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In this era of information explosion, a debate about whether cross talk artists can successfully transform into Internet celebrity anchors is quietly heating up. Cao Yunjin, a young cross talk actor, has set off a whirlwind on the Internet with his live broadcast activities.
The number of viewers of his single live broadcast has reached new highs, and the peak even exceeded more than 300,000, which is enough to make many professional anchors unattainable.
However, just when Cao Yunjin seemed to be about to enter the front line of the live broadcast industry, Yang Yi, a veteran in the cross talk industry, threw a bombshell. The cross talk actor, who is known for his outspokenness, said bluntly: Although cross talk actors have the potential to become leaders in the field of live broadcasting, Cao Yunjin may not be able to do this.
This remark instantly sparked heated discussions inside and outside the industry, whose judgment is more accurate? Let's walk into this battle between the old and the new and explore the fate of cross talk art in the era of live broadcasting.
Cross talk, a traditional Chinese opera with a long history, can always give birth to dazzling stars in different era backgrounds. Yang Yi stood at the crossroads of the times, his eyes were like torches, as if he had traveled through time and space, telling us the history of the fame of cross talk actors.
His thoughts first returned to the era of Ma Sanli and Hou Baolin. At that time, newspapers and radio were the main force of communication. Yang Yi smiled slightly and said: "You may not imagine that in that era, although the audience was familiar with Ma Sanli's name, few people had really seen his true face.
So much so that every time he performs on stage, Ma Lao will first humorously introduce himself: "Audience, I am Ma Sanli!" These words caused everyone present to smile, as if they had seen the grand occasion of the year.
With the wheels of the times turning, television has gradually become the new stage. Yang Yi's eyes flashed with a light of reminiscence: "When it comes to Ma Ji, Jiang Kun, and Feng Gong's generation, they are much luckier."
With the help of television, an emerging medium, their cross talk performances have been able to enter thousands of households and become the talk of the streets overnight.
Speaking of this, Yang Yi's tone suddenly became excited: "Then we ushered in the Internet era, and Guo Degang was born!" He analyzed that Guo Degang keenly captured the power of the Internet, made good use of network communication to accumulate a large number of fans online, and skillfully converted these traffic into audiences for offline performances, forming a unique "online and offline integration" model.
This innovative way of operation makes Deyun Club unique in the cross talk industry.
Yang Yi's gaze looked into the distance, as if thinking about something: "Every era has its characteristics, and it will also give birth to a relative star that belongs to that era." From Ma Sanli to Guo Degang, what we see is not only the blooming of individual talents, but also the epitome of the entire industry advancing with the times.
He sighed softly, with a little emotion in his tone: "Now, we are standing at a new node - the era of live broadcasting. This is both a challenge and an opportunity.
We, the older generation of cross talkers, are also trying to adapt to this new era. And young people like Cao Yunjin should seize this opportunity.
Speaking of the live broadcast, Yang Yi's eyes became sharp. As a cross talk actor who has been engaged in live broadcast work for a long time, he has unique insights into this field.
"Live broadcast," Yang Yi said slowly, "This is a brand new stage with its own rules and charm. There was a hint of encouragement in his tone, "The cross talk actor is involved in the live broadcast, which is undoubtedly a positive thing."
It opened a new door for us to reach a wider audience.
However, just when the audience thought that he was going to sing praises for Cao Yunjin, Yang Yi's words changed: "But," he paused and looked like a torch, "Not everyone can break out of this field."
For example, although Cao Yunjin has solid basic skills in traditional cross talk, he still seems a little powerless in the emerging field of live broadcasting.
Yang Yi's analysis is sharp and profound. He pointed out that Cao Yunjin still lacks a sense of fashion and a grasp of the rules of live broadcasting. "Live streaming is not just about standing in front of the camera and talking about cross talk," Yang explained, "It requires instant interaction with the audience, a keen capture of Internet hotspots, and a need to attract the love of young audiences while maintaining the true nature of traditional art."
These are precisely the ones that Cao Yunjin has not yet fully grasped.
Speaking of this, Yang Yi's expression became serious. He put forward a thought-provoking point: "In fact, no matter what era of cross talk actors, their success is inseparable from the specific background of that era.
Just like the ancients said, 'times make heroes'. Ma Sanli has the era of Ma Sanli, Guo Degang has Guo Degang's stage, and now we are in a new era of live broadcasting.
Yang Yi's gaze swept over everyone present, and his tone was firm: "I believe that with the passage of time, real top talents will emerge in the live broadcast industry."
These people must not only have a solid foundation in cross talk, but also be able to accurately grasp the pulse of the times and find a balance between tradition and innovation. They need to know how to tell a joke well, and be proficient in using the various functions of the live broadcast platform; It can not only maintain the cultural heritage of cross talk, but also express it in a way that young people like.
Yang Yi continued to analyze: "Cao Yunjin does have a good foundation in traditional cross talk, which is worthy of recognition. But live streaming isn't just about moving offline performances online.
It needs more innovation and interaction. For example, how to improvise in the live broadcast, how to deal with the audience's barrage comments, and how to maintain the essence of cross talk art while attracting new audiences, these are all issues that need in-depth thinking and continuous practice.
In the end, Yang Yi said meaningfully: "As for whether Cao Yunjin can become such a talent, it depends on his own efforts and opportunities. But for now, he still has a long way to go.
He needs to keep learning and constantly adjusting to find his own live streaming style. This is not something that can be done overnight and requires time and patience.
Yang Yi's words not only contain deep insights into the industry, but also contain expectations and suggestions for the younger generation. His assessment, while harsh, also pointed the way.
This remark undoubtedly brought profound thinking to the entire cross talk industry and even the entire live broadcast industry: in this new media era, how should traditional art be innovated? How can cross talk actors adapt to new communication methods while maintaining their true colors? These issues are not only related to the development of Cao Yunjin alone, but also to the future of the entire cross talk industry.
As soon as Yang Yi's evaluation was issued, it immediately caused an uproar on the Internet. Supporters and skeptics insisted on their own words and launched a heated discussion, and the entire cross talk circle and the live broadcast industry were affected by this controversy.
Supporters praised Yang Yi. The user of the screen name "Cross Talk Lovers" commented excitedly: "Mr. Yang is too reasonable! His analysis is simple and to the point! Indeed, live broadcast is not just about cross talk, it also requires more skills and innovation.
Although Cao Yunjin has good cross talk skills, he still seems a little powerless in the new field of live broadcasting.
Another netizen who calls himself a "guardian of traditional culture" also agreed: "Teacher Yang Yi's point of view is very insightful. We can't ignore the quality of content just because Cao Yunjin's live broadcast data is good.
Cross talk is a traditional art, and its essence must be maintained in the live broadcast, and the essence of art cannot be lost in order to cater to the audience.
However, there are many voices of skepticism.
Others believe that Yang's assessment may be subjectively biased. One user who goes by the screen name "Impartial Observer" wrote: "Although Yang Yi has a lot of experience, his understanding of new media may not be deep enough.
What does today's young man like, does he really understand? Cao Yunjin's ability to attract so many viewers shows that he is successful in some ways.
The controversy quickly spread from the internet to reality. In major teahouses and cross talk clubs, people are discussing this topic enthusiastically. Some people think that Yang Yi's evaluation is objective and fair, reflecting the unique insights of a senior cross talk actor; Some people also feel that Yang Yi may be a bit stubborn and can't fully understand the way of communication in the new era.
In the face of complicated comments, Yang Yi himself remained silent.
This controversy seems to have gone beyond the personal evaluation of Cao Yunjin, and has become a deep discussion about how traditional art can survive and develop in the new era.
It not only reflects the different views of different generations on the inheritance of art, but also reflects the diversified demands of people for cultural communication methods in the rapidly developing Internet era.
As the controversy caused by Yang Yi's evaluation of Cao Yunjin continues to ferment, more and more people have begun to think about a more macro question: how to seek the development of cross talk, a traditional art, on the emerging platform of live broadcasting? This issue is not only related to Cao Yunjin's personal development, but also a common challenge faced by the entire cross talk industry.
A senior cross talk critic said in an interview: "The involvement of cross talk actors in live broadcast is both an opportunity and a challenge. The opportunity lies in the fact that live streaming can allow the art of cross talk to reach a wider audience, especially young people.
But the challenge is also huge, how to maintain the essence and artistic character of cross talk, while meeting the immediate and interactive needs of the live broadcast platform, this is a question that every cross talk actor who wants to make a difference in the field of live broadcast needs to think deeply.
Indeed, this is an issue that needs to be carefully weighed. On the one hand, cross talk actors need to maintain their own artistic characteristics and professionalism, and inherit the essence of this traditional art; On the other hand, they must learn to use the language and skills of new media to attract a new generation of audiences and gain a foothold in the fierce online competition.
Some people propose that cross talk actors should adhere to tradition during live broadcasts and focus on orthodox cross talk performances. A cross talk lover said firmly: "Only by adhering to the essence of cross talk can we attract loyal fans who really love cross talk."
There are also people who hold different views, believing that we should cater more to the needs of live broadcasting, add some interactive links, and even try some cross-border cooperation. A young influencer suggested: "You have to keep up with the times, otherwise it will be difficult to gain a firm foothold in the live broadcast industry."
You can try to combine cross talk with the current popular elements, such as adding some online memes, or cooperating with other types of anchors, which can attract more young audiences.
This collision is not only a contest between old and new media, but also a game between tradition and innovation. It tests the wisdom and courage of every cross talk actor, and will also determine the development direction of cross talk art in the new era.
Some people worry that over-catering to live streaming may lead to the vulgarization of cross talk art; Some people also believe that not keeping pace with the times may make cross talk gradually lose its young audience and eventually decline.
In this era full of opportunities and challenges, young cross talk actors like Cao Yunjin are exploring the way forward in their own way. Every time they try, they may bring new inspiration and possibilities to the entire industry.
Although the controversy continues, most industry insiders and viewers agree on one thing: the development prospects of cross talk actors in the field of live broadcast are bright. This emerging platform offers unprecedented opportunities for the dissemination of traditional art.
As Yang Yi said, with the passage of time, the live broadcast industry will inevitably emerge with real top talents. The success of these talents will depend on personal efforts and judgment, and at the same time, it will not be possible without the support and recognition of the audience.
They need to find a balance between tradition and innovation, which not only maintains the artistic essence of cross talk, but also adapts to the communication characteristics of new media.
For Cao Yunjin, this is undoubtedly a huge challenge, but it is also a rare opportunity. If he can continue to learn and innovate while maintaining the true character of cross talk, and improve his skills in the field of live broadcasting, he may really be able to shine on this new stage.
The art of cross talk has endured for hundreds of years, precisely because it can keep pace with the times and constantly absorb new elements. In this era of live broadcasting, cross talk actors are writing a new chapter of their own.
Whether it is Cao Yunjin or other cross talk actors who devote themselves to live broadcasting, their explorations and attempts are injecting new vitality into this traditional art.
Let's wait and see, and look forward to the near future, there will be more outstanding cross talk actors who will shine in the field of live broadcasting, bringing wonderful performances that are both traditional and trendy to the audience.
This is not only the inheritance of cross talk art, but also the innovative development of traditional Chinese culture in the new era.
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