Twenty epic poems of Naran Sex De Yong, the time span from the Warring States to the fall of the Northern Song Dynasty. In the early Qing Dynasty, students can go through the twenty-first history, but they can only write until the end of the Song Dynasty by pointing out the rivers and mountains and borrowing ancient metaphors from the present. In terms of serving the emperor, Naran Zhide very much agreed with Sima Guang's point of view that the emperor could not make a bad name for himself and be self-righteous. He denies reckless heroes who do not hesitate to self-destruct, believing that "heroes must have a whole-body strategy."
Politics cannot exist in name only
"Qianqiu was a great monarch, and Sima Jinian succeeded him. Zhou Ding in Yingyi District has taught wine writers. This poem embodies one of the important contents of Confucianism: fame.
"Yi" takes the Dao Yin and Yang, and "Spring and Autumn" takes the name of the Dao and takes the relationship between the monarch and the subject as the key. The poem deals with Sima Qian's chronicle "Zizhi Tongyun", Confucius's "Spring and Autumn" is written in the matter of "obtaining Lin", and the historical matter of "the division of the house into Jin".
Volume I of the Zizhi Tongjian reads: "The office of the son of heaven is greater than the ceremony, the ceremony is greater than the point, and the division is greater than the name." What is etiquette? Ji Gang is also; what is the point? What is a name? Gong, Hou, Qing, and Dafu also. Sima Guang believed: "The position of the monarch is not easy in heaven and earth." The so-called "thousand autumns are absolutely famous and the monarch", this is the truth that Naran Sex de has realized by reading history.
Confucius's "Spring and Autumn" praises good and debases evil, one is based on the name, so "Spring and Autumn" is divided into The name of the Tao. Zi Lu asked the teacher: Wei Jun treats the son for the government, and the son will xi xian? Confucius said, "It will also be righteous!" Qi Jinggong also asked Confucius, who said: "Emperors and subjects, fathers and sons."
For a political country, the first thing is to correct the name. It is actually the top-level design of the power structure system. Sima Guang's purpose in writing the Zizhi Tongjian was to assist the state in "Zizhi", so he was divided into appointed officials by following the name of "Spring and Autumn".
The Zizhi Tongjian also records that in the twenty-fourth year of King An of Zhou (378 BC), "Duke Xiao of Jin, Duke Gong of Zijing was established"; two years later, "Wei, Han, and Zhao jointly abolished the Duke of Jin jing as a family and divided the land".
This is the so-called "three families dividing the Jin": Wei Si, Zhao Yuan, and Han Qian were all doctors of the Jin State, and after they were divided into Jin Kingdoms, they were promoted to princes and each of them, which was intolerable to the name; Zhou Tianzi actually allowed them to ask for it, which was to abandon the name.
"Jujiu" is the Duke of Jinjing, that is, he was deposed as a commoner by Wei, Han, and Zhao, and the land was divided into three. Don't look at "Zhou Ding", that is, the state power seems to still exist, but if the gang discipline is broken, the regime will exist in name only.
"Jujiu writers" is an unworthy image statement. Sima Guang believed that Zhou Tianzi ordered the Three Jins to be princes, "not the bad etiquette of the Three Jins, but the self-detriment of the Son of Heaven." When Naran read this, he very much agreed with Sima Guang's point of view. From the time of the emperor, we must not make a bad name for ourselves and relax our discipline, otherwise the state power will exist in name only.
Heroes must have a full-body strategy
"Once the death is difficult to reward the country's soldiers, the lacquer body swallowing charcoal only increases sorrow." The hero must have a full body strategy, sniper jun to see bolang vertebrae." This poem is a work of Naranjand reading the story of "lacquer swallowing charcoal" in the Warring States Policy. The phrase "heroes must have a full body strategy" is the main theme.
"Warring States Policy Zhao Ce I" contains: During the Warring States period, the name of Yu Rang was yu rang, and he was treated as a national soldier by Zhi Bo and was grateful. Later, Zhibo was attacked and killed by Han, Zhao, and Wei, and his head was made into a drinking utensil by Zhao Xiangzi.
Yu Rang vowed to avenge Zhi Bo, so he painted his body, swallowed charcoal and made a strong ghost appearance, and vowed to kill Zhao Xiangzi. But he died in failure. A reckless and vengeful hero who does not hesitate to destroy himself, Naran does not approve.
It is understandable to think that "it is difficult to reward the country with one's death" and "a soldier dies for the confidant", but we should seek all-round measures, even if we are not successful, we can protect ourselves from destruction.
I also disagree with Yu Rang's view that he is "a person who will be ashamed of the world and the hereafter as a subject of the world." He admired Zhang Liang, assassinated Qin Shi Huang unsuccessfully, but saved himself, and finally assisted Han Gaozu to destroy Qin and avenge Korea, which is the real hero.
The Manchus are a nation with great military talent and cultural explosive power, and they are also a people who advocate strategy, which is consistent with their martial strength and strength, and is also complementary to each other, otherwise it is impossible to enter the Central Plains with a weak and small people, and rule a large country of hundreds of millions of people with an ethnic group of hundreds of thousands of people and a hundred thousand troops.
Good strategy to complete itself is one of the genes of Manchu culture. As a Manchurian aristocratic prince, denying the value of reckless heroes who did not hesitate to self-destruct in the study of history is a manifestation of their national material. He firmly believes that "heroes must have a full-body strategy", and those who have a full-body strategy are the real heroes.