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How to build a good art ecology? Li Zhenlin: Traffic is a double-edged sword for actors"

How to build a good art ecology? Li Zhenlin: Traffic is a double-edged sword for actors"

How to build a good art ecology? Li Zhenlin: Traffic is a double-edged sword for actors"

The charm of art lies in the expression of the beauty of human nature

Foreword: Art is an important carrier for human beings to pursue the spiritual world and a channel to the beauty of human nature. In the current era of rapid change, the art ecology presents some questions worthy of our deep thought. For example, some celebrities rely too much on traffic and ignore the depth and strength of their hearts; Or some performers lack the importance of humanistic qualities, making the performance superficial and stereotyped. How to construct a benign artistic ecology and make performances better serve the spirit of art is a question we should think about together.

1. "Taste" is the highest level of performing arts

Li Zhenlin, an expert at the Shanghai Theater Academy, believes that a true performing artist must not only have solid skills, but also have profound cultural literacy and personality cultivation. He said that "taste" represents the highest level of the performing arts, which means that actors are able to bring their characters to life in front of the audience through their emotions and understanding. In contrast, those stars who can only "memorize lines" and "expressions" are difficult to truly integrate with the characters and let the audience feel the inner world of the characters.

We often say that a good performing artist goes through the process of "finding him, getting close to him, becoming him, and replacing him". This kind of in-depth character creation not only requires the actor to put in a lot of effort, but also requires the actor's deep understanding of human nature and pious pursuit of art. It can be said that the essence of performing arts is to express the beauty of human nature, rather than simply catering to the needs of the market.

2. Cultural personality is the foundation of performing arts

In addition to the requirements for performance skills, expert Li Zhenlin also emphasized the importance of cultural literacy. He said, "If you want to become a master, the last thing you fight for is personality." This means that it is not enough to master the performance skills, but also to have a broad knowledge and profound humanistic qualities, which is the foundation of becoming a good performing artist.

For students, they should pay attention to "reading" and "thinking" at the school stage in order to cultivate their own personality cultivation. Only with good humanistic qualities can you truly understand the characters, the script, and life, and inject your own unique perspectives and emotions into the performance, making the work more vivid and moving.

It can be said that while pursuing performance skills, we should pay more attention to the construction of the performer's inner world. Only on this basis can the performing arts truly reach the peak and become a model for leading social trends.

3. Rational use of "traffic" to help the art ecology

How to build a good art ecology? Li Zhenlin: Traffic is a double-edged sword for actors"

At present, many performing arts practitioners are too obsessed with "traffic", which distorts the essence of performing arts to a certain extent. Li Zhenlin pointed out that performances are divided into two types: "artistic performances" and "social performances", while "traffic" belongs more to the category of "social performances". If you focus too much on personal topics and ignore the characterization and expression of your inner world, you will put the cart before the horse and affect the audience's appreciation of the artwork.

Therefore, the actor needs to maintain a certain "sense of mystery", properly control the exposure of personal information, and let the audience's attention focus on the work itself, rather than the performer's personal life. At the same time, actors should also learn to make reasonable use of the "double-edged sword" of "traffic", and attract more audiences to pay attention to art itself through diversified forms of expression, so as to promote the healthy development of the entire art ecology.

Conclusion: The charm of art lies in expressing the beauty of human nature, which requires performers to have solid professional skills, but also requires them to have a deep understanding of humanity and a pious pursuit of art. Only on this basis can the performing arts truly reach the peak and become a model for leading social trends. Let's work together to build a healthier and more vibrant art ecosystem.

The value of artistic creation lies in conveying warmth and strength

As mentioned above, the essence of performing arts lies in expressing the beauty of human nature, which requires actors to have solid professional skills and profound humanistic qualities. In practice, we also see that some celebrities rely too much on "traffic" and ignore their inner cultivation, which not only affects the quality of artworks, but also may destroy the art ecology of the entire industry. So, how to promote the performing arts to return to their original nature and better serve the society is what we need to focus on.

First of all, we need to recognize that the fundamental value of the performing arts is not simply to cater to market demand or hype traffic. A truly excellent work is one that can touch the hearts of the audience and convey warmth and strength. The realization of this value requires actors to have good personality cultivation and deep insight into human nature. For example, although some current variety shows have high commercial attributes, they have also popularized performing arts to a certain extent, allowing the audience to appreciate the charm of acting. It can be seen that while pursuing commercial success, we should also pay attention to cultivating the audience's ability to appreciate art, so that they can feel the humanistic feelings behind the works.

Secondly, we want to encourage and support performers who are truly committed to making art. They may not be "traffic stars", but they have a solid professional foundation and profound humanistic qualities. We should give them the respect and attention they deserve, so that they can be more encouraged and recognized on the road of pursuing artistic values. Only in this way can excellent performing arts continue to emerge, thereby promoting the healthy development of the entire industry.

At the same time, we also need to guide those stars who are overly obsessed with "traffic" to reposition themselves and recognize the essence of performing arts. They need to understand that true performing arts require not only excellent skills, but also a deep understanding of human nature and a devout pursuit of art. Only on this basis can their works truly touch the hearts of the audience and become dazzling stars in the temple of art.

In short, promoting the healthy development of performing arts requires the joint efforts of the whole society. We must guide actors to attach importance to the cultivation of humanistic qualities, encourage real artistic creators, and let excellent works be duly recognized and promoted. Only in this way can performing arts better serve the society and become an important carrier of warmth and strength. Let's work together to create a healthier and more vibrant art ecology.

How to build a good art ecology? Li Zhenlin: Traffic is a double-edged sword for actors"

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