Comedy! "Fengshen " tap water is too good at playing! Are you sure you don't look at it again?

The recent happiness has been given by the tap water of the gods.

Director Wuershan was ridiculed, and the name sounded too much like "None 23".

It was suggested to change the name.

So he quickly changed the introduction to U23, with 23 in capital letters and bold.

In the ending Easter egg of "The First Part of Feng Shen", Wen Taishi Wen Zhong appeared with the four generals of the Demon Family.

The giant passes through the city gates, and the effect is full.

(The face of the four, the strawberry of the original blueberry was ridiculed hahaha)

In just a few shots, the cold and sassy female general Deng Chanyu is also eye-catching.

As we all know, the filming of the trilogy is complete.

But in the later stage, only the first part that has been launched has been made so far.

When the second and third parts can be launched, and how much money is for post-production, depends entirely on the box office performance of the first part.

In the past few days, all kinds of tap water with a sense of sincerity have made a number of smooth slips.

You have one vote, I have one vote, Wen Zhong can have a ticket.

What's more, "if you don't vote, I don't vote, Yin Jiao will never have a head."

(At the end of the first part, Yin Jiao's head was cut off and flown back to Kunlun by Yang Jian and Nezha)

Come, let's say it from the beginning.

One, the three "immortals" of the earth

Huang Bo thanked netizens on social media for Er Chuang and adopted the title of Three Immortals.

His ginger teeth are really fresh.

When the casting and various rounds of materials were previously announced, Huang Bo once encountered controversy that it was "inappropriate".

But this version of Jiang Ziya, with light comedy as the coat texture, with the thickness of the world as the core of the bones.

According to such a role to deal with the painting style, the idea of finding Huang Bo to play is very clear and easy to understand.

The effect is also on the right path.

On the one hand, there is light joy and market gas.

On the other hand, it is the thought of Li Min under the oily exterior.

The former such as Jiang Ziya fooling the king in the main hall, a serious performance of strange radio gymnastic steps (bushi);

The latter, such as Jiang Ziya, resolutely refused to give the list of consecrated gods to King Shuo's insight and original intention.

Jiang Ziya and his two silly masters and nephews, the mortal road after the immortal trio descended from Kunlun, three points of fantasy, three points of humor, it is really very fresh.

The fantasy part, such as the three people being sold, in front of the altar construction site, Nezha angrily picked up the overseer without saying a word, accidentally startled the elephant, and the scene was chaotic, after which Yang Jian and Nezha entered the sky to save the scene, and came to a very windy action scene.

(Yes was handsome by Yang Jian)

For example, in the hall of the king of Jun, Yang Jian held a three-pointed and two-edged knife, and Nezha stepped on the Hot Wheel to break out the door, which is also very handsome.

The various immortal fighting methods have not yet been fully developed in the first part.

Yang Jian Nezha of the Kunlun Mountain Express Company only transported Yin Jiao but not Ji Fa.

This is, only engaged in fresh express transportation, not undertake express business?

All the immortals have a circle, and the conditions are more difficult than the car of the human express brother.

(Kunlun certainly treats money like dung)

I hope that "The First Part of Fengshen " will sell well at the box office, and the second and third parts will give us Kunlun Mountain Express Company a good decoration!

Second, Queen Jiang

Compared with many previous versions, the most important change in "The First Part of Fengshen " is to remove the ancient dregs of "red face and water demon words to confuse the public".

Regarding the adaptation of Su Daji / Fox Demon, the previous article has already talked a lot.

Here we focus on Queen Jiang, played by Yuan Quan.

Ah, I love Yuan Quan forever!

Queen Jiang, played by Yuan Quan in "The First Part of Fengsheng", has few friendship roles and rounds up like pendants.

(Originally, the proportion of Queen Jiang in the novel was not much)

But, very moving.

Izuku is online, holding a murder weapon, and the words are clear and sonorous.

In the previous foreshadowing, the first was at the enthronement ceremony, she stood sideways behind King Shu, and saw her son, "Father, please pass the throne to me immediately", her eyes stopped but could not do anything.

The second time was after that, the mother and son sat opposite each other, the idle flowers were faint, and the court was deep.

Yin Jiao was very excited about the news that his father was not coming, and he promised to invite him to come.

After all, the family banquet after ascending the throne, the former is the country, the latter is the family, are very important.

And Queen Jiang has no waves, like an ancient well that Wang has been accustomed to for a long time.

Beautiful, sad, but not resentful.

Intelligent, transparent, but at most can only take death as an advice.

Compared with the novel, the film also made obvious changes to Queen Jiang.

First of all, in the novel, Queen Jiang is the daughter of Dongbohou, and the movie is changed to a younger sister, which is more suitable for age.

Second, change from passive "framed" to "active counseling".

Queen Jiang is obviously very old-fashioned, and she works for the world's society, and does not care about personal honor and disgrace.

The limitation of the role is that she is as smart as her, and she also misunderstands that "the monster that calamitized the country and the people has seduced the king of Shuo", and failed to see that it is the king himself.

Queen Jiang already knew King Jiang well and understood his unbearable ambitions.

But in terms of the most important cause and effect, she still inverted a small ring of dislocation.

Of course, this is not important.

Queen Jiang went into the water to pull out her hairpin and tried to kill Su Daji, and I couldn't help but make up a picture of "Queen Jiang abducting King Jiang's pet/doctor Su Daji and living with her stupid son" (bushi).

If you follow the revenge drama style of "Desperate Housewives", it will be Queen Jiang who designs to kill the king of Shun or exile Shang Shun to let him leave the house, and then start a happy and happy life (even in the framework of mythological nonsense, it is difficult to implement the main line of Shang Shun / Su Daji / King Feng so much).

In a sense, Queen Jiang was an overly traditional tragedy, possessing all the virtues of her era, to the point of almost pedantic self-sacrifice.

It seems that it is difficult to resonate with the current trend.

But Yuan Quan is so moving, Qinggang is resolute, like a mountain like a breeze, like a bright moon like a stream.

Life is like fire, life is like jade.

In the soft body, there is an ancient power.

Third, the inner and outer layers of the skin and desire

"The First Part of Fengsheng" obviously has the good-looking skin that a blockbuster should have.

1. Audiovisual blockbusters

At the beginning of the film, the dead head and the windy and snowy atmosphere are very textured.

The city of Jizhou is majestic, with distant mountains and snow, dangerous buildings and high walls, and it is vast and solemn.

The sense of oppression of the black cloud pressing the city, the magnificence of the trebuchet surging in the sky, the courage and cruelty of the young man driving a white horse with a long gun, galloping across the frontier, and breaking through the flames roaring, all online.

What can take me out of my home to watch a movie in tens of degrees of heat, it is bound to be an immersive experience of blockbusters.

It's all about watching stories, and the difference between the small screen at home, the small screen on TV and the big screen in the cinema is an audiovisual experience outside the story.

Nowadays, the box office performance of various films increasingly shows that "stories and emotions, topics and sensitive heated discussions can sell", and the visual sound effect perception experience is post-facing.

In fact, one inside and one outside, one bone and one bone, both legs are important.

The visual stimulation is very exciting, and the audiovisual enjoyment is very enjoyable.

2. The good appearance of the skin and sac limbs

A very noteworthy point in "The First Part of Fengsheng" is naturally inseparable from the Proton Brigade.

A group of young actors with outstanding figures, dancing in the hall.

Well, I experienced the joy of being a king~

If you take it as simply "selling meat", you obviously underestimate the layers of selection and hard training behind it.

The crew of "Feng Shen" selected the final group of people from more than 15,000 people, and teacher Liu Tianchi described that "the casting assistant director was bald" and "from thinning hair to baldness in one year".

Selected for rigorous training, the selection is definitely not only the pectoral muscles.

What I like very much about "The First Part of Fengshen "is that the scenes are smooth and neat, and they are simply good-looking.

Whether it is the selected proton group, or this sand who plays Yang Jian, they all fight by themselves.

The action is flowing and completed in one go.

Many of these actors have a foundation in martial arts or sports, and with the enhanced blessing of the crew, compared with "the stand-in finished cutting an actor's face", it is natural to stand high.

What's more, the fight is not just action.

The emotional expression of the characters, the lifeblood process of the characters, and the sound table of literary and martial arts operas are indispensable, and the more organic and unified they are, the more likely they are to be effective.

3. Texture inside and out

The most important thing is, of course, that "color" and "desire" in "The First Part of Fengshen are not isolated and cut two ends, but a set of wholes that are each other's lips and teeth.

Color, such as the skin bag we mentioned above, the male color of the proton brigade, the female color of the fox demon Sudaji, and so on.

Desire, such as the ambition in the heart of King Shang, the delusional obsession of the lingering heart, about power, about love, about desire, and so on.

The two are entangled, reflecting each other and supporting each other.

It is very typical that Bo Yi Kao plays the flute, the king plays the drum, and the fox demon dances.

The expression of lust is straight but not revealing, enchanting but not glamorous.

Regarding the ups and downs of the character's mentality and the temptation to advance and retreat, it is even more turbulent under the turbulent waves.

There is a very intuitive visual impact, and there is also a rich space for interpretation.

Finally, let's return to the oil poem "If you don't vote for me, Yin Jiao will never have a head"! Hurry up and slash Master Wen back to the road fee!"