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Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

author:Hujiang Japanese

According to the "Weekly New Wave", a well-known actor bought a property in a Japanese village two years ago and moved to the countryside with his wife and children to live a pastoral life! And half of the year lives in the village and farms by himself.

The protagonist of the report is Kenichi Matsuyama (35 years old).

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

Speaking of Kenichi Matsuyama, everyone should be familiar with it. Many of the works he starred in are still fresh in the minds of the audience. For example, in the early days, there was "NANA" (as Shinichi Okazaki):

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

The beloved L in "Death Note":

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

Gambling Apocalypse, which also collaborated with Fujiwara Ryu again:

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

Starred in the role of Katsukatsu Kato in "GANTZ (Killing City)":

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

Adapted from the film of the same name by Haruki Murakami, the film of the same name:

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

Performed the super healing "White Rabbit Candy" with the talented child star Aoi Ashida:

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

Over the years, Kenichi Matsuyama has always maintained a solid and superb performance. His name can always be seen in various rankings of "chameleon actor" and "drama throwing face". The impression he gives to his characters is not static, but has its own advantages. The flexibility to adjust one's acting skills and appearance according to each work is often a hot topic.

For example, in the 2012 NHK Dahe drama "Ping Kiyomori", Kenichi Matsuyama played the protagonist Kiyomori, and he did not use a wig to really shave his head.

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

And the most shocking thing is that in "Fury" is still such an image:

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

In the blink of an eye, the changes in "Holy Youth" are so big that the audience "dare not recognize" - in order to shape the character to gain 20kg, triggering the discussion of "radical Tai り (sudden fat)" in the public. At that time, even Chinese audiences could not help but joke that "L became XXXL". It's also because of his determination not to hesitate when shaping his character.

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

"If there's a win or lose in the acting job, it's against yourself- if you don't beat yourself, you can't get a role. If you lose, you pull the role over here and perform. It was important how close I could get to the role. That's why I didn't want to lose to myself."

"If there is a difference between success and failure in the work of an actor, it is also for myself." If you don't defeat yourself, you won't be able to catch this role. If you lose, the character will become more like yourself. How to get closer to the character is the most important. So I don't want to lose to myself. ”

In addition to movies, in recent years, he has also starred in many Japanese dramas that make the audience very popular, such as "The Moon Next Door Is Rounder" with Kyoko Fukada, in which kenichi Matsuyama's gentle and lovely husband Igarashi Daiji, played by Kenichi Matsuyama, has been well received by female audiences.

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

Partner Someya Juntai's popular manga into a funny neurotic masterpiece "The Legend of The Holy Brother" once again let everyone see the infinite plasticity of Kenichi Matsuyama.

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

Just this year, Kenichi Matsuyama will also participate in the new TBS drama "The Sinking of Japan", which has a luxurious lineup of Oguri Shun, Apricot and Kagawa Teruyuki, and the gathering of powerful factions is quite exciting. In addition to the show, there are also a number of films in which Matsuyama will also meet us.

It can be said that Kenichi Matsuyama is definitely a model of steady and steady work in his career. On the other hand, his family private life is also quite interesting, which is to say that we have to talk about "rural life" at the beginning.

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

According to reports, Kenichi Matsuyama was originally eager for a free pastoral life. When he travels with his family, he also tries to live in the local area for a month, which lasted for a long time before choosing his current place of residence after consulting with his wife Xiaoxue in 2018.

Speaking of his wife Xiaoxue, he is also a famous actor. The "Evil Girl of the Century" Takashi Ando in "Legal High 2" is familiar to most Chinese audiences.

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

The couple began dating because of the co-performance of the movie "Kamui Wai Biography" released in 2009, and married in 2011 and raised three children. In December 2019, when Xiaoxue attended the film's test screening, she admitted that she had "started a semi-idyllic life". At the end of February 2020, Koyuki terminated her contract with the firm, and since then, all the work has been taken care of by her personal firm, and she has also said that she wants to return to a slower pace of life.

It is reported that Matsuyama Kenichi consulted the residents who live near their homes, starting from the basics of agriculture, while groping and trying, there is a hunter in the village called "Master" to teach him to hunt. According to relevant personnel, their own vegetables will also be made into tomato juice and sent to the filming crew as a condolence gift. At the same time, children can also get close to nature, go fishing in the river near their home, and catch insects.

"Of course, Tokyo is a good place, but it inevitably goes back and forth between home and work, and the discomfort of staying in Tokyo will eventually become stressful, and I will go to the village again this year if possible to wipe out that sense of incongruity. Unlike when you are in Tokyo, the village blocks a lot of information, so there is no extra noise. Even migratory birds will move because they don't lie to themselves. I want to take care of my feelings at that time."

"Of course, Tokyo is also a good place. But always going back and forth between home and work, the feeling of living in Tokyo always translates into stress. In order to eliminate this feeling, I want to stay in the village as much as possible this year. Unlike in Tokyo, a lot of information can be isolated in the village, and unnecessary noise can also be blocked. Even migratory birds are migrating in accordance with their hearts. I want to cherish where my heart is. ”

Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life
Matsuyama Kenichi is indeed unusual: dragging his family and taking his mouth to the countryside to live a pastoral life

This is "long in the cage and back to nature".

This article is original in Hujiang Japanese and is prohibited from being reproduced without permission.

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