<h1>Sadly, another master died
</h1>
Du Jinfang, a famous Peking Opera performance artist, died suddenly, and the National Peking Opera Theater has confirmed her death; and issued an obituary that no spiritual hall will be set up, and the time and place of the farewell ceremony are to be determined.
It is reported that Master Du Jinfang is not only the representative inheritor of the national intangible cultural heritage project (Peking Opera), but also one of the founders of the artistic style of the National Peking Opera House; she is one of the disciples of the famous master Mei Lanfang.
Her life is quite legendary, and her life experience is even more exciting than the characters in the novel.
Born in 1932, Du Jinfang began to perform on stage at the age of 10, and she became a national actress at the age of 19 and worked as an official performer. Together with Li Shaochun, Ye Shenglan and others, he formed a "performance group" to perform abroad many times. Her work not only got anyone from all over the world, but her work "Wild Boar Forest" was also remade into a movie and passed on forever.
In 1949, Du Jinfang was recommended by Wang Yaoqing, the "Master of the Tongtian Sect", and officially worshiped Mei Lanfang as a teacher in Shanghai! Under the personal guidance of Mei Lanfang, he became one of Mei Lanfang's personal disciples.
Wang Yaoqing has produced an infinite number of works in her life, and she has created too many touching and profound stage images, among which the plays she starred in, such as "Liu Yin Ji", "The Legend of the White Snake", "The Book of Jade Hairpins", "Peach Blossom Fan", "White Haired Girl", "Xi Xiang Ji", "She Saihua", "Xie Yaohuan", "Keshan Red Sun" and so on, have become a generation of classics.
Even now, it can still make people move.
<h1>Du Jinfang's personal disciples are all national first-class actors</h1>
Du Jinfang became famous in her early years and achieved very high achievements, she began to accept apprentices in middle age, and her personal disciples were all quite outstanding, all of them were national first-class actors.
For example, disciple Huang Xiaoci won the 7th Chinese Drama Plum Blossom Award, disciple Li Jingwen won the 10th Chinese Drama Plum Blossom Award, disciple Chen Shufang won the 10th Chinese Drama Plum Blossom Award, and disciple Li Jie won the 18th Chinese Drama Plum Blossom Award. Disciple Li Guojing won the Best Performance Award at the 2001 National Young Peking Opera Actors Television Competition.
Ding Xiaojun, who won the top spot in the Qingyi group of the 6th Qingjing Competition Gold Award, became Du Jinfang's closed disciple.
Du Jinfang is not only an outstanding artist herself, she has also cultivated many artistic talents for the country, so that Mei Lanfang's mantle can be passed on.
<h1>Du Jinfang went all the way</h1>
Du Jinfang's life resume, if she wants, can write a whole book, and a few thousand words is impossible to summarize her life.
We only know that she is famous, her life is wonderful, and finally peach and plum are all over the world.
Perhaps this evaluation is the evaluation that all artists want to get the most, even after a hundred years of Guo Degang, he also hopes to get the above three labels, indeed, at present, Guo Degang himself has really done it.
Compared with Peking Opera art, the cross-talk art is obviously more extensive and the audience is more numerous; for Peking Opera, the most headache is not only the fear of no successor, but also the fear that even if there is a successor, there is no audience.
With the change of the times, the audience's aesthetics and preferences are constantly changing, and if the artistic expression of the older generation cannot cater to the audience's preferences, it may indeed disappear one day. This result is obviously not what Mei Lanfang hopes to see, nor is it what Du Jinfang hopes to see.
No matter what, may the art of Peking Opera continue to multiply, and may Du Jinfang rest in peace and go all the way.
In this regard, what do you think of the departure of the master and the loss of art?