"Lushan Ji School Notes"
|(Song) Chen Shunyu wrote, slippery Hongbin school note|
Jiangxi People's Publishing House
ISBN：9787210143963
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Foreword
The five-volume Chronicles of the Mountains, written by Chen Shunyu of the Northern Song Dynasty, is the first complete book of the Records of the Mountains.
Chen Shunyu (1026-1076), known as Lingju, called himself Bainiu Jushi, was a native of Jiaxing, Xiuzhou. In his early years, he studied from Mr. Anding, Hu Ming, and was famous at the time. Qingli six years of Jinshi and the first. He used to be the judge of Xuandelang, the judge of Dali, and the defense officer of Quanxiong Prefecture, and later changed to the observation and promotion officer of Mingzhou. Jiayou has been the first in the system for four years, and his reputation is impressive. Awarded the book Zoro, signed the book of the Loyal Army, and judged the official affairs. Xining for three years, to Tuntian staff outside Lang to know Shanyin County. In May, the new law was difficult to implement and was impeached. In June, he was responsible for supervising the salt and liquor tax of the Nankang Army. During his tenure, he visited Lushan and wrote five volumes of "Lushan Chronicles". Xining died in the ninth year. There are 30 volumes of the "Collected Works of the Metropolitan Officials" (14 volumes of the Siku Pavilion Ministers). See History of the Song Dynasty, vol. 331.
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Since the Eastern Jin Dynasty, Shi Huiyuan, Zhou Jingshi, Liu Zhimin, Zhang Ye, Wang Biaozhi, Zong Zhi and others wrote the "Lushan Chronicle", except for Shi Huiyuan's "Lushan Chronicle" (also known as "Lushan Chronicles"), the rest of the works have been lost, only in the "Water Jing Note", "Beitang Book Banknote", "Art and Literature Gathering", "Taiping Yulan" and other classics remain fragments. However, Shi Huiyuan's "The Story of Lushan" is only more than 800 words, and the space is limited, so it is inevitable that it will be omitted. When Li Chang was studying in Lushan in his early years, he had the intention of writing a book of Lushan Chronicles: "The rest of the people in the past read in the mountains, loved the prosperity of the stone tower temple of Qiquan, and hated the unknown of the chronicles, the ancient times were slightly closer, or out of the words of fools and wild elders, the words were contemptuous, and there were few desirable ones. (Li Chang's "Preface to the Records of Lushan") After Liu Jian lived in seclusion in Lushan, he also had the intention to write: "Yu Ya loved the victory of Lushan, abandoned the official and returned to the south, so he had to live in the sun of the mountain." The tour is long, and there are many scenes, or endowment or matte, mixed into a series, and the desire will be second and not time. After Chen Shunyu was demoted to the Southern Kang Army, he felt that the documents of Lushan were scattered and the historical facts were not distinguished, so he decided to write "The Legend of Lushan".
Chen Shunyu wrote "Lushan Ji", traveled to and from Lushan during the day, inspected the location, landform, roads, mileage, scenery, rocks, streams, vegetation, buildings, inscriptions and other information of various scenic spots, copied the literature at any time, visited the elderly, small and big, and did not worry about hard work; At night, they will crawl through the classics, verify the historical facts, and must seek faith and have signs, which can be passed on later. In the end, Chen Shunyu used the power of 60 days to collect the zirconium of the past dynasties, the records of the classics, the inscriptions of the inscriptions, the legends of the old and the old, as well as the field investigations and the conclusions of the literature research, etc., and so on.
"The Legend of Lushan" has eight chapters and is divided into five volumes. Volume 1: "General Narrative of the Mountain Chapter 1", which summarizes the history and style of Lushan; "The Second Chapter of Xushan North" describes the geographical location, historical evolution, and cultural heritage of the scenic spots in the north of Lushan Mountain (belonging to the Jiangzhou part). Volume 2: "Xushan South Chapter III", which describes the geographical location, historical evolution, and cultural heritage of the scenic spots in Lushan Shannan (part of the Southern Kang Army). Volume 3: "The Fourth Chapter of the Easy to Walk in the Mountains", indicating the route to visit Lushan, the description is concise and easy to find; "The Fifth Chapter of the Biography of the Eighteen Sages" describes the deeds of the eighteen sages of the Lotus Society (Huiyuan, Liu Zhimin, Lei Cizong, Zhou Xuzhi, Zong Bing, Zhang Ye, Zhang Quan, Huiyong, Huizhi, Buddha Yasha, Buddha Bhadra, Hui Rong, Tan Shun, Tan Heng, Dao Yu, Dao Jing, and Tan Xu). Volume 4: "The Sixth Inscription of the Ancients", a collection of Lushan poems from the Eastern Jin Dynasty to the Five Dynasties for more than 600 years, all 100 poems. Volume 5: "The Seventh Chapter of the Ancient Monuments", the inscription of the inscription of the 43 inscriptions of Ji Yong Lushan, the author, the date and month of publication and other information. "The Eighth Inscription of the Ancients", the inscription of the five generations of the Tang Dynasty is fourteen.
Chen Shunyu's "The Story of Lushan" is rich in information, rigorous in research, smooth in narration, clear in writing, and excellent in writing. Li often called it "high and low, wide and narrow, mountains and rocks and water springs, the palace and temple of Lao Tzu with Fufutu, the residence of Yiren Dashi, the rise and fall of the waste, the inscription of poems, all incomplete"; Liu Lian said that he "took the records, and the records of the ancient and modern, the old and the old, and the experiences of the husband's ears and eyes, and so on, and thought that its detailed coverage was enough to pass on to the future"; "Summary of the Four Libraries of the Whole Book" is even more praised: "The Northern Song Dynasty Geography, the heirloom is rare, this book is based on the core of the core, especially the later "Lushan Jisheng" books."
After the compilation of "The Story of Lushan", it became a must-have work for visiting Lushan. In the seventh year of Yuanfeng, Su Yi visited Lushan, and he carried a "Lushan Chronicle", and read it. After reading Xu Ning and Li Bai's waterfall poems, Su Hui wrote, "The emperor sent the Milky Way to hang down, and in ancient times, there were only immortal words." How much do you know about the splashing foam, don't wash the evil poem with Xu Ning", which became a famous public case, and there were many lawsuits. In the three years of the main road, Zhou Bida passed by the Nankang Army, and then referred to the "Lushan Chronicle" to travel all over the north and south of Lushan to investigate the history of scenic spots and historic sites. In the eighth year of Chunxi, Zhu Xi specially found the facts of Bailu Cave from "Lushan Ji" as the basis for repairing Bailu Cave Academy. "The Story of Lushan" is not only a guide to visit Lushan, but also a medium for lying in Lushan and traveling to Lushan, so the Southern Song Dynasty Shi Daguan said in the poem "Sending Yingyujian to Lushan again": "Lushan has not entered my eyes, so that the record talks about the image." In addition, geographical works such as "Fang Yu Sheng" and "Yu Di Ji Sheng" also quote a large number of relevant records of "Lushan Ji".
The book is complete, rigorous and detailed, and is an important material for the study of the history of Lushan, and has irreplaceable special value. At the same time, "The Legend of Lushan" preserves a large number of poems and texts, which is the source of the compilation. Lu Qinli's "Poems of the Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties" compiled several poems according to "The Legend of Lushan", and Chen Shangjun compiled more than 20 poems of "Quantang Poems" according to "The Story of Lushan", which shows the value of its compilation. A large number of historical materials have also been preserved in the "Lushan Chronicle", which can supplement the shortcomings of the official history. Such as remembering the deeds of fifteen Jiangzhou assassins in the Tang Dynasty; It has important historical value to record the deeds and titles of the history of the nine Jiangzhou assassins in the Southern Tang Dynasty, and the information and titles of the thirty-eight officials.
The fifth volume of the "Records of the Ancient Monuments" and the seventh chapter of the ancient monuments only record the basic information of the 43 inscriptions of the mountain, and the full text is not recorded. In the Shengsheng year, Ma Jizi, a member of the Zhinan Kangjun, published the full text of the inscription on the mountain and wrote four volumes of the "Records of the Mountains" (also known as the "Records of the Mountains") to make up for the shortcomings of Chen Shunyu's "Records of the Mountains". "The Records of the Continuation of the Mountain" has been lost for a long time, and it is now known that the "Wenyuan Yinghua" has proofread the inscriptions according to the "Records of the Continuation of the Mountain", such as the "Wenyuan Yinghua" volume 786 "The Ancient Altar of the Donglin Temple of the Mountains", the end note of "A work is compiled by Ma Ji "The Records of the Continuation of the Mountain". In addition, the "Yongle Grand Canon" volume 8782 Zheng Suqing's "Xilin Temple Water Pavilion Yuan Law Dade Qilang Monk Tablet and Preface" is quoted from the "Records of the Continuation of the Mountain".
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After the Song Dynasty, "The Story of Lushan" gradually became difficult for the world to see. In the Ming Dynasty, except for Chen Di's "Shishantang Bibliography", which contains five volumes of Chen Shunyu's "Lushan Ji", other collections (Jiao Hong's "National History Classics" non-collection bibliography, regardless of it) have not been collected. During the reign of Jiajing of the Ming Dynasty, Sancho compiled the "Chronicle of Lushan" and collected Lushan literature extensively, while Yu Chen Shunyu's "Lushan Chronicle" was still unavailable. During the Kangxi reign of the Qing Dynasty, Wu Wei presided over the compilation of the "Chronicles of Lushan", and the "Chronicles of Lushan" was also not seen.
Until the Qianlong period of the Qing Dynasty, the three volumes of Ji Yun's collection of banknotes "Lushan Ji" were compiled into the "Siku Quanshu", and Fang Yuzhong was known to the world. This banknote in Ji Yun's family collection is a fragment, which is stored in three volumes, including "The First Chapter of the General Xushan", "The Second Chapter of the North of the Mountain", and "The Third of the South of the Mountain", which is divided into three volumes. The book has ten lines per half page, twenty-one characters in a line, two sides around it, and a single black fishtail on the top. In front of the volume, there are Zhu Wenfang seals of the Manchu and Han Dynasty of the "Hanlin Academy Book Hall Guanfang", Zhu Wenfang seals of "Included in the Four Libraries of the Whole Book", Zhu Wenfang seals of "Ji Yun", and Bai Wenfang seals of "Gutan Prefecture Yuan's Woxuelu Collection". There is a two-word ink pen school language in front of it, and there is Ji Yunba's language in the back. It can be seen from this that this banknote is actually a four-library base book. Ji Yun said, "The inspection of the "Yongle Canon" is the same", which shows that this book is not compiled from the "Yongle Canon". There are many texts in this book that can correct the deficiencies of the Song edition, and it has a high value of proofreading. Presumably from early banknotes. The book is now in the National Library of China.
The "Siku Quanshu" book "Lushan Ji" is from Ji Yun's family banknote. At present, there are still four parts of Wenyuan Pavilion, Wenjin Pavilion, Wensu Pavilion and Wenlan Pavilion of "Four Library Quanshu", among which "Wenshu Pavilion Four Library Quanshu" is now in Gansu Provincial Library, and its photocopying and publishing work has not yet been completed, and it is difficult to use; The "Wenlan Pavilion Siku Quanshu" suffered serious losses in the Taiping Heavenly Kingdom Movement, and now the "Lushan Ji" in the "Wenlan Pavilion Siku Quanshu" was made up by the Ding brothers according to the "Wenyuan Pavilion Siku Quanshu". "Wenyuan Pavilion Siku Quanshu", "Wenjin Pavilion Siku Quanshu" and "Wenlan Pavilion Siku Quanshu" are all photocopied, which is very convenient to use. Comparing the Wenyuan Pavilion book "Lushan Ji" and the Wenjin Pavilion book "Lushan Ji", it is found that the Wenjin Pavilion book is very wrong, not only the copying errors are from time to time, but also the phenomenon of quexing. However, the change of the original text of Wenyuan Pavilion's "Lushan Ji" is more prominent, such as "Tang Zhenyuanzhong, created by Li Jurchen, Jurchen name vacated" Yunyun, Wenyuan Pavilion's "Lushan Ji" was changed to "Tang Zhenyuanzhong, created by the female Taoist priest Li, Li Ming vacated"; The Wenjin Pavilion book "Lushan Ji" changed the word "true" to "zhen", and did not change the original text without permission.
During the Daoguang period of the Qing Dynasty, Jiangsu Jinshan Qian Xizuo published the "Shoushan Pavilion Series", and from Hangzhou's "Wenlan Pavilion Four Libraries Quanshu" out of the "Lushan Chronicles", published in the world, the book was inscribed with the words "the original of the four libraries". The publication of the "Shoushan Pavilion Series" was more than ten years before the robbery of Wenlan Pavilion, and the appearance of Wenlan Pavilion's book "Lushan Ji" was preserved. "Shoushan Pavilion Series" has the 24th year of Daoguang Jinshan Qian's publication, and then there are photocopies of Shanghai Hongshu Office in the 15th year of Guangxu and Shanghai Boguzhai in the 11th year of the Republic of China.
The "Records of Lushan" collected by the Commercial Press's "Initial Collection of Book Series", Shanghai Ancient Books Publishing House's "Landscape Style Series", Xinwenfeng Publishing Company's "New Series of Books", and the Art and Culture Press's "Collection of 100 Book Series" are all photocopied or typeset according to the Shoushan Pavilion book.
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In the first year of Xuantong (1909), Luo Zhenyu went to Japan to investigate, and saw the five volumes of the old collection of "Lushan Ji" of Gaoshan Temple in the Defu Clan's Chengyutang Library, which was the most complete and overjoyed. The Cheng Jiatang book "The Legend of Lushan" is a copy of the Song periodical, the second and third volumes are Song Mao, the first, fourth, fifth volumes and the preface of Li Chang and Liu Jian before the volume are all banknotes, and the copy and supplement part is written at the end of the Song Dynasty, and the cover is also from the Song book. The second and third volumes of the Song Tree part, each half leaf has nine bounded lines, and the line is eighteen characters. White mouth, left and right double columns. Luo Zhenyu could not forget this "Lushan Ji" for a long time, and in 1917, he finally borrowed this book from Defu Sufeng, photocopied it, and collected it in the "Jishi'an Series". Luo Zhenyu also wrote an essay, which was inscribed at the end of the volume of the Chengjiatang book "Lushan Ji". This copy is now stored in the Ishikawa Takemi Memorial Library.
Luo Zhenyu also visited from Japan to obtain five volumes of the "Lushan Ji" published in the tenth year of Yuanlu (1697). Because there are many places where the handwriting is worn and worn in the Chengjiatang version of "The Legend of Lushan", and there are many corresponding parts of the Yuanlu version of "The Legend of Lushan", which can be corresponded to one by one, it is inferred that the base copy of the Yuanlu version of "The Legend of Lushan" is the Song banknote "The Legend of Lushan" in the collection of Chengjiatang (it is unknown why it was collected at that time). What is valuable is that the Yuanlu version of the "Lushan Chronicles" was printed earlier, when the handwriting of the Song Dynasty banknote "Lushan Ji" was lighter, and the Yuanlu version was also printed according to the context and poetry collections and other literature materials to supplement some of the base worn text, so the Yuanlu version has the value of correcting and supplementing the Xuantang book. Luo Zhenyu once compared the Yuan Lu book, the Song book (that is, the Cheng Yu Tang book) and the Shoushan Pavilion book, "The Song book has a business, and it is supplemented according to the Yuan Lu book; Yuanlu also has a seizure, then it can be corrected according to Song Mao", wrote a volume of "Lushan Ji School Survey Record", inscribed by Yu Jiaxi, and collected rust in "Zhensong Old Man's Posthumous Manuscript Collection". In addition, Yuan Lu's "Lushan Ji" added eight prints of Li Chongyuan's "Eighteen Sages of Lushan" and Li Gonglin's "Eighteen Sages of the Lotus Society" in front of the volume, and noted: "I occasionally got this picture and attached it to the first of "Lushan Ji", so as to be good and elegant. The viewer should stack it on top of the middle, and get it. In 1928, Luo Zhenyu's "Yin Li Zaitang Series" reprinted the five volumes of Yuanlu's "Lushan Ji", and Luo Zhenyu's writing was attached to the book. The content of "Eighteen Sages of Lushan Tuzan" is attached by later generations, not owned by the original book, so it will not be republished when reprinting the Yuanlu version of "Lushan Ji" to preserve the old view.
In the thirteenth year of Taisho in Japan (1924), Shunjiro Takasumi and others initiated the publication of "Taisho Shinshu Taisho Collection", of which the "History Biography Department" collected five volumes of "Lushan Ji" for the Taisho collection of "Lushan Ji". The Taisho Collection is based on the Otani University Collection, and the Imperial Library is based on the Genroku 10th Year Edition. According to the school's memory, the Otani University collection of "the first, fourth, and fifth ancient scripts, the second and third Song Songs" has exactly the same characteristics as the Chengyutang version of the "Lushan Ji"; In addition, the Taizheng collection of "Lushan Ji" has Luo Zhenyu (mistakenly "Luo Zhenyun") in the text, which is inscribed by Luo Zhenyu at the end of the volume of the Song periodical banknotes in the Chengjiatang collection, so it is inferred that the base of the Taizheng collection of "Lushan Ji" is the original Chengjiatang collection of Song banknotes with the five volumes of the "Lushan Ji". The Taisho collection of "The Legend of Lushan" is the most accessible version of the five-volume "Legend of the Lushan", which has the greatest influence and is widely used by scholars. However, there are also many problems with the Taisho Collection, not only with a large number of mistakes, but also with numerous mistakes.
In view of the advantages and disadvantages of the various versions of the "Lushan Chronicles" seen at that time, Wu Zongci wrote the "Song Chen Shun Yu Lushan Zhihe School Book" in the 21st year of the Republic of China, which was published as the "Lushan Chronicles Supplement No. 5". Wu Zongci combined the fragments of the "Shoushan Pavilion Series of Books" collected by the "Siku Quanshu", the Otani University Collection collected by the Taisho Magazine of Japan, and the 10-year edition of the Genroku Journal. This joint text corrects many errors in the Taisho collection, and is the hero of the Taizheng collection of "Lushan Ji". Unfortunately, the joint school book has not been widely circulated and its impact is limited. In addition, Wu Zongci's claim that "the fragments of the Shoushan Pavilion Series collected in the Siku Quanshu" are also misunderstood, and are recorded here.
In addition to the "Lushan Records" and the "Lushan Records" of the Yuan Lu book, the Japan Cabinet Library also has a collection of Song periodicals "Lushan Records", which is very valuable. The book consists of five volumes, and there is a picture of Lushan in front of the volume. Each half leaf is bounded by nine lines, and the line is eighteen characters. White mouth, left and right double columns. This book was originally in the collection of Mori Takashi, the lord of Saeki Domain in Bungo Province, and was donated to the shogunate in the 11th year of Bunsei (1828), and it belongs to the old collection of Momijiyama Bunko. After the Meiji era, the book was mistaken for a "Japan letterpress edition", so it was not taken seriously for a long time until the 29th year of the Showa era (1954) that it was recognized as a Song edition, and the following year it was recognized as an "Important Cultural Property of Japan" by the Japan Cultural Property Review Committee. Back then, Luo Zhenyu faced the situation of Cheng Yu Tang Ben and Yuan Lu Ben both Que Ye, and sighed: "I'm afraid that the world will have no other basis to make up for it!" "Today, there is a full copy of the Song Periodical "Lushan Ji" survives, intact, and the people of Yongfeng Township should have no regrets. There is a photocopy of the 32nd year convenience hall of the Showa 32nd year of Japan. In 20012, the "Rare Texts of Foreign Chinese Books" (Series III) photocopied the five-volume full copy of the Song journal "Lushan Ji" in the collection of the Japan Cabinet Library, making this precious book incarnate thousands of times and benefiting Xuelin.
Comparing the second and third parts of the cabinet library book "Lushan Ji" and the Chengjiatang version of "Lushan Ji", their lines, inscriptions, and fonts are all the same, and they are from the same engraving. "However, the "Huan" of the third volume of "Huan Yi", the collection of Chengjiatang is "Huan", and the pen at the end of the Que; The Cabinet Library has a two-line note on the word "Huan". Therefore, it can be seen that the book was printed earlier than the cabinet library version, and it is especially possible to preserve the original appearance of the book.
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In view of the fact that there is no easy-to-use collated version of "The Legend of Lushan", the author does not think about it shallowly, but proofreads it for it, hoping to collect the effect of introducing jade. Meng Duan Xiaohua inscribed this book, and he was very impressed. I would like to express my gratitude to all of you for providing literature or correcting errors. The editor-in-charge, Li Taosheng, is hard-working and tireless, which is admirable. This book is the final result of the bidding project of the Lushan Cultural Research Center of Jiujiang University, "Collation and Research of the Legend of Lushan" (project number LYZX202302).
Limited to the level, mistakes are inevitable, please correct.
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About the Author
Hua Hongbin, a native of Neiqiu, Hebei Province, is an associate research member of the library of Jiujiang University. His research interests include local literature, academy culture, and Tibetan book culture. He has published works such as "History of Tibetan Books in Xiashan" and "Cultural Research of Bailudong Academy", and published dozens of essays.
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