed in the same costume, and the movements reveal a deep affection that transcends friendship, such a scene is not only a respect for multiple emotions, but also a silent call for love and equality.
However, parallel to the same-sex theme was the introduction of elements of red terror, a design that quickly sparked widespread controversy.
At the opening ceremony, through the clever combination of light and shadow effects and sound effects, a memory of a specific period in France's history was quietly awakened.
The huge red flag and oppressive atmosphere make people feel as if they have traveled back to that turbulent era.
Such a design is undoubtedly a deep reflection on history, but at the same time, it also makes some viewers feel uncomfortable and question whether it is suitable for the Olympic stage, which celebrates peace and friendship.
After all, as a world sports event, the Olympic Games should convey a message of unity, hope and harmony.
In the midst of controversy, the opening ceremony was also full of eye-catching creativity.
The surprise appearance of the Minion short film, with its unique humor and liveliness, added a bit of light-hearted atmosphere to this large-scale event.
Although the short film is short, it cleverly incorporates France elements, allowing the audience to feel the charm of France in laughter.
Subsequently, the appearance of the Mona Lisa's physical footage blurred the boundary between art and reality, and the world-famous painting, with the blessing of high-definition technology, seemed to travel through time and space to have a dialogue with the audience across the century.
This combination not only demonstrates the profound heritage of Paris as a capital of arts, but also reflects the opening team's deep understanding of the integration of tradition and modernity, culture and technology.
If the combination of Minions and Mona Lisa is a visual feast, then the interweaving of Hugo's works, classic France oil paintings and rock elements is a spiritual shock.
On stage, France oil paintings slowly unfold as the classic melody of "Notre Dame de Paris" sounds, while rock bands perfectly blend tradition and modernity with their unique style.
Hugo's tragic characters seem to have been given a new lease of life, telling their own stories in the rhythm of rock and roll.
This cross-era artistic collision is not only refreshing, but also deeply feels the breadth and depth of France culture and infinite possibilities.
How can you mention Paris without mentioning Carmen? At the opening ceremony, a performance with the theme of "Carmen" brought the audience into a world full of red romance.
On the stage, the lights are unpredictable, and red has become the main color, which not only symbolizes Carmen's passionate and free love, but also symbolizes the love and pursuit of life in France.
The clever use of props, such as the flame-like skirt and the blazing rose, pushes this romance to the extreme.
The audience feels as if they are in a dreamlike theater and experiences a love-hate journey with Carmen.
The opening ceremony of the Paris Olympics also attracted a lot of attention with its unique relaxed style.
Here, sexual fetish freedom and feminism are no longer taboo topics, but are presented in a gentle but firm way.
For example, in one show, artists explored the diversity of gender and identity through body language, encouraging everyone to be brave and be themselves.
The catwalk of disabled dancers and the appearance of drag queens pushed this tolerance and respect to a climax.
With their tenacity and talent, disabled dancers have proved to the world that physical limitations cannot stop the pace of dreams; Drag queens, on the other hand, show the infinite possibilities of gender expression with their unique costume design and stage presence.
However, even the most perfect feast will inevitably have hiccups and hiccups.
At the opening ceremony, the mistake of hanging the five-ring flag was undoubtedly a big embarrassment.
This low-level mistake not only surprised the audience and the audience in front of the TV, but also had a certain impact on the overall image of the opening ceremony.
But from another point of view, this may also be the "humane" side of the opening ceremony.
After all, it is these imperfections that allow us to see the true reaction of human beings in the face of mistakes, and also make us cherish those perfect moments through hard work and sweat.
Whenever a major international event kicks off, it is inevitable to compare it with other similar events.
We should maintain an objective and fair attitude towards the comparison between the Paris Olympics and the Beijing Olympics.
The Beijing Olympic Games, with its grand scale, exquisite skills and profound cultural heritage, have left an indelible impression on the world.
The opening ceremony was not only a visual feast, but also a wonderful display of Chinese culture, from the shocking opening of "Singing and Singing", to the delicate depiction of the "Picture Scroll" slowly unfolding, to the creative programs such as "Dove of Peace" and "Movable Type Printing", all of which demonstrated the breadth and profundity of Chinese civilization and the self-confidence of modern China.
The opening ceremony of the Paris Olympic Games, with its unique artistic perspective, multicultural integration and courageous discussion of social issues, showed the unique charm of France as an art capital and an open and inclusive social atmosphere.
Both have their own merits and are unique interpretations of the Olympic spirit in the context of their respective eras.
We should not simply evaluate them as "good" or "bad", let alone deliberately step on them and put them in opposition.
The opening ceremony of each Olympic Games is a global cultural exchange and collision, and together they constitute a brilliant chapter in the history of human sports.
We should look at them with appreciation, draw inspiration from them, feel the charm of different cultures, and promote world peace and development.
epilogue
The opening ceremony of the Paris Olympics is like a wonderful movie, with both creative highlights that make people applaud, but also regrettable small flaws.
But it undoubtedly provides us with a unique perspective on the world and culture.
In this feast of light and shadow, we see the gentle declaration of the theme of the same sex, feel the deep reflection of the elements of red terror, experience the beauty of the integration of multiple cultures, and witness the unremitting pursuit of freedom, equality and love of human beings.
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