How to identify the double-hooked magpie diagram demonstrated by Qi Baishi for Qi Liangchi? Qi Baishi's successor Tang Fa Zhou was released

There was Qi Baishi in the world, and the remaining ink still exists in the world.

If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!

Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.

Hello Tibetan friends, today we have invited Mr. Tang Fazhou, then the successor of Qi Baishi, the disciple of Qi Liangzhi, the president of the China Qi Baishi Painting and Calligraphy Academy, the visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited teaching and research director, the contracted painter of Beijing Fine Art Academy and Rong Bao Zhai, the national registered first-class cultural relics and artwork appraisal appraiser, the expert of Qi Baishi's calligraphy and painting big data appraisal, the president of the Shanghai Qi Baishi Art Research Association, and the chief operating officer of Baishi Shantang Culture Media, to talk about a painting that has been exhibited in the China Qi Baishi Painting and Calligraphy Academy. This painting is Qi Baishi, Xin Wei (1931), Double Hook Magpie, Mirror Heart, ink on paper, 32×29.5cm.

Topic: On August 16 of Xin Weiqiu, the lamp showed the eldest son's double hook manuscript method, Nai Weng.

Seal: White Stone

Description: "The eldest son" is Qi Liangchi (1921-2003), a native of Xiangtan, Hunan, and the fourth son of Qi Baishi. At the age of 10, he began to learn the traditional techniques of Chinese painting under the guidance of his father, and graduated from the Fine Arts Department of Fu Jen University in Beijing at the age of 24, and then engaged in art education. He taught at the National Beiping Art College and later served as the deputy director of the Beijing Research Institute of Culture and History. This painting will appear in the auction market in the near future, and collectors who like to collect Qi Baishi's paintings and calligraphy can continue to follow up, and I believe that collectors with strength and vision may collect this painting if they have fate in the future.

▲Qi Baishi, Xin Wei (1931), Double Hook Magpie, Mirror Heart· Exhibition of Qi Baishi Painting and Calligraphy Institute in China (Qi Baishi Copyright Owner) · Shaobai Gongzi Tang Fa Zhou

When identifying the "Double Hook Magpie Picture" demonstrated by Qi Baishi for Qi Liangchi, we can start from the following aspects, combined with the experience and professional insights of Mr. Tang Fazhou, the successor of Qi Baishi, to comprehensively judge the authenticity of the work.

1. Understand the background and style

1. Background:

• First of all, understand the background of the creation of this "Double Hook Magpie Picture", including the time, place, and reason for its creation. The master-apprentice relationship between Qi Baishi and Qi Liangchi and the context of the demonstration painting are of great significance for understanding the work.

1. Stylistic features:

• Qi Baishi's works are known for their vigorous brushwork, rich colors, and concise and vivid shapes. In the depiction of magpies, he often uses thick ink to outline, leaving white on the magpie's body, and the transition between black and white is soft, showing the agility and charm of the magpie.

2. Observe how magpies are drawn

1. Morphology and dynamics:

• Carefully observe whether the magpie's form is natural and vivid, and whether the dynamics are lifelike. The magpies in the original works are often of different shapes and are full of fun, and can capture the moments of the magpies.

1. Double Hook Technique:

• The double hook technique in "Double Hook Magpie Diagram" is the key. A double hook is a way to outline an object with lines and then fill in the color. Observe whether the magpie's contour line is smooth and natural, whether the ink color is appropriate, and whether the color is uniform and full.

1. Details:

• Pay attention to the details of the magpie's feathers, such as the layering, texture, and direction of the feathers, whether they are handled properly. The feathers in the original work are often able to express the three-dimensional and fluffy sense of the magpie.

▲ Qi Baishi Xin Wei (1931) Double Hook Magpie Mirror Heart (detail) · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou Courtesy photo

3. Analyze brushwork, ink and color

1. Use of pen and ink:

• Qi Baishi's use of brush and ink is extremely concise and varied. Observe whether the brush and ink in the work are natural and smooth, whether the ink color changes in shade and dryness, and whether the pen has a strong sense of style and rhythm.

1. Color Matching:

• In terms of color, Qi Baishi's works are bright and bright, but they are harmonious and unified. Observe whether the color matching in the work is coordinated and whether it conforms to Qi Baishi's artistic style.

Fourth, the examination of the title and seal

1. Title content:

• Carefully identify the content of the inscription, including the author's signature, the time of creation, the inscription poem or inscription, etc. The inscription is one of the important bases for identifying authenticity, and it needs to be compared and analyzed with Qi Baishi's artistic style and calligraphy characteristics.

1. Seal Authenticity:

• Seals are an important auxiliary means to identify the authenticity of calligraphy and painting works. Observe whether the seals in the work are clear and recognizable, and whether they match the seals commonly used by Qi Baishi. At the same time, you can also consult relevant information or consult experts to verify the authenticity of the seal.

▲ Qi Baishi Xin Wei (1931) Double Hook Magpie Mirror Heart (detail) · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou Courtesy photo

5. Comprehensive judgment and auxiliary basis

1. Overall Feeling:

• Through the comprehensive observation and analysis of the work, the overall feeling of the work is formed. Authentic works can often give people a strong artistic appeal and visual impact.

1. Auxiliary basis:

• If conditions permit, you can consult relevant literature or consult expert opinions as an auxiliary basis. At the same time, you can also pay attention to the source and circulation of the work to further verify the authenticity of the work.

To sum up, the identification of Qi Baishi's "Double Hook Magpie Diagram" demonstrated by Qi Liangchi requires comprehensive consideration of many factors. In the observation of magpie painting, the analysis of the color of the brush and ink, the investigation of the inscription seal, etc., it is necessary to analyze and compare in detail to ensure the accuracy and reliability of the identification. (To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, one line, only do real calligraphy and painting, gather the heads of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! Perennial sales of high-end paintings and calligraphy, looking for cooperation with high-end painting and calligraphy brokers, partners, regional leaders, mainly operating Qi Baishi's painting brush before his death, Qi Baishi's special rice paper for painting shrimp, Qi Baishi's graphite block, Qi Baishi's self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, President of China Qi Baishi Painting and Calligraphy Academy, paid tribute to the 160th anniversary of Qi Baishi's birth and reproduced Qi Baishi's microcosm world calligraphy and painting exhibition and other projects, as well as Qi Baishi, Zhang Daqian, Wu Changshuo, Xu Beihong, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Wang Tianchi, Wang Wennong, Yang Xiuzhen, Tang Fazhou and other Qi Baishi's heirs worth more than 100 million of calligraphy, paintings, seals and authentic works can also accept NFT, digital collections, metaverse, cross-border brand cooperation, cultural empowerment resource integration and other operations, welcome powerful network companies to bid. (Pictures and texts are selected from: Qi Baishi's Descendants Calligraphy and Painting Network) (The pictures in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Academy, Qi Baishi's Descendants Calligraphy and Painting Network)

Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou

Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)