I don't know when the word guoman has been reduced to a talking point after tea and dinner, and it has been regarded as a young work linked to childishness. Such misunderstandings are also due to the fault lines of domestic comic works.
Are we not going to be able to make good works? No, due to the production process of animation works, which require huge manpower, material and financial resources, and then the return is very small, and even more can not make ends meet, which makes many manufacturers prohibitive of the animation field; or turn to simple animation that is not demanding to win the young children's market. It is precisely because of this that the labels of "young age" and "childishness" have deepened, and misunderstandings have gradually deepened.
From works such as "Heavenly Book", "Hulu Brothers", "Black Cat Sheriff" and so on, attracting overseas anime authors to come to study; to "Pleasant Goat and Gray Wolf", "Bear Haunting" and other animations for children. It's not that it's not a boutique, it's just that it's too limited for crowd positioning. It is not as unique in style as the former and suitable for all ages.
It was not until the explosive theater line of "Journey to the West: The Return of the Great Sage" that the audience found that the original national comics can also have a unique style, special effects of the explosion of the anime, and its adapted plot, the hand in hand of the great sage and the little monk, let us see a tender sage. Even if the plot adaptation has mixed praise and criticism, this is a bold innovation, allowing the audience to see a plump anime image that is arrogant and tender.
After the waves came, "Big Fish Begonia" slowly presented, this work returns to the flat animation, but the national style will be pushed to a new high, even if the plot is lackluster, but still flawed, compared to the pursuit of the return of the great sage who exploded the special effects, the big fish is more like a representative of introverted and feminine, with the most beautiful picture composition, ink painting style, with traditional architectural design scenes, from the poster presentation will know the national style masterpiece. Good lines are also indispensable, "This short life, we will eventually lose." You might as well be bold, love someone, climb a mountain, chase a dream. One sentence resonates.
Good animation works should be more reflective, reflect society, and have endless memories, such as Daigo empowerment. "The Great Protector", a work that has little publicity in the theater, is a new theme pushed into the violent elements of ink Chinese style. At first glance, there is a little discomfort, gray tones, grotesque character images, and its inexplicable storyline. Hidden behind it is a thought-provoking social reality.
Hermit: "Why do you have to stick to the fake eyes and fake mouth?" ”
Xiao Jiang: "Because... If you don't post it, others will laugh. ”
Hermit "... That's what makes us jokes. ”
Subsequent anime works bloom like flowers, including "Nezha's Devil Boy Descending" with special effects and pushing a new high, "White Snake Origins" with still brilliant pictures, "Jiang Ziya" with mythological stories, "Mulan: Born out of the Sky" for his father, and "Lion Boy" with many controversies today. As well as the anime preview of the yet-to-be-released anime "The Eight Commandments of the Canopy Netherworld". The continuous recovery of the level of animation production has also brought us more expectations.
It is also necessary to give more support to the national comics, and no longer let excellent works such as "Kuiba" be cut off due to financial problems. Let's have a little more patience, but also give Guoman a little more time, good works need time to make, but also need time to precipitate.
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