In terms of its large-scale display, this is undoubtedly a challenge to the audience's acceptance of the bottom line. The large-scale plot and images may attract the attention of some viewers to a certain extent, but at the same time, they also raise questions about the value and social impact of the work. Excessive pursuit of strong visual and emotional impact may lead to a lack of depth and connotation in the work, relying only on stimulating elements to attract the audience, rather than conveying meaningful messages through solid plots and profound characters.
When we compare Dorm 2 to the first installment, we see a number of obvious differences. The first work may pay more attention to rationality and coherence in the advancement of the plot and the portrayal of the characters, attracting the audience through delicate narrative and moderate emotional expression, creating an engaging atmosphere.
In contrast, the large-scale presentation of Dorm 2 may somehow deviate from the style and tone established by the first installment. The first part may be more focused on impressing the audience through the charm of the story itself and the development of relationships between the characters, while the second part seems to rely too much on large-scale elements to create topics and attention.
Nor can we generalize to dismiss Dorm 2's attempt. In today's competitive film and TV market, creators may be trying to engage audiences through innovation and breakthroughs. But this innovation should be based on respect for the audience, the laws of art and social values.
For the audience, when evaluating these two works, they should not only be swayed by the superficial large-scale elements, but should pay more attention to the core ideas, emotional depth and reflection of social reality conveyed by the works. At the same time, for creators, while pursuing innovation and attracting audiences, they should adhere to the bottom line and social responsibility of art, and create works that are both entertaining, ideological and value-oriented.
The large-scale presentation of Korea's "Dormitory 2" has caused a lot of thought, and the comparison with the first part also provides us with a perspective to examine the development and changes of film and television works. It is hoped that future film and television works can pay more attention to the delivery of quality and value while maintaining innovation and attractiveness.