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After nearly 20 years, Han Tianyong, a professor at the China Academy of Art, compiled the "Collection of Interpretations of Chinese Famous Seal Carvings in Past Dynasties" (the first and second volumes), which was finally published!
This book is currently the most complete reference book for the study and research of seal carving edge paragraphs! For the first time, the Ming Dynasty Wen Peng to modern Chinese seal carving masters of the side of the text into a book, including 300 Indians, more than 7,600 side paragraphs.
Whether you want to create seal carving or seal research;
Whether you do the combing of the history of India and the style of India, or examine the inheritance of Indians and the flow of printing spectrum;
Whether you learn the content of the literati print, or learn from the language of the side paragraphs;
Whether you need to research the materials of literati making friends, or delve into the changes in art history and social history of the Ming and Qing dynasties......
"The Collection of Interpretations of the Seal Carvings of Famous Chinese Artists" (Volume I and II) are the most first-hand and authentic documents and text content templates.
"Collection of Interpretations of Seal Carvings by Famous Chinese Masters in the Past Dynasties"
(Volume I & II)
Edited by Han Tianyong and Han Bing
Shanghai Painting and Calligraphy Publishing House
August 2024
Price: 758 RMB
Signed special edition 758 yuan
Limited to 50 sets!
(Random drop of auspicious special lots)
Academic inclusive version is 568 yuan
01
1,000,000 words, 7,600 side paragraphs, seal carving, word sources, travel records, poems and ...... Integration of Printing, Calligraphy, History, and Literary Research Materials!
When it comes to seal theory, professional learners and enthusiasts of seal carving may always have Han Tianheng's "Selected Papers on Seal Studies in the Past Dynasties", Huang Dian's "History of Ancient Chinese Seal Theory" and "Chinese Seal Theory Class Edition".
The content of these classics of seal science is derived from ancient seal treatises, prefaces to seal scores, seal margins, and related expositions scattered in poetry collections, notes, historical biographies, calligraphy and painting records, and Fang Zhi.
However, there is limited exploration of the relevant content in the side paragraph.
The seal carving side paragraph is complicated and simple, simple to one or two words of the name of the work of the object, and all sides are full of romance, especially since the literati participated in the seal carving, to the Ming and Qing dynasties.
In addition to the basic information about the time, place, and characters, the contents of the printing method, the source of the characters, the documentary of the travels, the poems and the singing, etc., are scattered throughout the process, which can provide evidence for the practice of seal carving, the study of the history of seal carving, the case study of seal carvers, and even the study of literature.
I will only try to mention one or two here.
One
Seal carving method
For example, Huang Shiling, "At the beginning of my life, the age was in Bingchen, but when I was already in the past", "In the eleventh year of Guangxu, Guozi Xuelu Cai Gengnian repaired the thirteen classics of the stone wall of the university", "Gengnian private seal" and "Bohui", repeatedly mentioned that he spent 7 strings of copper coins to buy the rubbings of "Zhu Bo Remnant Stone", from "love is very much" and imitated it, to refer to his own teacher, and finally no longer use his style to print.
"Zhu Bo Remnant Stone" was unearthed not far away, and Yu Zhijing had a sneak peek. Lifa thin like the Han people engraved copper, there is no one in the stele, the rest of the love is very much, with seven to buy back. Playing for a long time between the cases, the pen is heartily written, and this seal is imitated for Yunzhen, and Yunzhen sees it, and he should know the depth of his intentions. Huang Shiling also aspires to the south of Xuanwu City. ("At the beginning of my life, the age was in Bingchen, but the time was already since" side paragraph)
A month ago, I bought a piece of paper from "Zhu Bo's Remnant Monument" with seven hairs, and I loved it very much, and every stroke of the pen was effective. This Indian special imitation of "Meng Bodi Road Repair Record", when the knife is still in the "Zhu Bo Tablet" word all the way. The fool is unswerving, as far as this is concerned, Mr. Qianhe is fortunate to teach it. Huang Shiling and Zhi. ("Guangxu 11th year Guozi Xuelu Cai Gengnian school repair university stone wall thirteen classics" side paragraph)
Slightly master "Zhu Bo Remnant Stone", and participate in his own will. Shepherd. ("Geng Nian Private Print" side paragraph)
In the past, he liked to use "Zhu Bo's Remnant Stone" to engrave the words into the print, and now he is dead, the pastor. ("Bohui" side paragraph)
Wang Daxi's "Anji Wu Changshi, Wujin Zhao Zhongmu, Xiaoshan Ren Lifan, Wuxian Wang Guanshan, Yuan and Gu Lusheng Tongle in the Hanyu Hook Room" side paragraph said that this seal "proposed "Sun Qiusheng Statue" gist engraving", and explained its reasons in detail.
The man who engraved the seal, Xu Kai thought that the bending was meticulous, and Qin Xiwen died. The new production of "Six Books" and the fifth "Miao Seal" cloud so copied and printed. The so-called Miao, the Silk Miao is the same as the meaning of bending and meticulousness. It can be known that the engraving is not a carving insect trick, which was originally destined for the king, and is the body of a generation of words, and the rate of non-world scholars is also imitated. Or take the will of Ding Yi, Lingling, spring coins, and graphite, although the disorder is printed, it does not lose its ancient meaning.
Another example,
Zhao Zhichen's "Yi Changyin Manuscript" side paragraph "imitation Qin people seal style", "Xitong Yin Hall" side paragraph "imitation Han copper seal style";
Xu Sangeng "asked Qingtian why he was drunk with the side paragraph "imitation Songxue Zhai seal", "Shaoting" side paragraph "Xin Gu imitation Song Dynasty seal";
Ding Fuzhi's "Jianyuan Collection" side paragraph "Taken in the Six Nations Currency"......
The ancients carved the seal of the Qin and Han dynasties, the Song and Yuan dynasties, and the direction of the seal outside the seal.
Two
Source of the word
The problem of using words in seal carving has always been a difficult point in the creation of contemporary seal carving art. In addition to sticking to Xu Shen's "Saying Wen Jie Zi", what other basis can there be? What can those who do not record the "Sayings" do? The ancient Indians also left us a "way out" in the side paragraphs.
The word "clam" is not recorded in the "Shuowen", and now it is made as "Hepear" from "Huainanzi". (Zhong Yijing's "and eat pear" side paragraph)
There is no "fall" in "Sayings",
It is the seal text of "隓", and the "隓" discipline "defeats the city", and the righteousness is not close. Case "team" under the clouds: from the high team also. The sound of "falling" and "team" is near, because of it. (Zhao Zhiqian's "Dingguang Buddha Reincarnation Fallen Ordinary Men of the World")
The word "Yan" can be found in Chen Shouqing's collection of ancient pottery. (Wu Changshuo's "Yan Lu" side paragraph)
There is no "soft" word in "Shuowen". The human department, 偄, weak also, slave messy cut, that is, the word "soft" and "輭". In ancient times, see Lei's "Shuo Wen Wai Edition". (Huang Shiling's "Lonely Guest Listened to Wu Nong's Words" side paragraph)
Zhi, not in "Shuowen". "Materia Medica" Angelica dahurica, a herb, a zefen, the main long skin, moisturizing color. Zhi has six colors, there are also white Zhi, also known as Ruicao, the god of clothing. "Six Books": "Lishu 'Zhi' and 'Zhi' Tong. The phonetic meaning is the same also. Today take the mirror inscription text, between the seals, to make this seal...... (Wang Daxi's "Yuan has Zhixi, Xiang has Lan, Huai Jiaren can't forget")
Historically, the evolution of language has been adapted to social and cultural development. The 9,353 characters collected by Xu Shen's "Shuowen" in the Eastern Han Dynasty have long been unable to meet the needs of the Qing Dynasty.
As quoted above, the word "soft" is not found in the "Shuowen", but the meaning of "偄" is the same, and the ancient character is also commonly used as "耎", so it can be borrowed from "偄" as "soft". In addition, ancient books, ancient artifacts and words with similar sounds can also be appropriately used.
Three
Documentary of the exchange
For example, Jiang Ren "has no land and is not happy", and the side paragraph notes:
On the eighth day of Xin Choula, the same people drank Mr. Xitang's qin, calligraphy, poetry and painting nest, and showed the codex of Wu Wending and Wang Wencheng in his possession. The paper and ink are brand new and colorful. There is Weng Luoxuan's tail, and the frontispiece of the eight-point title of Wan Jiusha is said to be "the beauty of the two". There is no place to live, and there are old things. It's a pity that I don't know the imprint of the white people, which makes people evil. Four days later, the grinding room got up in the morning to make this seal for the West Hall, as if □ dust was not exhausted, but he knew that there was a Buddha with dung in the world. Jiang Ren, a female bed mountaineer. It was a night thunderstorm.
("Xitang" is Chen Kai, the word Xitang, the name of the room, the nest of qin, calligraphy, poetry and painting.) ）
This may be regarded as Jiang Ren's memoirs, which stated: On the eighteenth day of the twelfth month of 1781, Jiang Ren drank with the same people in Chen Kaiqin's calligraphy, poetry and painting nest, and Chen Kai showed the Ming people Wu Kuan and Wang Shouren codex to appreciate, the frontispiece has the title of Wanjing (No. Jiusha) "The Double Beauty of He", and there is an inscription of Weng Songnian (No. Luo Xuan) at the back of the volume, which is the old collection of Ding Jing (Zhai name has no place to live). The next four days were given to Chen Kaizhi with this seal.
For another example, Huang Yi, Xi Gang, and Chen Yuzhong of the four families after Xiling were all engraved to Zhao Wei, a scholar of gold and stone. Huang Yi engraved "Zhao's Jinshi" and "Zhulangxi" for Zhao Wei, Xigang engraved "Jinzhai calligraphy and painting", and Chen Yuzhong engraved "Zhao's Jinzhai".
Jin Zhai is good at gold and stone writing, and the ancients are cui ink, and they are exhausted. The letter with the German father and son is really worthy, so it is printed as a gift. B is not in April, autumn is shining. (Huang Yi "Zhao's Golden Stone" side paragraph)
The eldest brother of Jin Zhai is curious about the ancients, and he searches for gold and stone texts, and now Zhao Zihan is also. This seal imitates the plum blossom hermitage, slightly dyed with the habits of the people, and I am afraid that it will not enter the appreciation ear of Jin Zhai. Autumn Huang Yi, made in Luo Yuexuan. (Huang Yi "Zhu Langxi" side paragraph)
My friend Zhao Jinzhai, Qianxiao Zhuye. Recently, from Yu to write about Weng Alum Head Mountain, quite strange, to love and give this. On the twentieth day of September, the history of the outside of the niche was recorded. (Xi Gang "Jin Zhai Calligraphy and Painting" side paragraph)
The main genus of Zhu Kuang Xi is engraved, Ji You Meng Chun rain day, Autumn Hall Chen Yu Zhong, when the time of the fake museum Zhang's Jiansong Hall. (Chen Yuzhong "Zhao's Jin Zhai" side paragraph)
Xue Longchun's "Examination of Huang Yi's Friends and Friends" contains 27 letters of correspondence between Huang Yi and Zhao Wei, and the relationship between the two can be seen.
Four
Poetry and singing
The side section even retains the original materials of the literati's singing and correspondence, which can provide fresh material for literary research.
For example, Zhao Zhichen's "Immortal Family" side paragraph burned 10 singing and singing poems, with 6 participants.
□□ Lang Huan is simple, and he is happy to be of the same heart. Shuangyun's good story is left in the sky, and it must be handed down by Zheng Guogong. Pei Hang's deeds are as small as smoke, who is idle and looking for things outside the sky. It lives under the jade mountain every day, and the plum blossoms accompany each other every year. Idle questions.
The snowmobile crane drove down the sky, and the first letter was covered with incense and blood. It reunites on the Ripeng Mountain. I am willing to entrust the wind to the chickens and dogs. Pianzi and rhyme.
The cloud gate road is close at hand, and you can spend the wind in the sky. There is still a gold medal covenant for the evidence, and the inheritance is all based on jade admiration. The name of Dragon and Tiger is not a boast, and it is worth the first place in Changsha. Although the autumn toad has Lianfang Gui, it is not as good as the first flower of Huaitian. Eagle Ridge Yimin.
But the eyes are isolated from the group, and now I dream of Hangzhou. As soon as you enter the red lotus curtain, you can't climb the Yellow Crane Tower frequently. Chong Xiaozi .
The cloud wheel on the soles of the feet refers to the lotus, and the illusion occasionally sends wind and smoke. It returns to the golden bull in the year, who knows that there is no day in the pot. The Lord of Jade Mountain.
The fog cloud screen is connected to the purple void, and it is a good habitat for the edge of the cultivator. It can be known that the seven or seven times pass by, and the special □□□□□□. But the letter of the fairy township is □ pass, and the fragrance is used to riding the wind. Now it is easy to make Nanping Road, and I also remember Mr. Han's hard work.
The Marquis of Qianshi is enough to boast, and he actually belongs to Changsha. The crane dance in the south sky and the stars see, who accounts for the spring breeze and the first flower. Jiaqing Renshen September 19, the second idle rhyme.
Another example is Tong Danian's "peace of mind is medicine and there is no prescription", and Su Dongpo's "Wandering Tiger Running Spring Poem" is engraved on the side, and the difference between the handed down version and the stone inscription literature is pointed out, and the different texts are engraved on the stone. And in the back and a poem, remember the early spring in March, with good friends, with a good wife, drink clear springs, Pin Jiaming, follow the east slope of the tiger run.
The purple plum cucumber village is fragrant, and the black yarn white kimono [Ge] is cool. The closed door of the wild temple is pine and yin, and the pillow wind and guest dream are long. Because of illness, it is not evil, and peace of mind [peace of mind] is the medicine [more] there is no prescription. The Taoist does not hesitate to step in front of the water, borrowing and tasting the bottle. Dongpo "Wandering Tiger Running Spring Poem".
The flowers are fragrant with wild grass, and the spring cold has not diminished the timidity and cool clothes. Qiao Ke is natural and ancient, and the mountain roads are not tired of long. The robe will be like the artistic conception, and the New Year will be free to stay in the face. The spring water of the tiger run is clear to drink, and the tea will also be tasted in the stone well.
This spring to the dragon well tea, Pu Annai with Jing Shijing tea to try it, especially Jun. In the spring of March, with An Wu Hu Pu An Yunyu Tiger Running Spring, with Dongpo rhyme. Fellow travelers, Park Annu Xiangping, mountain wife Lu Lizhi also. Xin'an Tong is known in the green clouds.
Su Ji's poem "Sick Trip Zuta Courtyard" is less different from the Tiger Run stone carving, and there are mistakes in the remainder, and they are corrected. Ji Mao Xiao Xia.
The humanistic image and emotional charm of seal carving works are more contained in the author, the user and the creative background. Through the side paragraphs and printed texts, the ideas and situations contained in them are often interpreted...... A seal often connects a friendship, a person, a historical fact, and even the vicissitudes of life in the world. This is the mystery of the close connection between the seal carving, which is only a square inch of space, and the spiritual life of Chinese literati since the Ming and Qing dynasties.
——Sun Weizu, Deputy Secretary-General of Xiling Seal Society, "General History of Chinese Seal Carving"
The side section has become a comprehensive display of literati's poetry, calligraphy, and printing artistic literacy, and is also a social platform.
How big the dimension of thought is, how big the surprise the side paragraph brings you!
The information contained in this book is far less than the above shown, interested readers click on the link below to buy, you can take it home and read it carefully~
"Collection of Interpretations of Seal Carvings by Famous Chinese Masters in the Past Dynasties"
(Volume I & II)
Edited by Han Tianyong and Han Bing
Shanghai Painting and Calligraphy Publishing House
August 2024
Price: 758 RMB
Signed special edition 758 yuan
Limited to 50 sets!
(Random drop of auspicious special lots)
Academic inclusive version is 568 yuan
The editor not only interprets the printed text and the side paragraph, but also annotates the time, characters, places, poems, etc. involved in the text ~ and attaches the transcript index of the printed text, which is completely arranged from the reader's point of view!
Swipe left and right to see more
02
300 Indians, the first large-scale collection of Ming Dynasty Wen Peng to modern Chinese seal carving masters! More than 2,000 prints and side plates are attached to the text, and more than 500 years of classic masterpieces of literati printing history are collectively presented! The history of literati printing and the art of side paragraphs are all mastered!
The literati ruled the seal, to the Ming Dynasty Wen Peng, He Zhen as the sect, this book began with the two, and finally the modern side of the disease.
A total of 300 printers, 7,600 side paragraphs of the commentary, and with the printing of the side of the plate, a total of more than 2,000 pieces.
The beauty of the 500-year-old calligraphy knife skills of the seal carving edge can also be read through in one book.
Swipe left and right to see more
Among them, there are not only famous works in the history of literati printing, such as:
The literati genre of the Ming and Qing dynasties, Wen Peng, the originator of the mountain, "leaned on the pine and played the crane"
He Zhen of modern masters "listens to the depths of the oriole"
Su Xuan, who pioneered the Zhejiang faction, "I think of the ancients and really won my heart"
Chen Julai's ancestor Wang Guan "shakes away"
Ding Jing of Xiling Bajia "West Lake Zenhe", Jiang Ren "Mo Dou Jian Room", Huang Yi "Smile and Forget a Hundred Thoughts", Xi Gang "Pinluo Nunnery Master", Chen Yuzhong "Articles Have Divine Friendship and Taoism", Chen Hongshou "Nangong No. 1", Zhao Zhichen "Bu Luojia Room", Qian Song "Landscape Fangzi".
Deng Shiru, Wu Rangzhi, Xu Sangeng, Zhao Zhiqian, Wu Changshuo, Huang Mufu, Qi Baishi, Lai Chusheng, Wang Fu'an, Zhao Shuru, Chen Julai, Han Deng'an, Sha Menghai......
Different styles of calligraphy and different styles of pictures and texts are displayed!
Different book styles
Different styles
The first academic inclusive version is discounted by nearly 200 yuan!
568 yuan can be placed on your desk!
Han Tianyong signed special edition, the original price is 758 yuan ~ limited to 50 sets!
(Random drop auspicious special sign~ )
Han Tianyong, Director of the Research Center for Ancient Character Calligraphy Creation at China Academy of Art, Professor and Doctoral Supervisor of the Department of Calligraphy at China Academy of Art, Distinguished Professor and Doctoral Supervisor of the Academy of Fine Arts of Shanghai University, President of Zhejiang Oracle Bone Literature Association, Librarian of Zhejiang Provincial Research Museum of Culture and History, Distinguished Professor of Gifu Women's University in Japan. He is a member of the Chinese Calligraphers Association and a member of the Xiling Seal Society.
He is the author of "The Art of Seal Carving in Japan", "Three Strokes and Three Traces", "Sino-Japanese Zen Ink Research", "History of Japan Calligraphy", etc. Among them, "Sino-Japanese Zen Ink Research" won the 2008 National "Eleventh Five-Year" Social Science Art Fund Award. More than 40 papers and translations on calligraphy and seal carving related to the comparison between China and Japan have been published in authoritative core journals and essay collections such as "Chinese Calligraphy", "Calligraphy Research" and "Chinese Seal Carving".
"Collection of Interpretations of Seal Carvings by Famous Chinese Masters in the Past Dynasties"
(Volume I & II)
Edited by Han Tianyong and Han Bing
Shanghai Painting and Calligraphy Publishing House
August 2024
Price: 758 RMB
Signed special edition 758 yuan
Limited to 50 sets!
(Random drop of auspicious special lots)
Academic inclusive version is 568 yuan
03
Professor Han Tianyong, an expert in the study of seal carving in China and Japan, has been working for nearly 20 years, collecting all kinds of precious materials at home and abroad, picking up and filling in the gaps, and compiling the most complete reference book for the current research on the side of printing!
After nearly 20 years, the book was finally published, and at present, it is the first of its kind.
According to Han Tianheng's "Chronology of Chinese Seals", He Yuanxi, He Peng and his son's "Xiling Four Family Seals" is the earliest collection of side sections.
However, this kind of traditional printing has few interpretations of the content of the side paragraphs, and even if there is, it is scattered in many printing books.
As for those who specialize in printing, until the end of the Qing Dynasty, there were only two books, "Yanlin Printing" and "Seven Family Seals", the former recorded more than 70 text contents engraved by Ding Jing's seal, and the latter was suspected of falsification.
In the 80s of the 20th century, Han Tianheng compiled the book "Seal Style", which recorded more than 500 texts from 15 families such as Ding Jing, and later compiled it into "Selected Papers on Printing in the Past Dynasties".
In 1993, Zhao Haiming's "Art of Seal Margins", according to the literature and artistry of the side paragraphs, selected more than 600 pieces of seal carving works from the Ming Dynasty to the modern era. After the 2005 revised edition, 753 works from 143 companies were collected.
In 2006, when Han Tianyong flipped through Xiaolin Douxi's "Chinese Seal Carving Series", he found that the literati of the past dynasties had a great amount of information and contained a lot of insight, so he began to sort it out. Starting from the eight families in Xiling, it was traced to Wen Peng and He Zhen, and extended to the early members of the Xiling Seal Society, and finally compiled into the "Collection of Interpretations of the Seal Carving Margins of Famous Chinese Artists" (the first and second volumes).
This is a tool book that has made great efforts and has great value. The book is also valuable because it collects a large number of seals customized by Xu Sangeng, Zhao Zhiqian, Wu Changshuo, Qi Baishi and other Indians for Japan friends, making up for the regret that Chinese people have no chance to see the lost overseas art treasures.
——Han Tianheng, honorary president of Xiling Seal Society
In the past 20 years, the editors have reviewed all kinds of precious materials at home and abroad, interpreted the contents of the printed texts and side paragraphs, and attached the biographies of the printers, the creative years and the printing of some works, and the side plates, and annotated the time, characters, places, and poems involved in the texts.
Illustrated and illustrated, the most complete reference book for the current research on the printing and learning of the edges!
"The collection of the interpretation of the side paragraphs of the famous Chinese seal carving" (the first and second volumes) is so far the largest collection of this category, the most practical reference book, the largest volume of the Ming and Qing dynasties in the 500 years of 300 more than 7,600 pieces of the first combing interpretation catalog.
It is better to miss a rare printing spectrum, than to miss such a database that collects comprehensive information on the printing surface, printed text, side paragraphs, and literature, and the price is only the money you can buy a high-quality printing spectrum~
"Collection of Interpretations of Seal Carvings by Famous Chinese Masters in the Past Dynasties"
(Volume I & II)
Edited by Han Tianyong and Han Bing
Shanghai Painting and Calligraphy Publishing House
August 2024
Price: 758 RMB
Signed special edition 758 yuan
Limited to 50 sets!
(Random drop of auspicious special lots)
Academic inclusive version is 568 yuan
1. Professor Han Tianyong, an expert in seal carving research in China and Japan, has been working for nearly 20 years, collecting all kinds of precious information at home and abroad, picking up and filling in the gaps, and compiling the most complete reference book for the current research on the side of printing!
The top is the complete compilation of "Duoyunxuan Tibetan Seal" (the second edition)
The following is the "Collection of Interpretations of the Seal Carving Margins of Chinese Famous Artists" (Volume II)
2. 1,000,000 words, 7,600 side paragraphs, seal carving, word sources, travel records, poems and ...... Integration of Printing, Calligraphy, History, and Literary Research Materials! Attached is the transcript index of the printed text, and the study uses a one-second lock!
Swipe left and right to see more
3. 300 Indians, the first large-scale collection of Ming Dynasty Wen Peng to modern Chinese seal carving masters, literati seal history, side art all mastered!
Swipe left and right to see more
4. More than 2,000 prints and side plates are attached to the text, and 500 years of classic masterpieces of literati printing history are collectively presented!
Swipe left and right to see more
Bibliography:
Zhao Haiming, The Art of Seal Margins, Cultural Relics Publishing House, 2005.
Lu Kanghua, ""Miniature Inscriptions": A Discussion on the Literary Character and Literary Historical Value of Seal Margins since the Ming and Qing Dynasties", Literature and Culture, No. 4, 2013, pp. 87-99.
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