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On May 5, 2010, during Japan's uneventful press conference, an unexpected storm struck. The well-known actor Sun Haiying, with his usual straightforward style, directed the spearhead to play Feng Xiaogang without warning.
His rhetoric is as sharp as a knife, saying that Feng's works are "useless except to make money, and the cultural connotation is almost zero". This remark was like a heavy punch, which instantly stirred up thousands of waves inside and outside the entertainment industry.
At that time, Feng Xiaogang was immersed in the joy of "If You Are Honest, Do Not Disturb" creating a box office myth, but he didn't know that a protracted public debate was about to begin. Where did this sudden attack come from? How will the contest between the two giants in the film and television industry be played? Let's uncover this long-lost past.
As time passed, the contradiction between Sun Haiying and Feng Xiaogang was like an inflating balloon, and finally reached a flashpoint when Feng Xiaogang's new work "Tangshan Earthquake" was released in 2010.
This soulful disaster film caused a sensation upon its release, and ended up with a staggering 6. The box office performance of 6.5 billion yuan won the runner-up of the year. However, just as the audience was cheering for this masterpiece, Sun Haiying shot again to add fuel to the fire.
Facing the media camera, Sun Haiying frowned slightly, and her tone revealed disdain: "I have never watched domestic movies, and I am not interested in watching even the tickets for "Tangshan Earthquake" given by Feng Xiaogang.
As soon as this remark came out, it immediately caused an uproar on the Internet.
In the face of such sharp criticism, Feng Xiaogang was obviously not to be outdone. He stood on the set with a burning gaze in his tone, with a hint of sarcasm in his tone: "I didn't give him any tickets."
But if he needs to see a doctor, I'm willing to deliver the medicine myself. This sentence is like a heavy punch, hitting the key point of Sun Haiying's remarks.
Immediately afterwards, Feng Xiaogang cleverly borrowed Sun Haiying's masterpiece "The Years of Burning Passion" and continued to fight back: "It seems that this old comrade's brain has been burned out by passion."
These humorous and sharp words caused the onlookers to laugh.
However, Sun Haiying is not an easy person to admit defeat. In the face of Feng Xiaogang's ridicule, he fought back mercilessly and severely criticized "Tangshan Earthquake".
Feng Xiaogang's eyes narrowed slightly when he heard this, and a sneer appeared at the corner of his mouth: "If you have the ability, you can also make a movie with a box office of more than 600 million, and I may feel a little lonely at that time."
The controversy continues to heat up, and the two sides do not give in to each other. The entire entertainment industry was shaken, and everyone waited with bated breath to see how this battle would eventually end.
As the dispute escalated, fans of the two film and television giants also joined the fray, starting a fierce war of words on the Internet. Some people support Sun Haiying's outspokenness, thinking that he speaks to the hearts of many people; Some people agree with Feng Xiaogang's attitude, feeling that his works have indeed made great contributions to the Chinese film market.
This dispute not only involved the two parties, but also triggered people's in-depth thinking about the current situation of China's film industry. People are starting to discuss: what makes a really good movie? Is it box office supremacy or cultural connotation? This controversy seems to have gone beyond the realm of personal grievances and has become a public debate about the future direction of Chinese cinema.
As time passed, the contradiction between Sun Haiying and Feng Xiaogang was like a powder keg that was about to erupt, and finally broke out in a public occasion.
Feng Xiaogang stood in the spotlight, his eyes were like torches, and his tone was full of firmness and warning: "I never take the initiative to provoke others, but if someone dares to challenge me, I will definitely fight with all my strength to see who can have the last laugh!" His voice was not high, but his words were sonorous and powerful, as if he were declaring war on the whole world.
The atmosphere at the scene froze instantly, and everyone felt the anger in the director's heart.
In the face of Feng Xiaogang's tough attitude, Sun Haiying did not flinch at all. In another interview scene, his brows were tightly knit, and his tone was full of disdain for "Tangshan Earthquake": "In addition to the box office beauty, is there anything worth mentioning about this movie?" His rhetoric is still sharp, as if he wants to completely negate the film.
This war of words has attracted the attention of the entire entertainment industry. People are speculating about how these two giants in the film and television industry will end? The media rushed to report on the critics, and the industry was caught up in a big debate about the value of the film.
Just when everyone thought that the dispute was going to intensify, an unexpected figure appeared.
Sun Haiying's wife, a woman who has been silently supporting her husband, chose to stand up at this critical moment. She looked gentle but firm in the face of the media: "Haiying is such a character, she never hides her emotions when she says anything.
It is precisely because of his true temperament that I fall in love with him deeply. Her words contain both understanding and support for her husband and a desire to settle the dispute.
These words were like a clear stream, instantly diluting the tense atmosphere. Under the persuasion of his wife, Sun Haiying gradually calmed down and chose not to speak on this topic again.
And Feng Xiaogang also seems to realize that it is not beneficial for anyone to continue the dispute, and no longer responds to Sun Haiying's remarks.
In this way, this public debate, which lasted for several months, finally came to an end with the mediation of Sun Haiying's wife. Although the two sides did not reconcile publicly, the calming of this turmoil made the entire entertainment industry breathe a sigh of relief.
Although the dispute is over, the reflections it provokes are far from stopping. People are beginning to ask whether the pursuit of freedom of artistic expression should also consider the influence and responsibility of speech. As a public figure, how should you respond appropriately to criticism? These questions lingered in people's minds for a long time and became the most valuable reflections left by this turmoil.
As the public debate between Sun Haiying and Feng Xiaogang gradually subsided, the deep thinking triggered by this turmoil continued to ferment in all walks of life. People are beginning to look at the broader social issues behind the dispute.
Sun's outspokenness sparked a lively debate about the boundaries of free speech. Some people praised him for daring to speak the truth and not being afraid of power; Others questioned whether his remarks were too extreme and whether he took into account the possible negative effects of his influence.
At the same time, Feng Xiaogang's emotional intelligence and way of doing things in this dispute have also attracted widespread attention. His initial calm response, as well as his later forceful counterattack, showed the qualities of a mature public figure.
The incident also made people reflect on the social responsibility of public figures. Whether it's an actor or a director, their words and actions can have a significant impact on society.
Through this controversy, there is a growing consensus that freedom of speech is important, but everything should be subject to appropriate norms and limits. We should base our opinions on objective facts, not fabricate or exaggerate them.
In particular, those public figures with wide influence should take on the important responsibility of maintaining the social image and positive influence, and set a good example for the younger generation.
The dispute has also sparked deep thinking about China's film industry. What makes a good movie? Is it simply the pursuit of box office, or is it a combination of artistic value and cultural connotation? There is no standard answer to these questions, but they are worth exploring and practicing in depth throughout the industry.
In the end, this turmoil is not only a contradiction between two individuals, but also an opportunity for the whole society to self-examine and reflect. It reminds us that while pursuing freedom of personal expression, we should always keep in mind the social responsibility of public figures and contribute to building a more rational and inclusive social atmosphere.
Time flies, and in the blink of an eye, ten years have passed since that sensational controversy. The protagonists of the year, Sun Haiying and Feng Xiaogang, have now embarked on completely different life paths, and their respective experiences are also embarrassing.
Feng Xiaogang, the director who was publicly criticized by Sun Haiying back then, is now proud of himself in the entertainment industry. In the past ten years, he has continued to innovate, created a series of acclaimed and acclaimed film works, frequently won major director awards, and won the love of the audience and the respect of the industry.
Not satisfied with working behind the scenes, Feng Xiaogang has also crossed over as an actor many times, challenging the protagonist in films such as "Lao Paoer", showing diversified talents.
What's even more impressive is that Feng Xiaogang has gradually grown into a mentor-level figure in the film industry. Many talent shows and performance variety shows have invited him and other well-known directors such as Li Shaohong to serve as judges, providing valuable guidance for the new generation of actors.
He unreservedly passed on his years of accumulated experience to his juniors, showing the mind and responsibility of a successful person.
On the other hand, Sun Haiying, a once sharp actor, seems to have gradually faded out of the public eye over the years. Although he still maintains an outspoken personality, his words are too intense, which even leads to the undesirable consequences of social media account bans.
However, it is worth mentioning that Sun Haiying was not depressed. He devotes his energy to the cause of nurturing new talents, actively mentoring young actors and helping them improve their acting skills.
Among them, actor Nie Yuan, who became popular because of "Yanxi Raiders", has publicly thanked Sun Haiying for his support and guidance many times. In her work, Sun Haiying carefully taught Nie Yuan how to deeply understand the characters and how to better interpret them; In life, he cares for his juniors like a loving father, giving selfless help and support.
Although Sun Haiying, who is over the age of six, appears less and less on the screen, his love for acting career and concern for his younger generations are still widely circulated in this circle and have become a good story.
In the past ten years, the two have embarked on different paths, but they have both contributed to the Chinese film industry in their own ways. This may be the charm of life, everyone has their own unique life trajectory, and it is these different individuals who jointly promote the development and progress of the entire industry.
The controversy ten years ago was not only a conflict between two individuals, but also reflected the complex ecology of the Chinese film industry.
Diversity in the field of culture has always been our advocacy. There will always be excellent works in the film industry at home and abroad, and it is inevitable that there will be failures.
This is a universal reality. However, we need to look at this phenomenon with a more inclusive attitude, and firmly believe that Chinese films will eventually move towards the world stage with a more open and pluralistic attitude.
We hope that future Chinese films can find a balance between commercial value and artistic pursuit, which can not only create a considerable box office, but also convey profound cultural connotations.
We also hope that both directors and actors can contribute to the development of Chinese films, jointly create more excellent works that attract the attention of the world, and show the unique charm and strength of Chinese films to the world.
In this new era full of opportunities and challenges, Chinese films are standing at a new starting point. We have reason to believe that after the precipitation and accumulation of time, Chinese films will surely bloom with more brilliant brilliance and occupy their due position on the world film stage.
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