Costume conspiracy dramas and urban family dramas are popular tracks in the mainland TV drama market. On these two tracks, the two dramas "Flame" and "Little Day" are inseparable in the hearts of the audience, however, the momentum of "Flame" is stronger, and many viewers are attracted to it.
The success of Blaze is not accidental, it is the result of careful planning and production by the production team. They skillfully integrate the essence of "Celebrating More Than Years" and the classic drama "Three Kingdoms", and at the same time, they have made breakthrough innovations in plot setting, costume design, special effects production, etc., in order to create a comprehensive high-quality drama.
They knew that in a highly competitive market, it was not enough to rely on a star cast, so they focused on many aspects such as plot setting, costume design and special effects production, in order to create an all-round high-quality drama.
It is precisely because of this attitude of excellence that "Flame" was successful at the beginning of the broadcast. The audience was not only captivated by the drama's magnificent storyline, but also by the excellent production.
The premise in the play is that the Terrans no longer want to continue to be enslaved by the Protoss, and launched a rebellion under the leadership of King Xin. Such a setting brings rich conflicts to the plot and also provides ample space for the actors to show.
As the plot progresses, Blaze shows great potential to become a phenomenal work. The audience was captivated by the tense plot of the show, and each episode was full of anticipation.
From King Xin played by He Rundong to other main characters, each character is full of vitality, making people empathize with the shock of special effects scenes, and the exquisite costumes make this drama a leader in the current costume conspiracy dramas.
It is foreseeable that with the continuous fermentation of word-of-mouth, "Flame" is expected to trigger a new round of drama chasing craze across the country and become a veritable phenomenal work in 2024. The success of the show is not only a reward for the hard work of the production team, but also a strong proof of the high-quality content.
In "Flame", King Xin played by He Rundong is one of the souls of the whole play. As the leader of the Terrans, he led his people to rebel against the rule of the Protoss, showing the courage and responsibility of a king.
He Rundong gave an in-depth expression to this character, allowing the audience to see a flesh-and-blood and charismatic heroic image.
Looking back on He Rundong's acting career, since he first played Xiang Yu in "The Legend of Chu and Han", he has been working hard to challenge himself and break through the inherent image. In the new version of "Three Kingdoms", his role as Lu Bu is even more eye-catching.
In "Flame", He Rundong integrated the essence of his past roles and created an image of King Xin who was both domineering and warm.
In the TV series "Flame", He Rundong once again showed his powerful aura. Although he played King Xin was once jokingly called "like being blown by a fart" because of his style, he successfully used his acting skills to control this role.
Whether it is the impassioned when leading the army on the march, or the loving and gentle in the face of his son, he can show it just right, with him shouting "Don't come here!" in "Step Shocking Clouds!" Compared with him, He Rundong's acting skills have improved several steps.
The image of King Xin created by He Rundong shows his selfless spirit of caring for the people of the world and trying his best to protect his son. He skillfully brought the characteristics of "King Xin" to the extreme, and successfully drew the audience's attention to the real protagonist in the play - his son Wu Geng (played by Ren Jialun).
This transition makes the context of the whole story clearer, and also makes the audience full of expectations for the follow-up plot.
He Rundong's outstanding performance not only won a good start for "Flame", but also laid a solid foundation for the subsequent development of the plot. His acting skills successfully brought the audience into a fantasy world full of confrontation between the gods and the human race, which made people worry about the fate of the human race, and also boiled for the bravery and fearlessness of King Xin.
Ho Run-tung's performance in "Flame" can be called another pinnacle of his acting career. He not only frequently captured the audience with his acting skills, but also added color to the whole drama, which became one of the important reasons why "Flame" can quickly become popular across the country.
In "Blaze", the portrayal of the villain is also the finishing touch, which is wonderful. The villain witch played by Jiang Xin and the Xuan Cha played by Du Yuming give rich colors to the entire villain camp and become indispensable key characters in the play.
Jiang Xin's style sparked heated discussions as soon as it was unveiled, and although her "little chicken feet" hair ornament once caused controversy, the overall shape was unforgettable. The costume design of the villain witch she plays is ingenious, and the coral decoration on the shoulders is like a fish fished out of the sea, and the dark clothes create a sense of mystery for the character, but also avoid easily falling into clichés.
The fan in his hand complements the color of the costume, and it is the finishing touch, and this design is undoubtedly better than the shape of "Gargamel" in some plays.
Jiang Xin relied on the rich experience accumulated in playing the role of Concubine Hua in "The Legend of Zhen Huan", and interpreted the villain role with full charm. Her every look and every action was filled with a powerful aura, adding a lot of strength to the entire villain camp.
Even against the backdrop of the protagonist's aura, Jiang Xin's role does not look weak at all, but attracts the audience's attention even more.
The villain Xuan Cha played by Du Yuming echoes Jiang Xin. Du Yuming is known as a "villain professional", and his appearance can immediately cause discomfort in the audience. His special eye makeup, like a "white-eyed wolf", is as sharp as a "white-eyed wolf", which makes people shudder.
This kind of detail treatment not only reflects the crew's intentions in serving Huadao, but also successfully creates an impressive villain image The sense of oppression revealed in Du Yuming's eyes makes the audience feel a creepy atmosphere when they see him.
The excellent performance of Jiang Xin and Du Yuming made the momentum of the villain camp even exceed that of the decent one, and this kind of evenly matched confrontation made the plot of "Flame" more intense, and also made the audience look forward to the next plot development.
The strength of the villain also provides more room for the protagonist to grow, making the development of the whole story more attractive.
It is worth mentioning that the Xuan Cha played by Du Yuming is not the final villain in "Flame Doesn't Cultivate Truth", and this setting makes the audience full of great curiosity about the follow-up plot.
can't help but make people wonder, if even such a powerful villain is not the ultimate opponent, then what kind of terrifying existence will the final villain in "Flame Not Cultivate" be? This kind of progressive villain setting undoubtedly leaves more suspense and expectations for the plot development of "Flame Doesn't Repair the Truth".
In the drama "Flame", 43-year-old Ma Su plays the mother of the protagonist Wu Geng. But at the beginning of the series, this casting caused a lot of controversy. Because many viewers think that Ma Su looks too young to convincingly play Ren Jialun's mother.
Indeed, when Ma Su and Ren Jialun are in the same frame, if there is no plot support, it is difficult to see that they are a mother-son relationship, and some people even speculate that they may be a couple.
However, as the plot deepens, Ma Su uses excellent acting skills and unique temperament to resolve these doubts. Although this is Ma Su's first attempt at the role of a mother in a costume drama, her performance is eye-catching.
She interprets the role with full charm, and every frame exudes a charming charm unique to mature women.
Ma Su's performance is not only a superficial "mother" image, but also a complex character who wants to protect her son and consider the future of the human race in troubled times through delicate emotional expression.
This inner contradiction and struggle was vividly interpreted by Ma Su, allowing the audience to completely immerse themselves in the role and forget the sense of disobedience brought about by age.
It is worth mentioning that although Ma Su herself is 43 years old, her good appearance maintenance makes it difficult for people to notice. This contrast creates a mysterious and charming veil for her character, making the audience sigh that a woman over forty can be so elegant and moving.
Ma Su's successful interpretation is a testament to the director's unique vision for casting, and also shows the ability of a good actor to break through stereotypes and create stunning characters through his own hard work and talent.
Her outstanding performance gives "Blaze" more emotional layers and makes the whole story more fleshed out and moving.
With the development of the plot, we can expect that the character played by Ma Su can bring more surprises to the audience. Her acting skills and temperament are undoubtedly one of the important factors why "Blaze" can quickly attract audiences and arouse heated discussions.
This also proves once again that in the hands of excellent actors, age is never a limit, but an advantage that can be fully utilized.
The success of "Blaze" is inseparable from the hard work of the production team behind the scenes. First of all, the director showed a unique vision in casting, which laid a solid foundation for the actors of the whole play.
From He Rundong and Jiang Xin to Ma Su and Du Yuming, every actor has been arranged in the role that suits them best, giving full play to their respective advantages, and this accurate casting not only makes each character lifelike, but also adds a lot of highlights to the whole play.
The design team of Fuhuadao is full of creativity and ingenuity when shaping the shape of each character. Not only do they precisely match the character's characteristics, but they also add a lot of novel elements.
For example, the villain witch played by Jiang Xin, her costume design is unique, the coral decoration on her shoulders seems to be fished out of the sea, with dark clothes, which is both mysterious and stylish, and the fan in her hand echoes the color of the costume, which is the icing on the cake, which not only avoids clichés, but also successfully shapes the unique temperament of the character.
The Xuan Cha played by Du Yuming is a very expressive character. His special eye makeup, known as the "white-eyed wolf", makes the villain more aura, making people shudder at the sight of him, which greatly enhances the visual effect of the series.
The contribution of the special effects production team was also significant. Not only did they create stunning visual scenes for Blaze, but they also showed a very high level of performance, whether it was a grand war scene or a supernatural duel between the Protoss and the Terrans.
As he said in the article, "with the special effects that exploded for a few dollars", these sophisticated special effects not only enhance the visual perception of the series, but also create a real and credible fantasy world for the audience.
The screenplay team played a decisive role in the success of "Blaze", deftly balancing the traditional elements of costume conspiracy drama with an innovative plot. The theme of power struggle familiar to the audience is retained, and the fantasy elements of the human race against the god race are added, making the whole story both imaginative and full of dramatic conflicts.
It's because of these behind-the-scenes teams working closely together that Blaze was able to achieve all-round success. Their efforts not only made the series more exciting in terms of actors' performances, but also climbed to new heights in terms of production standards, and finally presented to the audience a masterpiece of costume power plots that enjoyed both visuals and plots.
The success of Blaze is not random, but the result of a combination of elements. First of all, a strong cast provides a solid foundation for the series. He Rundong's superb acting skills portrayed the role of King Xin deeply in the hearts of the people, showing the bearing and responsibility that an emperor should have.
Jiang Xin's unique clothes and powerful aura of performance make the villain witch role infinitely charming, Ma Su will lead the subversive interpretation, successfully creating a role that is both young and full of maternal charm, In addition, the outstanding performance of supporting roles such as Du Yuming undoubtedly makes the whole story more thick.
Secondly, the well-designed plot keeps the audience's interest high throughout. The confrontation between the human race and the god race, the struggle for power and the bond of family affection are combined, which meets the needs of various audiences.
In particular, the historical background of the Terrans rising up against King Xin injects a strong dramatic conflict into the series, making the whole series more engaging.
Moreover, much of the success of Blaze lies in its high level of production. Whether it is the design of the service, the scene layout, or the production of special effects, they have reached a very professional level.
For example, the "special effects that exploded for several dollars" mentioned in the article, these well-made details enhance the audience's viewing experience.
"Blaze" is successful because it accurately grasps and meets the needs of contemporary audiences. On the basis of retaining the inherent charm of costume conspiracy dramas, new elements and thinking are introduced, which not only conforms to the audience's habits of watching dramas, but also leads them to experience new experiences.