<h3 class="pgc-h-arrow-right" > preface</h3>
In one's own verses, the use of the best sentences of the predecessors is slightly changed for one's own use, which is generally called the use of the use. Mr. Zhou Zhenfu is divided into imitation and enlightenment in "Poetry Examples". Moreover, several categories of subdivisions have been made, and the different details of various chemical uses have been sorted out.
For friends who like poetry creation, this paragraph is very valuable, and it is also conducive to which way to use more clearly when creating.
Because there is a lot of content, this article only says that Sima Xiangru is similar to this passage of Cao Cao.
<h3 class="pgc-h-arrow-right" >, Sima Xiangru This passage was used by several famous artists</h3>
Cao Cao's Guancang Hai writes:
To the east, it is bordered by Jieshi to view the sea. ...... The journey of the sun and the moon, if out of it; the stars are brilliant, if it is out of it.
This passage actually has a source, using this passage from Sima Xiangru's Shanglin Fu of the Western Han Dynasty:
Seeing it for no reason, seeing it without end. Sunrise to the east, moon birth to the west.
Later generations used this paragraph, and Mr. Zhou Zhenfu gave several examples. For example, the Eastern Han Dynasty Ma Rong's "Ode to Guangcheng" Yun:
Heaven and Earth Rainbow Cave ,...... Moon born Xipi.
The Western Han Yangxiong's "School Hunting Endowment" is used as:
In and out of the sun and the moon, heaven and earth.
What is the difference between these 3 cases?
<h3 class= "pgc-h-arrow-right" > second, what is good at initiation</h3>
Sima Xiangru's four sentences in "Shanglin Fu", the first two sentences (regarded as unprovoked, observed without end) are conceptual descriptions, relatively abstract. The last two sentences (Sunrise Higashinuma, Tsukiko Nishipi) are more specific, but the image description is still lacking.
Zhou Zhenfu's "Poetry Examples, Imitations and Initiations" divides into two categories, one is good at initiation, that is:
More specific and richer than the previous ones, it creates a new realm.
Not good at initiation? It's a simple imitation.
Let's see how Mr. Zhou interprets the use of Cao Cao, Ma Rong, and Yang Xiong. Who's good and who's bad?
<h3 class= "pgc-h-arrow-right" > third, the novelty of Yang Xiong's "School Hunting"</h3>
First of all, let's talk about Yang Xiong's "School Hunting Endowment", in which the second sentence (heaven and earth) has a new meaning compared to Sima Xiang's original words.
Heaven and earth, looking around, heaven and earth become one, which is what Sima Xiang did not have in the original text.
Therefore, Yang Xiong's "School Hunting Endowment" "in and out of the sun and moon, heaven and earth." "To be praised.
<h3 class= "pgc-h-arrow-right" >4. Excellent case of initiation, Cao Cao's "Guancang Sea"</h3>
Yang Xiong's "School Hunting Gift" was only a little more innovative, and it was praised. And Cao Cao's "Guancang Sea" became a big meal.
Mr. Zhou commented:
Cao Cao said in "Guancang Hai": "If the sun and moon travel, if you go out of it, the stars are brilliant, if you go out of it." Adding the image of Xinghan to it, with the description of mountain islands, autumn winds, and flood waves, the content is richer, the realm is more open, the colors are more vivid, and the new artistic conception is more specific and vivid than Sima Xiangru's words. This is an example of being good at initiation.
To understand this passage, we need to enter Cao Cao's entire poem for reference:
To the east, it is bordered by Jieshi to view the sea. The water is thick and the mountain islands are standing.
Trees are overgrown and grassy. The autumn wind is cold, and the flood waves are rising.
The journey of the sun and the moon, if out of it. The stars are brilliant, if out of it.
Luckily, even Ya, the song is sung in Yongzhi.
Cao Cao's performance is considered to be good at initiation because of several points:
The image is more specific, seawater, mountain islands, trees, hundred grasses, autumn wind, hongbo, sun and moon, star Han, Cao Cao added a lot of different types of imagery, so the content is more abundant; and each image has a special description, so these images are more specific and vivid; the organic combination of images is a new artistic conception.
This kind of open and concrete and vivid content is something that Sima Xiangru did not have in the original work.
Therefore, Cao Cao's poems not only have new meanings but also are more specific about Sima Xiang's initiation of the original sentence. It is exactly what was said earlier that excellent enlightenment needs to be more specific and richer than what predecessors said, to create new realms.
<h3 class = "pgc-h-arrow-right" > five, bad enlightenment, Ma Rong's "Ode to Guangcheng"</h3>
There are good ones, and there are bad ones. In Mr. Zhou's eyes, Ma Rong's "Ode to Guangcheng" is a case of failure:
Like Ma Rong's "Ode to Guangcheng": "Heaven and earth rainbow cave, solid and unprovoked." Like Sima Xiang's words, it is also conceptual. He also said, "Daming is out of the east, and the moon is born in the west." It is also said that the sun rises in the east and the moon rises in the west, just to change the literal. Such imitation is undesirable, and if it does not add something new and cannot enrich the original, it will not be enlightened."
Heaven and Earth Rainbow Cave, solid and groundless, is also a conceptual abstract writing. It is impossible to form a concrete image in the reader's mind.
Daming is out of the east, and the moon is born in the west. There is a specific image, but what is the difference between the original sentence and the original sentence similar to Sima Xiang?
Sima s original sentence is: The sunrise is in the east, and the moon is born in the west.
Therefore, Ma Rong's use was relatively unsuccessful, and there was no new meaning in the content, but only a few words were simply changed from Sima Xiangru's words.
<h3 class="pgc-h-arrow-right" > concluding remarks</h3>
For the "new" that Mr. Zhou said, in fact, the ancients have long studied it. The ancients had the saying that the tire was changed and the iron was turned into gold, which was adapted on the basis of other people's original works, and it was better to not show traces and be able to innovate.
The ancients can be the author of the article, really can cultivate all things, although they take the old words of the ancients into Han Mo, such as a pill of the elixir, and turn iron into gold. (Huang Tingjian's "Reply to Hongju's Father")
@Old Street Taste
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