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Fu Shan Xingcao's "Thousand Character Text" appreciation

author:Bai Shusha
Fu Shan Xingcao's "Thousand Character Text" appreciation
Fu Shan Xingcao's "Thousand Character Text" appreciation
Fu Shan Xingcao's "Thousand Character Text" appreciation
Fu Shan Xingcao's "Thousand Character Text" appreciation
Fu Shan Xingcao's "Thousand Character Text" appreciation
Fu Shan Xingcao's "Thousand Character Text" appreciation
Fu Shan Xingcao's "Thousand Character Text" appreciation
Fu Shan Xingcao's "Thousand Character Text" appreciation
Fu Shan Xingcao's "Thousand Character Text" appreciation
Fu Shan Xingcao's "Thousand Character Text" appreciation

Fu Shan, a highly influential Taoist thinker, calligrapher, and medical scientist in the late Ming and early Qing dynasties. Date of birth: 1607Date of death: 1684 Origin: Yangqu, Shanxi (now West Village, Xiangyang Town, Jiancaoping District, Taiyuan City, Shanxi Province) Alias: The first name is Dingchen, the word Qingzhu, and later changed to the word Qingzhu, and there are aliases such as Turbidity Weng and Guanhua.

Together with Gu Yanwu, Huang Zongxi, Wang Fuzhi, Li Hao, and Yan Yuan, he was called the "Six Masters of the Early Qing Dynasty" by Liang Qichao, which shows his important position in the academic world at that time.

Fu Shan's calligraphy gesture is vigorous and powerful, and the lines of the pen are undulating, like a flying cloud dragon, full of vitality.

This stylistic characteristic is reflected in each of his works, whether it is "A Thousand Characters" or other works of calligraphy, you can feel the majesty and coherence of his gestures.

His writing is full of ups and downs, full of changes, and every word seems to be alive, jumping on the page.

In the process of writing, Fu Shan was able to indulge and sway, unrestrained, showing a high degree of calligraphy attainment.