This article is written by Peter Pavlovsk
Today, let's talk about "Thirty Years of Detailed Talk from the Beginning".
This drama has been spat on douban by the majority of netizens the most is four different. Wind moon films are not like wind moon films, comedies are not like comedies, documentaries are not like documentaries, and tidbits are not like tidbits. Some people say that this is Li Hanxiang's game work. But this does not bear the status of Li Dadao's sealed works in Shaw's box. Some people also say that this is the theatrical version of Director Li's column, and Director Li does have a column called "Thirty Years of Detailed Talk from the Beginning", but the ubiquitous self-blackness in this film obviously tells everyone that this is not an autobiography.
So everyone was confused. The film begins with Li Hanxiang introducing his own film experience, giving everyone an autobiographical hint, and then saying that this is a story that has been circulated on the set since the film, followed by various unbearable on-set anecdotes, as well as self-blackness such as "longer than Li Hanxiang". Compared with the "Golden Bottle double beauty" of "elegant and customary appreciation" and "fragrant but not vulgar". "Thirty Years from the Beginning" is impatient. The jokes throughout are very vulgar, although they are not as bad as the and of the fat man of the later king, but they are also the existence of a first-class inferior work in the secular world.
But does the vulgar work mean that the film is rude? Nor is it. I mentioned earlier that this film echoes Men and Women, which is to say this.
"Thirty Years of Detailed Talk from the Beginning" is also part of Li Dadao's "Social Style Painting" series. But not the old society, but the set of the new era. The film's depiction of the style of the set is very meticulous and in place, revealing many insider and unspoken rules that the audience does not know, mixed with the vulgar joke of actresses having more boyfriends, and the waves are not alarmed, and they are instilled in the audience in a good way. One of the most typical is the plot of the big star played by Liu Yong who was pit by the producer.
The film also depicts a vigorous and vibrant film era. It is a portrayal of the golden age of Hong Kong cinema. The camera is also not stingy about the various behind-the-scenes staff. At the same time, it also pointed out a little worry about the development of the film and television circle. In the film, after Dai Liangchun hanged Weiya was injured, the whole crew played Liu Yong, and the plot of not installing film to let him stick to his beard and beat him blindly, on the one hand, was a drama, on the other hand, it also reflected the importance of the actress (small fresh meat), which can be called a master of prophecy. At the same time, after the crew stopped filming, they could also gather a large group of people to pretend to cooperate with the male protagonist, which was also a domineering exposure unique to the golden age. Compared with the sunset in the low tide of Hong Kong movies in "Pornographic Men and Women", it is difficult to sigh.
The film reflects the typical drama of the glory of the film circle at that time, in the ending, filming the scene of the snow feud, filming, the major crews are on the scene, the whole set is chaotic, all kinds of people are staggered, it looks ridiculous and interesting, vivid and lively. Behind it, what is implied is the glory of the times and the domineering spirit of the vigorous era. Such brilliance, in the future, there will be no more!
"Thirty Years of Detailed Talk from the Beginning" can actually talk a lot, and gossip is the theme of the film. But here is the first to go here, those who want to be dissatisfied can find the original film to see, but the watchability is not bad. Remember to pay attention to Dai Liangchun's appearance and Shao Yinyin's two appearances.