【Viewpoint】
Indulge in pen and ink to send attention to the landscape
——Selected works by Fan Zhenxu, a calligrapher and painter on Longshang
Imitation of Huang Gongwang landscape map axis
Landscape map axis
Excerpt from the Landscape Album
Set of "Zhang Ronglong Monument" seven words
Line scroll
Seven words in the book
Excerpt from the Book of The Causes and Conditions of Landscapes
Character business card
Fan Zhenxu (1872-1960), zi yuqin, dongxue old man, also known as Taihe shanmin, late Qing Jinshi, Gansu Jingyuan people, one of the important calligraphers and painters in Longshang in the past hundred years. Attack the landscape, the style is high and innocent, fine calligraphy, simple and gentle style. The ancient masters have created and studied pen and ink, and integrated the literati's interest in the pen and ink, inheriting the essence of traditional Chinese calligraphy and painting art.
Wang Nannan Zhao Minyu
Fan Zhenxu's calligraphy and painting art had a far-reaching influence in Gansu. Jointly organized by the Provincial Museum, Lanzhou Museum, Baiyin City Museum, Jingyuan County Museum and Huining County Museum, the "Landscape And Water Karma - Fan Zhenxu Calligraphy and Painting Art Exhibition" exhibited more than 50 pieces of Fan Zhenxu's calligraphy and painting works, focusing on his artistic achievements in calligraphy and painting.
Fan Zhenxu's calligraphy is known for its calligraphy and cursive writing, and it is also a calligraphy, adhering to the meaning of the thesis, and integrating the golden stone meteorology of philology, which is not ancient and has its charm. He specializes in traditional pen and ink, using the pen to be quiet and smooth, rigid and soft, peaceful and natural, calm and relaxed, containing righteousness in gentleness, and self-expression.
Fan Zhenxu grew up in landscapes and waters, occasionally working as a chivalrous guest, a Buddha statue, and also had morale. The landscape takes the "four kings", chases the Song and Yuan, the heart chases the hand, the style is full of style, and the style is high. With the pen round and subtle, just in the soft, in the middle of the show, relaxed and freehand in hook, wrinkle, dot, dye, ink color and use, ink color moisturizing, thick and light, rich in change, melting and moistening in the vast thick, writing the charm of the northwest landscape, deep in the essence of literati landscape painting.
Chinese calligraphy and painting revisited the pool, traveled, studied, and inherited, Fan Zhenxu created a lot of calligraphy and painting in his lifetime, and in the inheritance of traditional Tuna, the literati sentiment has always run through it. With his profound background in traditional Chinese studies and solid calligraphy skills, he indulged in pen and ink and placed his heart on landscapes. Nowadays, the loose temperament, neutrality and gentleness in Fan Zhenxu's calligraphy and paintings are even more precious, which is the true value of his calligraphy and painting art.