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Recently, "Xiao MinJia", which focuses on the flow of life and fireworks, and tells the emotional life of middle-aged men and women, is being broadcast hotly, while busy pulling up the real-time ratings of mango station, while holding out several pairs of upper CP. However, I thought that "Zhou Xun X Huang Lei", who joined forces again after nineteen years, would relive the good old days of middle-aged love with three CP, but what people did not expect was that the audience felt that the sword was on the side, and turned their heads to snort "Zhou Xun X Zhou Yiran", making this deviant "Little Mother Literature" better.
As for where the dot is and the sweetness is geometric, I believe that all the "snorters" have a scale in their hearts, but it is undeniable that this also reflects from the side that there is still an unknown volume but not low concentration of user demand for "sister-brother love" in the current market. While expanding the urban love theme, this also provides space for the "sister-type" female partner to play.
Like Qin Hailu, who also played the role of Li Ping in "Xiao Min's House". Although compared with Liu Xiaomin, played by Zhou Xun, Li Ping can only play the ex-wife in the love of Chen Zhuo (Huang Lei), but the big waves and flaming lips, coupled with the wind and fire hate sky high and choking pepper-like golden sentence output, Li Ping is definitely one of the most eye-catching women in the whole play. Qin Hailu, as a proper royal sister-type female partner, also perfectly interprets "sister is the queen" at the same time, emitting light to impress the audience.
In real life, the word "royal sister", which has long been labeled as an ancient and early taste, why is it finding self-confidence in film and television works? The character who captures the audience's heart with the shell of the royal sister is fascinating?
01
The ultimate femininity, absolute independence
Generally speaking, in the conventional context of film and television drama creation, the supporting roles in the human setting can indeed play much more than the protagonist, but the villain, can be blackened, even if there is a slight flaw in the personality or behavior in the world, you can also rely on the ultimate human setting and reliable acting circle fans.
The villain's "Lady Of The Wind Rises in Luoyang" is such a character. One person does the Big Accumulation Of Good Bofang, under the sun is the boss lady with unlimited charm and charm, and in the dark night, she fades her tenderness and stubbornness, and becomes the "Sixteen Nights" that kills people without blinking. Since she was sold by her father to Chunqiu Dao since she was a child, she never knew what warmth in the world was, until she met Gao Bingcang, which made her rebel life appear the only light. Faced with the last task of assassinating Gao Bingcang, Miao Niang made a choice between "one way to black" and "following the light".
The downline of Miao Niang directly pulls the tragic and aesthetic colors focused on this role to the extreme. While many viewers are upset, they also let Zhang Li, the actor of Miao Niang, be rediscovered by the public. According to the Baidu index, in the recent broadcast content of "Wind Rises Luoyang", several highlights of Miao Niang directly made Zhang Li's search index soar to 1.5W+, reaching the highest peak in half a year.
For a time, there were more and more clips about "Gao Bingzhan X Miao Niang" on platforms such as B station and Weibo, and the reason why Xiao Niang, as a supporting role with few scenes, was able to leave such a deep memory point for the audience, in addition to the excellent acting skills of the actors themselves who could catch the play, was also inseparable from the role itself, which was sometimes feminine and sometimes cold.
If you further disassemble the label of Royal Sister, you will find that a "Royal" word not only contains the "desire" attraction that is faintly emitted by mature women, but also the female independent consciousness premised on calm calmness and independent thinking, and rigidity and softness are the biggest common denominators of this type of role image.
Zhu Zhu, who is known as "Nianxia Love/Little Mother's Literary Ceiling", has also left a lot of classic images in the field of royal sister-type female support, such as the tough and charming Ma Suqin in "Children of the Qiao Family", Kang Min who is charming and snake-scorpion in "Tianlong Babu", and Lan Xinjie, who is charming and charming in "Rebels", and Who redeems and insists on no complaints. On the basis of Zhu Zhu's natural royal sister's face, the supporting role setting with high threshold and low lower limit gives the actors more room to play, and with the complexity of the acting skills and the human settings, the audience is "deceived" and becomes an inevitability.
In order to stand out on the road of female support, choosing "royal sister-type human design" can be regarded as a shortcut, of course, half of the opportunity behind this is not only to see the plasticity of the actor itself, half of it is inseparable from the blessing of the theme content of the work itself.
02
Realistic themes and large costumes, content bonuses are indispensable
Although the royal sister type is set up in the female supporting system setting is a more popular hang, but not all themes and episode content have the ability to focus and amplify the light on the type of character.
Among them, the narrative background is close to the audience's real life, and the realistic theme of interpersonal relationships is the easiest to understand, which can be seen as the best in the genre of many dramas. For example, the popular life drama "Xiao MinJia" at present gives Qin Hailu a role outlet that concentrates on releasing charm; and with the role of Stella in the workplace drama "Perfect Relationship", it also makes the audience issue a voice such as "reliable beautiful sister" to Chen Shu; similarly, the Taiwan drama "We Can't Be Friends", which has been popular on both sides of the mainland and Taiwan, telling the love rules of urban men and women, will also be out of the circle for Han Kefei (Yuan Aifei), a female second who reads countless men and is cool and independent.
Graphs are derived from the network
To a certain extent, the reality dramas that revolve around the main content such as the workplace, family, and gender relations are a large field frequently produced by the royal sister-type female partners. At the other end, costume dramas that are divorced from reality in terms of story background, scene construction, character settings, etc. have also made room for the breakthrough of the royal sister-type female supporting team.
For example, the costume drama "The Sword Line in the Snow", which has just started, in which Xu Fengnian is surrounded by many female characters with different personalities, the most eye-catching of which is the female second Zhang Tianai, who is not only a martial arts wizard Nangong servant who dances in plain clothes and dances with double knives to embroider spring thunder, but also a "white fox face" whose face is rated as the world's first beauty by the rouge list. In the early years, she became famous with "The Promotion of the Princess Princess", and she was originally regarded by the public as a typical imperial sister because of her crisp and neat screen image and realistic personality, and now her stunning appearance in "The Sword Line in the Snow" has consolidated the royal sister's personality from the temperament of the big woman.
This year, zhang Jiani, who was also recognized by the audience for her image of the royal sister in the costume drama, also played the role of Wuhuan in "Ancient Dust". In addition to Wuhuan, who is swallowed up by desire, she also made a wonderful interpretation of "the most poisonous but the woman's heart" in "Yanxi Raiders" by relying on the scheming concubine. For Zhang Jiani, compared with the positive role under the sun, the snake and scorpion route of "Black Beauty" is obviously more suitable.
Of course, for most of the female partners who can be remembered by the audience, in addition to the theme content of the work itself, it is also indispensable to set up emotional "snorting points" in the plot, and sister-brother love is one of the effective, convenient and desirable ways.
03
What does the "next generation" royal sister look like?
Speaking of keywords such as "sister-brother love / year down love / sister dog CP", I have to mention that some time ago, "Dreaming of the Lion", which was accurately stepped on the audience's aesthetic point some time ago, the "Royal Sister X Milk Dog" pair of CP lines jointly interpreted by "Fu Jing X Wu Yuheng" in the play, from acquaintance to love, the whole process is grunting pink bubbles, and netizens have said "old face is red, fierce KDL".
Fu Jing, who was born in Rocket Girl 101, has been hanging on her body since her debut in the draft, such as "boyfriend force max" and "cool girl". Last year, in works such as "You Are My Destiny" and "And Listen to Fengming", Fu Jing has effectively continued the temperament of the royal sister in reality, and in "Dreaming of the Lion", she is even more standing on the cusp of sister-brother love to further circle fans.
Next, Fu Jing also has partners Qu Chuxiao, Zhang Jianning and others to co-star in the fantasy drama "Let's Go Together at the End of the Universe", as well as the costume light comedy detective drama "Who Sent the Jinshu in the Clouds" co-starring with Xie Binbin, Wu Jiayi and others to wait for broadcast, not eager to take the heroine, she may also polish a little more under the identity of the royal sister-type female partner.
On the list of imperial sister reserves, the 98 little flower week must also have a name. Although she has now opened the upgrade path from female support to female protagonist in the new drama "Protecting the Heart", when the movie "Young You" was released in 2019, Zhou Ye did attract much attention by playing the young girl Wei Lai. Coupled with the explosion of "Mountain and River Order" this year, the role of the little witch Gu Xiang has made Zhou further popular. Even after "Young You", Zhou did not continue to follow the route of royal sister and daughter like Fu Jing, but thanks to the portrayal of Wei Lai's classic image, it also proved her plasticity in the role of royal sister.
Of course, it is not only Fu Jing and Zhou Ye who have been influenced by past works, but also the double A heroines who have been welcomed by many people this year with the Republic of China emotional suspense drama "Double Mirror", and to a certain extent, they can also be classified as potential royal sisters.
Zhang Nan, who debuted through the role of the black woman Lin Bella in "I am light-years away from you", has already given a "royal sister trailer" regardless of appearance or drama. And Sun Yihan is different, she has presented a pure face in works such as "Children of the Qiao Family" and "Loneliness and The Beast", but salt and sweetness are her keywords in a certain period of time, but after the broadcast of "Double Mirror", Sun Yihan's sharp appearance conditions and the "female A" temperament of the full screen are exposing the potential of the royal sister on her body.
With the continuous increase in the proportion of independent women and other images in film and television works, the space for the role of the royal sister is constantly emerging, and it is possible to master the remote control of a large number of female audiences if the royal sister can be played deeply in the hearts of the people. Who will seize the opportunity to leave a classic image and open up the situation is still unknown.