He is the only one who can be as famous as Mi Fu!

Xue Shaopeng is a master of the generation in the Yuanyou and Daguan. "The world is called Mi Xue or Xue Mi, yu yan brother and brother", from the mouth of Mi Fu, a madman, the natural reliability is extraordinary. Since Mi Fu is so famous, Xue Shaopeng is naturally not an idle person.

This is certainly not a general synonym. For example, Yu Shinan and Ouyang Inquiry, that means that the status of the two is comparable. Xue Shaopengzhi and Mi Fu, on the other hand, are quite accomplished and have similar interests, and even the style genre is also in the same line.

Mi Fu admired the king, and the imitation could be chaotic, and the cursive writings were mixed with the Jin people. Xue Shaopeng also specialized in the art of the Great King, and the Song people Wei Suyun "surpassed the Tang people, and won the pen of the second king, Mo Shao Pengruo". Yuan Zhao MengfuYun "Dao Ancestral Books are like the sons of Wang Xie's family, and have the habit of flowing with the wind". "Skimming the Tang and Song Dynasties, Qi Traces the Ancients, Isn't It Great"? is enough to prove that Xue Shi can go up to the Jin Dynasty.

Xue Shaopeng's Qinghe Ti (also known as The Great Nian Ti) Cursive on Paper 25.1×34.8 cm Collection of the Palace Museum, Beijing

【Interpretation】 Shao Pengqi: No less money must be spent in the multi-day court. Qinghe, thinking of Ju Jia'an. The second painting is a long vacation, on the return, and the hope is to check the receipt. Xu Borrowed Chengyan and Zhang Yumo, Hoping to Show a Look, Ten Million, Ten Million! If Cheng Yan is really finished, although the "Strange Heat Post" can also be easy. More continued cloth, not possessed. Shao Peng said goodbye, the Grand Lieutenant Deacon. Twenty-eight days.

Mi Fu loves antiques, ancient books and paintings, all of which are included in the collection, and Xue Shaopeng is not inferior. Not only are He Zhizhang's "Filial Piety Classics", Zhang Xu's Silk Cursive Writings, Tang G Wang Xizhi's "Strange Heat Thesis", Cao Ba's "Nine Horse Figures" and so on all secrets, but also Meng Mi Fu agrees: "The Tang Fa books stored by Daozu are very rich, and the Erwang Thesis is not hesitant to buy them", the price of the Second King's Fa Ti for Li Gongzhuo's family is too high, and there is even a sigh of "Ning Xin's desire for thousands of gold goods".

Mi Fu is good at jian and Xue Shaopeng is also a veteran. Read Lao Mi's poem: "The old Man Has Not Forgotten The Book, Quite a bit of Xue Lao's fellow travelers, the world knows who to identify, the Dragon Palace has no magic to cure and cultivate." That's clear.

Ming Tuo's "Stop Cloud Pavilion Post" Xue Shaopeng's book "Orchid Pavilion Preface" partial

Mi Fu has studied the "Orchid Pavilion Preface", studied it intently, and pondered it deeply, and Xue Shaopeng is an expert in Lanting. Not only does it have a collection of Tang G's hard yellow copy of the Orchid Pavilion Preface, but it is also engraved on stone, and its subtleties do not allow Dingwu to be determined. Therefore, when the Yuan Ming people expanded the "Lanting" book, if they identified xue's seal, it was often regarded as a rare book. In addition, he also engraved "Dingwu Lanting" and replaced it with rough stones, which is also a major public case in the history of Lanting.

In short, it is almost difficult for us to distinguish the difference between Mi Fu and Xue Shaopeng, who show the same interest and pursuit in any aspect, then they should also have a similar aesthetic in calligraphy creation. Since Mi Fu was only one of the descendants of the Right Army, then Xue Shaopeng should also be a descendant of the Great King's Concubine Sect - "The Song people can only enter the Shanyin Liangyu", which is the comment of Ming Wang Shizhen, and it seems to be the evaluation of ordinary people in later generations. However, although Mi Xue is like a brother, there will still be a difference: Mi Fu is listed in four families, for a generation of wind, Xue Shaopeng has gradually retreated, which is a difference. What's the crux of the difference? I thought the key was personal style. Judging from Xue Shaopeng's ruler and xingshu poems, the grasp of the classics and the perception and perspective of Jin Yun should be said to be no less profound than that of Mi Fu. However, Mi Fu is a pen with qi, and there is a problem of the main body to control; Xue Shaopeng is addicted to the exquisiteness of the technique, neither the spirit of "fast sword slashing array, strong crossbow shooting thousands of miles", nor the technical personality of "the brush writing of the courtiers", so it has a feminine and beautiful gongzi mood. If you follow the classics, you will not give in, but if you open up a new realm, you have to avoid it.

Xue Shaopeng's "To Bo Chong Tai Wei Za" Cursive, on paper, 23.6×29.7cm, National Palace Museum, Taipei

【Interpretation】 Shao Peng was very relieved to come out of worship again. Trial of Jujia'an. The pot is very good. However, it is not called also. Fleur got it after the slave left the capital. Not yet. JuCai is reluctant to look at it if it is a long frame. Horizontal scrolls are outlined. Fortunately. There are no wonders. Shopen said goodbye. Lieutenant Bo Chong. Square pot attached.

Mi Fu is a kind of style of a rich man's son, fighting swords and horses, clashing when he is in conflict, although he is wild and arrogant, he does not lose the style of the giants. Carefully searching, it is still well-founded and there is no poor and sour begging. Xue Shaopeng is the image of the aristocratic Wang Sun of Shuzhai Yayin, strolling lightly, poetry and liturgy, loving motherly care, virtuous wife protection, although clever and clever, but feminine, masculine and weak. The difference between the children of this rich man and the grandson of the noble people is manifested in the difference in the artistic views of the two sides: Mi Fu is talking and calling; Xue Shaopeng is satisfied with the low eyebrows and light twisting, and the red sleeves add incense...

Xue Shaopeng's "Dangerous Tu Ti", cursive, on paper, 31.8×60.1cm, National Palace Museum, Taipei

【Interpretation】 ShaoPenton's head. Do not judge the dangerous deeds. What a sign of respect. Shao Peng will be the mother here. It's been a season. Poor mountains and secluded. The day was bitter and rainy. Strange melancholy. Think of the same thing. Ranjin City is bustling. When there is Coke. And I am afraid that it is not a messenger. The ministry is sparsely discharged. However, the version of Cao Xin's completion of the fadu was quite laborious. There is a way to see the teachings. It is also desired. Sharppenton head.

This post hides cleverly in clumsiness, the pen gesture is round and elegant, the sharp hiding is not revealed, the character is clear and beautiful, there is no dangerous and floating state, although the pen and ink are rich and the bones are stored, there is no disease of withering and hanke, the end of the hope is beautiful and there is no posture and kitsch, the chapter and the law are scattered and vain, the wind is deep, the source of Wei Jin, follow the right army and close to Zhiyong. The world general Xue and Mi are said to be static and moving, each is good at winning, on the changing wind and clouds, Xue is not as good as rice, on the ancient law of following, then rice is not as good as Xue.

This post is recorded in the "Stone Canal Treasure Pipe".

Xue Shaopeng's "Yesterday's Post" Cursive on Paper 26.9×29.5 cm Collection of the National Palace Museum in Taipei

【Interpretation】 Yesterday, I got the old book of Mickey. Yun wants to come early to lead my people to the heavenly vegetarian meal. Eat and read ancient books. Then he visited Yan Zhao. I want to taste it around and around also. Invade the morning and ask for a meeting. Shu can go along. Lucky. Shopen said goodbye.

"Yesterday's Post" was engraved into the "Sanxitang Fa Ti". This post is also known as the "Demi Old Book Post". This letter is extremely law-abiding, the pen is hidden, the front is straight and not revealed; the knot is flat, although it flows but is not floaty, the word spacing is loose, and the pattern is clear, similar to the pattern of the five generations of Yang Ning's "Leek Flower Thesis". The chapters are ancient, the characters are broken, and they do not make a continuous trend, such as Wang Xizhi's "Seventeen Theses" and "Book Genealogy" of Sun Guoting. From this, you can glimpse Xue Zhaopeng's master Fa Jin Tang. Therefore, it can be said that the origin of Xue's calligraphy may be traced back to Wang Xizhi's handwriting, such as the Sixteen Theses. Wei Su's "Xue Lin" (薛林) said: "The famous writers of the Song Dynasty are Cai Junmo, Minang Gong, Su Changgong, Huang Taishi, and Wu Liantang, but they surpassed the Tang people and won the pen of the Second King, Mo Shao Peng Ruoye." "Coral Gang", "Shigutang Calligraphy and Painting Examination", "Shiqu Baodi Continuation" bibliography.

Xue Shaopeng "YuanZhang Summons Rice Post" Chalk Paper Cursive 28.1×38.4cm Collection of the National Palace Museum in Taipei

【Interpretation】 Yuan Zhang Summons Rice Can I Accompany You Occasionally Get the Miyun Xiaolong Regiment When you take it to the Jin Ti of the Past, you will not hesitate to do the grass To get the Yellow Flute Bamboo Even dare not make shao Peng go up again.

Miscellaneous Scrolls, cursive, on paper, 26.1x303.5 cm, National Palace Museum, Taipei

This volume is composed of four thesis, including "Yunding Mountain Poems", "Shangqing Ti", etc., of which there are poems and letters, all of which involve Sichuan customs and objects, which are Xue Shaopeng's works of advocating peace with his friends when he was an official in Sichuan.

The Genting Temple on Yunding Mountain was written in Guanghan, Sichuan, in the first year of the Jianzhong Jingguo (1101), and it can be seen that Xue Shaopeng had entered the river at this time as a Zitong Road Cao in Mianzhou.

Located on Mount Qingcheng in Sichuan, Shangqing Palace was founded in the Jin Dynasty and is a famous Taoist resort.

Xue Shaopeng, year of birth and death unknown. Character Daozu, number Cui Wei resident. During the reign of Emperor Shenzong of song, he was a native of Chang'an (present-day Xi'an, Shaanxi), and called himself the "Descendant of the Three Phoenixes of Hedong". Son of Gongmin Gongxue Xiang. Tired official secretary cabinet repair, Zhizi Tong Road Cao. When he was famous for his ink, he was good at judging and appreciating. Friends with Mi Fu, each appraisal is still good, and the gain and loss are compared. The "Book Genealogy" of Sun Guoting was passed down, and later generations pushed it into a fine book. Mi Fu tasted the words: "Xue Shaopeng and Yu, with the same love of calligraphy and painting, taste and ask, Yu xi replied with a poem, "Shiyan Mi Xue or Xue Mi, like a brother or brother. "Shao Peng Gong Kai, Xing, Cursive Writing, Shi Fa Jin Tang, has always been highly evaluated by scribes. The handwritings include "Poetry Of Genting Mountain", "Shangqing Liannian Post", "Zuo Mian Ti", "Yesterday Post", "Tongquan Ti" and so on.

Ancient masters commented on Xue Shaopeng

Song Gaozong's "Han Mo Zhi" Yun: "Su, Huang, Mi, and Xue's gestures are turned upside down, and each is interesting. ”

Yuan Yu collects the "Daoyuan Xue Gu Ling" Yun: "Mi Yuanzhang, Xue Shaopeng, Huang Changrui Fang knows the ancient law, the Changrui Book is not caught, only Shaopeng is the best." Youyun: "After the southern crossing, the ink is written by the Domi clan, and Xue Youyazheng, the "Zen Post" has the most posts, and it will be a good thing to be in his hand, but the world is also rare." ”

Yuan Zhao Mengfu's "SongXuezhai Anthology": "Daozu Shu is like the children of Wang Xie's family, and has the habit of flowing with wind. Youyun: "Tang and Song, Qi traced the ancients, wouldn't it be great!" Youyun: "Xue Shu is sincere and beautiful, and he is slightly suspected of taking off the mold." ”

Ming Wang Shizhen's "Four Drafts of the Mountain People of Yizhou" even more thought that "the Song people only Daozu can enter the two temples of Shanyin, and Yuzhang and Xiangyang seize the price of fame with rampant clothing, which is hateful!" Hateful!"

Ming Zhang Ugly Cloud: "Xue Shu closely hides the front, gets the Jin and Song people's wishes, and regrets the less wind and rhymes." Youyun: "The law is strict, there are few changes, and the product is under the sea Yue Weng." It is not liu jing and wu who can dream. ”

Liu Xizai's "Book Summary" Yun: "Daozu Shu obtained the Law of the Second King, and its transmission is not as good as the Tang Dynasty Gao Zhengchen and Zhang Shaoti, covering the Fa of Su and Huang Fangshang, so those who follow the Jin law see Qiu Ye, but as the book "Lou Guan Poems" is elegant enough to be famous for posterity." ”

Wei Si "Xue Lin 'Lan Ting Shu] Yun" Yun: "The famous writers of the Song Dynasty are Cai Junmo, Minang Gong, Su Changgong, Huang Taishi, Wu Liantang, but they surpass the Tang people and have the only two kings to write, Mo Shao Peng Ruoye." ”

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