There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.
Hello Tibetan friends, today we have invited the then descendant of Qi Baishi, a disciple of Qi Liangzhi, the president of the Chinese Qi Baishi Academy of Painting and Calligraphy, a visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited director of teaching and research, the contracted painter of Beijing Fine Art Academy and Rong Bao Zhai, the expert of Qi Baishi's calligraphy and painting big data identification, the president of the Shanghai Qi Baishi Art Research Association, and the chief operating officer of Baishi Shantang Culture Media-Mr. Tang Fa Zhou once heard Qi Baishi's eldest grandson Qi Buddha say: On an early winter evening, the sky was drizzling, Suddenly, a guest with a Hengyang accent asked about our family, and it was said that someone from Peking was looking for my father, and we received the visitor with surprise and eagerness. After detailed inquiry, I learned that this person lived near Hengyang, his family was very wealthy, and his name could not be remembered. Some of their family worked in Beiping, but they did not have time to evacuate before the fall, and then life became increasingly difficult, so they contacted their grandfather and asked for support. It happened that my grandfather missed the old and young in the south, and he didn't know what the situation was, so he asked him to come to inquire and asked us to allocate a sum of money to support his family living in Beiping for domestic use. This reminds us of the series of reports published in the newspapers, all of which are grandfather's ruthless resistance to the enemy and his determination to die to confess his vow not to be in the same league as Japan imperialism and traitors and lackeys.
▲ Qi Baishi's work "Frog Reed Leaf" · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou courtesy of the picture
Soon, my grandfather's best friend and grandfather Wang Zhongyu died of illness on the side of Wulong Mountain. On the 14th day of the first month of 1940, his grandmother Chen Taijun died at the age of 79 at the age of 79 due to ineffective treatment of pulmonary heart disease. At that time, the postal service in the north and south had been unblocked, and after my grandfather got the family newspaper, he successively sent back the eight banners of "Chunjun Lingright" and "Virtuous and Virtuous Benevolence" written by himself, as well as elegiac couplets and sacrificial texts. Because my grandmother spent half a century in poverty and hard work, she took good care of her grandfather, worked hard for the family, and complied with the ancestors' instructions, and the funeral was more solemn to comfort my grandfather's grief from afar.
▲ Qi Baishi's work "Loquat" · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou courtesy of the picture
In the early summer Qinghe season, my grandmother was buried in Jiangjiatang on the side of the white stone shop. From borrowing the mountain Yinguan to Baishipu, the journey is more than 20 miles, and the people of the road sacrifice are endless. Although my grandmother did not enjoy the glory of life, she could also be said to have died of mourning. Later, I took a photo of the funeral and sent it to my grandfather. A few months later, my grandfather wrote back, expressing his satisfaction with my grandmother's funeral, and sent a few photos of the commemoration in Peking home.
▲ Qi Baishi's work "Persimmon Grass Worm" · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou courtesy of the picture
In July 1941, I received a letter from my grandfather to our father, son, uncle and nephew, which said: Because of the death of my grandmother for more than a year, in May, I transferred my aunt Hu Baozhu to my step-room, and talked about some other household affairs. Finally, he said, "I'm going to send you something, pay attention to the mail." In autumn and September, I received three registered letters in a row, each with a savings pass, indicating that it was cashed at Hengshan Bank, and the total amount was about 3,000 yuan. (To be continued) collection of calligraphy and painting, just look for the "Baishi heirs" of Qi Baishi Painting and Calligraphy Institute, all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, one line, only do real calligraphy and painting, gather the heads of the family, on-site creation, can be customized according to the requirements of the collector, can take a group photo! Perennial sales of high-end paintings and calligraphy, looking for cooperation with high-end painting and calligraphy brokers, partners, regional leaders, mainly operating Qi Baishi's painting brush before his death, Qi Baishi's special rice paper for painting shrimp, Qi Baishi's graphite block, Qi Baishi's self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, President of the China Qi Baishi Painting and Calligraphy Institute, paid tribute to the 160th anniversary of Qi Baishi's birth and reproduced the microcosm of Qi Baishi's calligraphy and painting exhibition, as well as the operation of Qi Baishi, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Wang Tianchi, Wang Wennong, Yang Xiuzhen, Tang Fazhou and other Qi Baishi heirs worth more than 100,000 million of calligraphy, paintings, seals and authentic works can also accept NFT, digital collections, metaverse, cross-border brand alliance, cultural empowerment resource integration and other operations, welcome powerful network companies to bid. (Pictures and texts are selected from: Qi Baishi's Descendants Calligraphy and Painting Network) (The pictures in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Academy, Qi Baishi's Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)