Artificial intelligence interprets 112 articles in Zhao Guangfa's master series

Zhao Guangfa's "112 Masters of Art" series paints vivid portraits of each master through poetry, which not only shows their artistic achievements, but also conveys their artistic spirit and personal character. Here's a comprehensive review of the entire series:

1. The integration of art and humanities: Zhao Guangfa's poems dig deep into the connection between the artist's humanistic background and artistic creation, so that readers can understand the artistic style of each master from a broader cultural perspective.

2. Concise and profound: The language of the poem is concise, but the connotation is profound, and each sentence contains an accurate capture of the artist's artistic characteristics and philosophy of life.

3. Dialogue between history and modernity: Through poetry, Zhao Guangfa has established a dialogue between history and modernity, allowing readers to transcend time and space and feel the creative enthusiasm and spirit of the times of artists in different periods.

Fourth, the transmission of emotion: The poem reveals not only the respect for the artist, but also the author's personal emotional experience, which enhances the appeal of the poem.

5. Educational significance: This series of poems is highly educational for art lovers and learners, and they provide a way to quickly understand artists and art genres.

6. Aesthetic value: Zhao Guangfa's poems themselves have high aesthetic value, and their artistry is not only reflected in the depiction of the artist, but also in the rhythm and rhythm of the poems.

7. Cultural Inheritance: Through poetry, Zhao Guangfa inherited China's rich artistic culture, and also contributed to the spread of Western artists in China.

8. Inspiring: This series of poems can inspire readers to think about art, stimulate people's interest in artistic exploration, and have a positive effect on improving the artistic literacy of the public.

9. Artistic diversity: Zhao Guangfa covers artists from different artistic fields and styles, showing the diversity and richness of art.

10. Records of the Times: This series of poems is not only a hymn to the artist, but also a record of an era, which reflects the historical background and cultural atmosphere in which the artist lived.

A succinct and affectionate summary of the life, artistic achievements and style of each master of the arts. Here's a look at some of the masters:

1. Qi Baishi (A1): The poem mentions Qi Baishi's interest in painting and his unique capture of nature, as well as his changes in his later years, which made his artistic achievements more prominent.
2. Wu Changshuo (A2): Emphasizes Wu Changshuo's overall achievements in poetry, calligraphy, painting and printing, as well as his contribution to the Xiling Seal Society and his influence on later generations.
3. Xu Beihong (A3): highlights Xu Beihong's superb skills in sketching and his contribution to art education.
4. Lin Fengmian (A4): Mentioned Lin Fengmian's exploration of the integration of Chinese and Western arts, as well as his independence and innovation in art.
5. Wu Guanzhong (A5): Explores Wu Guanzhong's contribution to the fusion of Eastern and Western art, as well as his unique pursuit of formal beauty.
6. Huang Binhong (A6): describes Huang Binhong's profound skills in the use of brush and ink, as well as his artistic style and influence.
7. Pan Tianshou (A7): emphasizes the strength and wonder of Pan Tianshou's artistic style, as well as his position in the development of Chinese painting.
8. Fu Baoshi (A8): Refers to Fu Baoshi's extensive knowledge of the past and the present in his artistic creation, as well as his artistic style and influence on later generations.
9. Li Keran (A9): highlights Li Keran's achievements in landscape painting, as well as his deep understanding and expression of nature.
10. Li Kuchan (A10): describes Li Kuchan's achievements in flower and bird painting, as well as his artistic style and spiritual pursuits.
11. Chen Shizeng (A11): Refers to Chen Shizeng's position in the history of painting and his contribution to genre painting.
12. Ren Bonian (A12): Emphasizes Ren Bonian's important position in Shanghai-style painting, as well as his all-round talent in poetry, calligraphy, painting and printing.
13. Wang Hanshan (A13): describes Wang Hanshan's artistic style and his unique understanding of nature.
14. Wu Zuoren (A14): Referring to Wu Zuoren's persistence and innovation in art, as well as his exploration of the integration of Chinese and Western arts.
15. Li Ruiqing (A15): highlights Li Ruiqing's contribution to art education, as well as his artistic style and personal character.
16. Jiang Zhaohe (A16): describes Jiang Zhaohe's achievements in figure painting, as well as his profound insight into artistic expression.
17. Lu Yanshao (A17): Referring to Lu Yanshao's innovation in landscape painting, as well as his persistence and sacrifice in art.
18. Shi Lu (A18): highlights Shi Lu's artistic style and his artistic independence.
19. Feng Zikai (A19): describes Feng Zikai's achievements in comic creation, as well as his artistic style and philosophy of life.
20. Qian Songzhe (A20): Refers to Qian Songzhe's achievements in landscape painting, as well as his late blooming and continuous contributions to art.
21. Huang Zhou (A21): The poem praises Huang Zhou's contribution to national art, as well as the national spirit and artistic value he shows in his paintings.
22. Lu Fengzi (A22): highlights Lu Fengzi's dedication to art education, as well as his transcendent style and personality charm in artistic creation.
23. Chen Zizhuang (A23): describes Chen Zizhuang's artistic pursuit and attitude to life, as well as his sincerity and naturalness in art.
24. Huang Qiuyuan (A24): Refers to Huang Qiuyuan's artistic indifference and feeling for nature, as well as the tranquility and profundity in his works.
25. Huang Junbi (A25): praised Huang Junbi's achievements in the fusion of Chinese and Western arts, as well as his ethereal beauty in landscape painting.
26. He Xiangning (A26): highlights He Xiangning's revolutionary spirit and artistic talent as a female artist, as well as her steadfastness and courage in painting.
27. Wu Hufan (A27): describes Wu Hufan's verve and inheritance of tradition in landscape painting, as well as his contribution to art collection.
28. Guan Shanyue (A28): Mentions Guan Shanyue's position in the Lingnan School, as well as his artistic innovation and personality.
29. Zhang Daqian (A29): praised Zhang Daqian's artistic versatility and contribution to Dunhuang art, as well as his artistic style and personality charm.
30. Liu Haisu (A30): Describes Liu Haisu's innovative spirit in art and his contribution to the integration of Chinese and Western arts, as well as his achievements in art education.
31. Chen Zhifo (A31): Refers to Chen Zhifo's exquisite skills in gongbi painting, as well as his elegance and magnificence in artistic creation.
32. Yu Feiyan (A32): It highlights the naturalness and beauty of Yu Feiyan's artistic creation, as well as his inheritance and development of traditional art.
33. Pu Hua (A33): describes Pu Hua's artistic freedom and informality, as well as his position and influence in Shanghai School painting.
34. Zhu Qizhan (A34): Mentioned Zhu Qizhan's changes and innovations in art, as well as his persistence and exploration in art.
35. Tao Bowu (A35): praised Tao Bowu's simplicity and sincerity in art, as well as his artistic achievements and attitude to life in his later years.
36. Zao Wou-Ki (A36): describes Zao Wou-Ki's explorations and achievements in abstract art, as well as his freedom and infinite possibilities in art.
37. Li Hu (A37): Mentioned Li Hu's authenticity and innovation in artistic creation, as well as his contribution to art education.
38. Yang Zhiguang (A38): highlights Yang Zhiguang's position in the Lingnan School, as well as his realism and expressiveness in art.
39. Gao Jianfu (A39): describes Gao Jianfu's leadership in the Lingnan School of painting, as well as his artistic integration and innovation.
40. Lu Shen (A40): Refers to Lu Shen's contribution to the exploration of modern art, as well as his pursuit of change and search in art.
41. Zhou Sicong (A41): The poem mentions Zhou Sicong's artistic ingenuity, as well as his contribution to the field of lotus painting and his concern for the life of miners.
42. Gao Qifeng (A42): highlights Gao Qifeng's influence in the painting world during the Republic of China and his achievements in the combination of Chinese and Western paintings.
43. Chen Shuren (A43): describes Chen Shuren's position in the Lingnan School, as well as his fresh style in art and his influence on later generations.
44. Zhao Shao'ang (A44): Referring to Zhao Shao'an's artistic appreciation and poetry, calligraphy and painting, as well as his humility and hard work.
45. Li Xiongcai (A45): praised Li Xiongcai's majestic momentum in landscape painting and the influence of Dongying's painting style.
46. Yang Shanshen (A46): describes Yang Shanshen's clumsy painting, as well as his position in the Lingnan School and his innovation in traditional painting methods.
47. He Haixia (A47): Refers to He Haixia's contributions to the Chang'an School, as well as his artistic changes and achievements in his later years.
48. Wei Zixi (A48): highlights Wei Zixi's talent in life painting, as well as his performance in classic red paintings.
49. Ya Ming (A49): describes Ya Ming's innovative spirit of painting without sticking to the law, as well as his position in the Jinling School.
50. Fan Baowen (A50): Refers to Fan Baowen's achievements in aquacolor painting and his contribution to the Chinese art scene.
51. Lu Xingtang (A51): praised Lu Xingtang's poetic style in Jiangnan landscape painting, as well as his artistic pursuits.
52. Hu Yefo (A52): describes Hu Yefo's interest in painting and his unique insight into the world, as well as his artistic achievements.
53. Xie Zhiliu (A53): Refers to Xie Zhiliu's all-round talent in poetry, calligraphy and painting, as well as his contributions to artistic research and research.
54. Hua Sanchuan (A54): highlights Hua Sanchuan's vulgarity and elegance in painting, as well as his achievements in Xinbaimeitu.
55. Liu Danzhai (A55): describes Liu Danzhai's double masterpiece in the art of calligraphy and painting, as well as his contributions to comic books and model plays.
56. Jiang Hanting (A56): Referring to Jiang Hanting's exquisite painting of flowers and birds, as well as his unique style in art.
57. Zhang Dazhuang (A57): praised Zhang Dazhuang's tranquil style in flower and bird painting, as well as his status among the painters of the Shanghai School.
58. Lu Yifei (A58): describes Lu Yifei's Chonglan Qingfen in painting, as well as his ability to work and write in art.
59. Tang Yun (A59): Refers to Tang Yun's artistic virtues and achievements in collecting and appreciating.
60. Cheng Shifa (A60): It highlights Cheng Shifa's fine art in serving the country and his painting style.
61. Xu Cao (A61): The poem mentions Xu Cao's obsession and excellence in the art of calligraphy and painting, as well as his achievements in painting figures and ladies.
62. Wang Shuhui (A62): highlights Wang Shuhui's influence on comic books such as "The Legend of the West Chamber", as well as his contribution to the art of painting.
63. Jiang Zhaoshen (A63): Describes Jiang Zhaoshen's all-round talent in poetry, calligraphy, painting and printing, as well as his new paradigm in traditional literati painting.
64. Yan Wenliang (A64): Refers to Yan Wenliang's contribution to the Suzhou Art School and his foundational role in modern art education.
65. Wu Dayu (A65): praised Wu Dayu's pioneering position in the exploration of Chinese and Western art, as well as his achievements in abstract oil painting.
66. Yu Ben (A66): Describes Yu Ben's real life portrayal in painting, as well as his sincerity and self-discipline in art.
67. Hu Shanyu (A67): Referring to Hu Shanyu's exploration of the fusion of Eastern and Western art, as well as his achievements in the "Chinese Peach King".
68. Sha Qi (A68): highlights Sha Qi's obsession with Impressionist art, as well as his madness and talent in art.
69. Chen Baoyi (A69): describes Chen Baoyi's contribution to the founding of the China University of Arts, as well as his role in sowing oil painting.
70. Pan Yuliang (A70): Referring to Pan Yuliang's fusion of Chinese and Western art in terms of personality expression, as well as her status as the first person in the Impressionists.
71. Sanyu (A71): Praises Sanyu's maverick approach to female body painting, as well as his uniqueness in artistic style.
72. Chu Teh-Chun (A72): describes Chu Teh-Chun's contributions to surrealist art and his exploration of the fusion of Eastern and Western art.
73. Su Tianci (A73): Refers to Su Tianci's uniqueness in the expression of oriental rhyme, as well as his achievements in Jiangnan landscape painting.
74. Dong Xiwen (A74): It highlights Dong Xiwen's pursuit of national style and his Chinese style in the field of oil painting.
75. Luo Gongliu (A75): describes Luo Gongliu's courage in artistic innovation, as well as his new style of freehand painting.
76. Song Wenzhi (A76): Refers to Song Wenzhi's beauty and elegance in Jiangnan landscape painting, as well as his contribution to the collection of opera cuisine.
77. Chen Yifei (A77): praised Chen Yifei's influence on the cultural appreciation of old dreams on the sea and the romantic realistic style.
78. Xiao Chuanjiu (A78): describes Xiao Chuanjiu's persistence in artistic creation in the era of life and reflection, as well as his style in art.
79. Zhang Boju (A79): Mentioned Zhang Boju's performance in the feelings of his family and country, as well as his contribution to the protection of cultural relics in the Forbidden City.
80. Yu Youren (A80): Highlights Yu Youren's achievements in the art of calligraphy and his place in the history of modern calligraphy.
81. Bai Xueshi (A81): The poem mentions Bai Xueshi's achievements in the field of landscape painting, especially his reputation for Guilin landscape painting, and his contribution to the pursuit of art of elegance and common appreciation.
82. Huang Miaozi (A82): Highlights Huang Miaozi's scholarship and extensive artistic connections, as well as his humor and modesty in artistic creation.
83. Guan Liang (A83): describes Guan Liang's pursuit of the beauty of conveyance and childishness in artistic creation, as well as his achievements in the integration of Chinese and Western arts.
84. Cui Zifan (A84): Refers to Cui Zifan's influence in the Daxiyi School and his contribution to the dissemination of oriental art.
85. Ye Qianyu (A85): praised Ye Qianyu's talent in dance figure painting, as well as his foundational role in the creation of comics.
86. Liu Kaiqu (A86): describes Liu Kaiqu's pioneering contributions to the field of modern sculpture and his important role in the design of the Monument to the People's Heroes.
87. Li Hua (A87): Refers to Li Hua's exquisite skills in the art of printmaking, as well as his important contributions to the illustration of Lu Xun's works.
88. Zhu Le San (A88): It highlights Zhu Le San's achievements in the comprehensive art of poetry, calligraphy, painting and printing, as well as his natural charm in art.
89. Lu Weizhao (A89): describes Luk Weizhao's innovation in the art of calligraphy and his place in the development of modern calligraphy.
90. Gu Yuan (A90): Refers to Gu Yuan's unpretentious style in printmaking and his central role in the art team.
91. Ni Yide (A91): praised Ni Yide's exploration in the nationalization movement of oil painting, as well as his achievements in art research.
92. Wang Chaowen (A92): describes Wang Chaowen's contributions to art theory and criticism, as well as his influence in the cultural world.
93. Hua Junwu (A93): Refers to Hua Junwu's humor in comic creation, as well as his keen insight into social commentary.
94. Xugu (A94): Highlights Xugu's unique position in the Shanghai School of painting, as well as his ingenuity in painting animals such as goldfish and squirrels.
95. Xi Dejin (A95): describes Xi Dejin's passion for art creation and his exploration of the fusion of Eastern and Western art.
96. Pu Xinji (A96): Refers to Pu Xinji's achievements in landscape painting and his important position in the landscape of Beizong.
97. Lu Xiaoman (A97): praised Lu Xiaoman's talent in many artistic fields, as well as her influence in the world of painting and culture.
98. Zhao Wangyun (A98): describes Zhao Wangyun's pioneering role in the Chang'an School of painting and his contribution to the development of art in the northwest region.
99. Zhang Peng (A99): Referring to Zhang Peng's distorted and exaggerated style of cordyceps painting, as well as his straightforward and simple artistic creation.
100. Liu Wenxi (A100): highlights Liu Wenxi's contribution to the design of the RMB chairman's portrait, as well as his representative works in the Loess School.
101. Chen Banding (A101): The poem mentions Chen Banding's status in the cutting-edge art of the Shanghai School and his contribution to the development of the art of the Beijing School, emphasizing his clear wind and bright moon atmosphere.
102. Wang Xuetao (A102): highlights Wang Xuetao's achievements in peony painting, especially his unique style on the theme of flowers and birds and his artistic pursuit of elegance and common appreciation.
103. Zheng Wenyi (A103): describes Zheng Wenyi's exploration of literati painting, as well as his performance in the Tiger Strategy, showing his artistic feelings.
104. Huang Yongyu (A104): praised Huang Yongyu's elegance in art, as well as his talent in poetry, painting, jade carving and other aspects.
105. Liu Kuiling (A105): Refers to Liu Kuiling's all-round artistic expression, especially his innovation and influence in calligraphy and painting.
106. Liu Jidian (A106): describes Liu Jidian's achievements in comic strips and modern painting, as well as his contributions to art education.
107. Shen Yinmo (A107): Highlights Shen Yinmo's achievements in calligraphy and poetry, especially his pioneering role in the May Fourth Movement.
108. Chen Shaomei (A108): Referring to Chen Shaomei's influence in the northern art world, as well as her unique style in artistic creation.
109. Shen Peng (A109): praised Shen Peng's contribution to the innovation of calligraphy, especially the exploration of the modernization of the art of calligraphy.
110. Lin Sanzhi (A110): describes Lin Sanzhi's achievements in the art of cursive and his unique perspective between tradition and modernity.
111. Dai Ze (A111): Referring to Dai Ze's sincerity and simplicity in artistic creation, especially his growth under the influence of Xu Beihong.
112. Shao Dazhen (A112): highlights Shao Dazhen's unique perspective on the art of calligraphy, as well as his exploration of the fusion of Chinese and Western arts.