#长文创作激励计划#
This year, Tong Dawei has become popular strongly.
In "The Story of Rose", he played Liu Yifei's brother and formed a CP with Wan Qian, and was praised for his natural acting skills.
In "Dislocation", the changing track played a murderous metamorphosis, which was also well received.
There are also two dramas to be broadcast, "The Night is Thick" and "Good Luck", both of which are also male leads.
Many people also recall his early dramas.
Tong Dawei can be said to be a "playboy" professional in domestic dramas, and has played all kinds of cynical "scumbag" roles.
In addition to the well-known "Struggle".
There is another one that many people will never forget.
This drama has a score of 8.4 on Douban.
Collect all the first-line bigwigs and shake off the black material in the circle.
also because of the bold scale, it was slashed for 20 episodes.
But even so, it is still rated as a strong stroke in the history of Chinese TV dramas.
It's a pity that not many people have seen it, and there are only more than 20,000 people on Douban.
After taking the opportunity to review, Uncle Yu also had to say:
At least this scale, I can't shoot it again today-
Days Related to Youth
If you don't do your homework in advance, this drama will definitely confuse many people.
In the play, there is a young man named Feng Pants, who looks like this↓
This person is not good-looking, cowardly and cowardly.
is always sloppy and likes to take advantage of small advantages, and people think that he will not have any interest.
Unexpectedly, later, he made a movie and became popular, and was also called "the new hope of Chinese films".
Isn't this here to Hei Feng Dao?
Actually, it's more than that.
Many of the characters in the play are reminiscent of well-known characters in reality.
For example, in the role of Wang Ruohai in the play, he opened a big hotel to make a fortune, and developed a side business of writing novels.
He wrote a best-selling author without paying attention, known as "Mainland Qiong Yao", and finally blossomed in the literary and business circles.
It's hard not to think of Sea Rock.
(Looks like it too)
There are also the brothers Gao Jin and Gao Yang in the play, like Wang Zhongjun and Wang Zhonglei, the founders of Huayi Brothers.
The heroine Li Bailing is very similar to Xu Jinglei in appearance.
And the male protagonist Fang Yan played by Tong Dawei, who was a soldier in his early years and worked in a pharmacy after retiring.
He once squatted in the bureau and worked as an editor in a magazine, but later quit his job to write novels.
is very similar to Wang Shuo's experience, and is also considered to be an adult version of the square gun.
It's just that, except for Feng Pants, none of the other roles have been personally witnessed by the director.
But netizens' conjectures are by no means out of nowhere.
This drama is mainly adapted from Wang Shuo's novel "Playing is the Heartbeat", mixed with the content of "Rubber Man" and "Animal Ferocity".
In the book, Wang Shuo recalled his growth and perception in the military compound, and blended in with the shadows of many friends around him, many of whom later became celebrities in the Beijing circle.
Like in the novel, the character of Feng Pants is called "Feng Xiaogang".
At the beginning of the millennium, Wang Shuo was already a core figure in the culture of the Beijing circle.
The success of works such as "Addictive", "The Stubborn Master" and "Sunny Days" is enough to make him call for wind and rain in the mainland film and television industry.
At that time, the early work "Playing is the Heartbeat" that had not yet been filmed became a sweet treat.
It is said that the famous directors Ning Ying, Zhang Yuan, and the best female director of the fourth generation, Zhang Nuanxin, have all hit the idea of this book.
In the end, Ye Jing took the lead, and it is estimated that it is indispensable to succeed because of people.
After all, Ye Jing is also Wang Shuo's child, and he has been in the same circle since he was a child, and he also has a deeper resonance with the stories in the book.
Ye Jing spent three years polishing the script.
Sure enough, after the broadcast of this drama, the response was good.
Although because of violent scenes and sensitive lines, the 52-episode drama was cut into 32 episodes, setting a new record for Chinese TV dramas.
But because of its own gossip attributes, it has set off a lot of heated discussions on the Internet and paper media, and after the broadcast of major local satellite TV, the ratings are generally very good, especially in the north.
On "Qiang Qiang Threesome", Dou Wentao also said that he couldn't put it down and stayed up all night watching it.
At that time, the pirate was worried that there would be no sales, so they named "Scarlet Romance 2" without authorization, only to find out later that it was too much.
Nowadays, the behind-the-scenes casting story has also become a well-known story.
For example, in the play, the innocent but unfortunate young man who died early played by the article left a deep impression on many people.
In fact, the original actor was not him, but the director praised his appearance after accidentally seeing the article, so he temporarily changed the actor.
The heroine Qiao Qiao was found by Xu Jinglei, who was one size younger, but she couldn't find a suitable one until Bai Baihe appeared.
At that time, she was still called Bai Xue, and she was still in her third year of college, and she was in the same class as the article.
5 years later, the two became popular again because of "33 Days of Broken Love".
This drama is also a love drama between Bai Baihe and Chen Yufan.
In the play, the two played a couple, Xu Xun and Qiao Qiao.
Later, Xu Xun (played by Chen Yufan) was arrested and imprisoned, and Qiao Qiao (played by Bai Baihe) empathized and said goodbye, and this drama also has a bit of a "prophetic drama".
So back to the show itself, what kind of story does it tell?
Douban has an accurate comment: "Memoirs of Straight Men's Rogue Youth".
Although the director fondly recalls the common experience of the children born in the late 50s of the last century and grew up in the Beijing military compound.
However, in today's aesthetics, it is the life of a group of second-generation people who have nothing to do.
Most of them are oily and smooth-talked, believing that "there is nothing difficult in the world, as long as you are shameless".
Since childhood, he has been keen on low-level fun.
"A piece of sunflowers that stole from kindergarten and spit on passers-by from upstairs."
When I grew up, I was all stunned.
Flirting with girls everywhere has no respect for women.
They often form gangs and factions, and go to other military compounds to fight and make trouble.
For the sake of face, I entered the bureau and took my youth.
Later, many people joined the army with the light of their fathers.
But after retiring and entering society, most of them are not in shape.
Reselling fake watches, clothing, and color TVs, and getting together to drink and dance every now and then.
All day long I only know how to play poor mouths, brag, play cards, talk about friends, and tell pornographic jokes.
It's just that they have had enough fun, and they also have the capital and luck to start all over again.
Some have devoted themselves to the business world and made a fortune.
Some write novels and make movies, and they are famous all over the world and live in their homes.
But no matter how it ends, they still have nostalgia for the memories of the past and sentimentality for the passing of their youth.
Isn't this the innocent moan of the privileged class, one might say?
Maybe yes.
But it cannot be denied that this is also a corner of reality.
Fortunately, this drama is sincere enough, and the creator has revealed the real growth experience to the greatest extent, mixed a large number of realistic prototypes, and created a quite three-dimensional and vivid group portrait.
They are sometimes conceited, arrogant, empty, and shallow, and sometimes they are kind, lovable, and innocent.
There is no artistic pretension, everyone sees them as they are, which makes people love and hate at the same time.
Therefore, the affairs of the people in this big courtyard can also make countless people watch it with relish.
But perhaps, it is not accurate to say that "moaning without disease".
They have endured the fission of the times, and their common background is the collective confusion in the special historical environment.
He grew up with revolutionary ideals, but he experienced turmoil and ran into the tide of reform.
After taking off the green uniform, he came to the colorful world of Guangzhou.
I once thought I was the protagonist of the world, but then I suddenly realized that I was just a loach that couldn't set off big waves.
Against the neon background, their faces have an inextricable sense of exoticism and alienation.
In the end, they contradictively compromise with the world while stubbornly holding out their idealistic beliefs.
Half seawater, half flames.
is not willing to be mediocre, but cowardly chooses to disarm.
This is the spiritual history of a generation, but it is also infinitely close to the essence of youth.
This is their youth, and it is not ours.
We've wasted too much of our youth
It was such a self-righteous and embarrassing youth
There was laughter, and there were tears
There is vigor, and there is decadence
There's sweetness, and there's absurdity
There is self-confidence, but there is also confusion
We are sensitive, we are paranoid, we are stubborn to the end and pretend to be strong
We can easily hurt others and be easily hurt by others
We chase the pleasures of decadence and revel in the beauty of loneliness
We believe that we are different and that the world will change because of me
We wake up, in fact, we are no longer young
Our future may no longer be limitless
In fact, it may have been infinite
Actually, I will look back at this drama today, leaving aside the story background and the particularities of the groups involved.
The most rare thing is the creation of the character, which is full of bad deeds, but it is vivid and real.
is like the dialect played by Tong Dawei, who is always merciful and cynical.
Ye Jing once said in an interview that he intended to oppose the role of Gao Daquan.
Because he has no intention of praising or criticizing, he just wants to photograph the primitive and rough youth in his heart.
Seeking truth and truth is the basic requirement of artistic creation.
It's a pity that today it has become a luxury.
Nowadays, almost all domestic dramas are perfect and correct characters, and stories that are more in line with mainstream values.
Even if you shoot people who have nothing to do and tell stories about giving up, you should label them as anti-involution and relaxation.
The presentation of the life of the privileged class is even more rigid, suspended, and exaggerated.
Some people call this drama "the swan song of film and television literature in the Beijing circle".
Wang Shuo and the culture he represents in Beijing have been lost and have been overshadowed by a more diverse, commercialized and globalized cultural wave.
Together with these old dramas, it has become an indelible memory in the hearts of a generation.
It's just that what is lost is not only Wang Shuo and the culture of the Beijing circle?
We lament youth, and also lament those creators who write youth and dare to fight with instinct and desire.