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It's ugly to look like this, and there is a face to shake the pot?!
"It's hard to look like this, and you still have a face to shake the pot?! This film review dissects a domestic drama called "Twenty-One Days" in a mocking tone, revealing many problems with its rough production and far-fetched plot.
This drama was originally arranged under iQIYI's proud "Fog Theater" column, but the relevant logos were quietly removed on the eve of the broadcast. Such an unusual behavior aroused the curiosity and speculation of the audience, and some people jokingly called the show "expelled by the fog because the quality was too bad".
"Twenty-One Days" tells the story of a group of people trapped under a collapsed department store for 21 days. The plot setting is quite ambitious, trying to integrate various elements such as disaster and suspense, but it seems to be unable to execute it. The critic pointed out that the play is too blunt and straightforward in showing the complexity of human nature, the character creation lacks a sense of hierarchy, and the reversal plot is rigid, giving people a feeling that "the screenwriter is deliberately showing".
Some of the episodes mentioned in the film review are quite dramatic: the mall owner conceals the existence of the sinkhole and causes the disaster, but provokes public anger among the survivors; The engineer's widow retaliates against her boss; The seemingly harmless little girl does not hesitate to seduce others with her lust in order to survive. These plots, which are supposed to add tension to the plot, are deliberately artificialized because they are not handled properly.
Critics, in particular, have criticized the show's crude costumes, props, and special effects, which further undermine the credibility of the already unrealistic plot. In the author's opinion, "Twenty-One Days" neither showed the shock that a disaster movie should have, nor did it create the tense atmosphere of a suspense drama, but instead degenerated into a low-level farce of "a group of villains eating dogs".
This film review has triggered us to think about the quality control of domestic dramas. Why would a work with high hopes fail so much? Is it because the creative team is too dramatic and ignores the plausibility of the plot? Or is it a hasty end for the producer to meet the deadline? These issues deserve in-depth discussion in the industry.
From a broader perspective, this case reflects some of the common problems in the current domestic drama market. In order to attract audiences, many dramas tend to pile up exaggerated plots, but ignore character building and emotional lay-out. This practice may gain attention in the short term, but it is not conducive to the healthy development of the industry in the long run.
Improving the situation will require a concerted effort by many parties. Creators should pay more attention to the quality of the script, and not forget the artistry and ideology of the work while pursuing attractiveness. Producers need to give their creative team enough time and resources to avoid sacrificing quality to keep up with the schedule. The regulatory authorities should also establish a more scientific evaluation system to guide the industry to develop in the direction of higher quality.
The taste and choice of the audience are also crucial. We should guide the market with our own viewing choices, support quality production, and say no to bad content. Only when the audience really pays attention to the quality of the work, will the market produce a virtuous circle of survival of the fittest.
The failure of "Twenty-One Days" is a wake-up call for us. It reminds us that while pursuing ratings and topicality, we must not forget the original intention of creation. Only by insisting on serving the audience with high-quality content can we win real reputation and promote the progress of the entire industry.
Let's look forward to the emergence of more excellent domestic dramas in the future, bringing the audience both depth and quality of spiritual enjoyment. What do you think about the current status of domestic dramas? What are your expectations for the future development of the industry? Feel free to share your views in the comments section.
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