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Speaking of the drama "You Are More Beautiful Than Starlight", it is really full of topics.
The first thing to mention is the bold adaptation attempt, which actually changed such a determined character as Han Ting into a romantic crush.
This kind of transformation, do you say new or not? It's really attractive, but there's also a little bit of the spirit of the original that can't be found.
The production team wanted to add something new to the characters, and that's true, but you also have to think about the feelings of fans of the original book.
So do it, new viewers may be attracted, but old fans? Maybe it's alienating.
Let's take a look at the supporting roles in the play, there are so many scenes that it is dazzling.
The idea is good, I want to make the plot richer, but the result? The pace drags on and on.
Our modern audience is all anxious, where can we have the patience to watch you grind and chirp? .
Then, there is the makeup style that everyone complained about.
Truth be told, this style is a bit outdated.
Although you want to create a specific atmosphere, you also have to match the plot and characters.
Otherwise, no matter how hard you try, you won't be able to achieve the desired effect, but you may even drag down the actor's performance, and the audience will be awkward to watch.
and that love scene, I was looking forward to seeing the workplace story, but you gave me a bunch of bed scenes.
That's too abrupt, isn't it? It can have an impact on the overall quality of the series and the audience's acceptance.
Let's talk about the drama "Lonely Lost City".
It's set in the Anti-Japanese War, which is really dramatic.
Huang Jingyu and Xin Zhilei's performances are definitely the highlights of the highlights, which not only inject life into the characters, but also make the plot more infectious.
It's a pity that the plot is advancing a little slowly, and everyone is not interested.
Anti-Japanese War drama, the plot should be tight, after all, this historical background is full of tension and turmoil.
If you grind, the sense of urgency is gone, how can the audience still immerse themselves in it? .
In this drama, Ou Xiaoan's suspicion of Li Shaotang adds a bit of suspense to the plot, but he always doubts but can't find out why, and in the end, the audience is tired of watching it.
The moment the truth is revealed, since it is expected, don't delay it for so long.
This way of dealing with it is really disappointing and relieved.
It seems that the production team still played a safe card, not wanting to take too much risk, but also wanting to retain the audience.
Jingxian's love story was inserted, although it was to add some emotional elements to the war drama, but it was also criticized for weakening the historical seriousness of the series.
This arrangement is too abrupt and sacrifices depth for the sake of the audience's eyeballs.
Also, the portrayal of the internal contradictions of the Kuomintang in the play is too pessimistic.
Although I want to show the complexity of history, the audience may feel that this is deliberately sad rather than the real complexity of history.
The drama "Haitian Eagle" is also difficult to describe.
So many veteran actors join the results? The plot is designed to be illogical and full of contradictions, and the potential of these actors has not been realized at all.
What the audience was expecting was a high-altitude flight and a fierce air battle? It's all covered up by these illogical plots.
The whole drama is like being consumed in endless entanglement, and it's not a good story at all.
Screenwriter, you can be a little longer.
Don't waste good actors.
The show also tries to captivate the audience by portraying the bravery and wisdom of the soldiers. Lost focus in unnecessary love scenes and far-fetched plot conflicts.
Audiences want to see realistic representations of war and military operations, not these dramatic love conflicts.
This attempt to go off-topic could cause the show to lose its core audience.
The problem with "Sauvignon Blanc Season 2" is also quite obvious, although the elements of the first season are continued, the overall storyline and coherence are too weak.
Yang Zi and Deng Wei's performances are still quite good, but the unnatural performances and lack of filters in some scenes in the play make the audience question the realism of this costume drama.
Tan Jianci's performance has become a highlight, and the depth and emotional expression of his characters add a bit of excitement to the series.
This also shows that in the production of a serialized series, the outstanding performance of a single character can sometimes make up for the lack of a plot.
Finally, let's talk about the drama "Don't Disturb Me Farming".
It's a really fresh and refined series.
By showing the sweet farming life and love story, it brings the audience a refreshing experience away from the hustle and bustle of the city.
Li Zhuoyang and Qu Mengru's performances are real and natural, which not only makes the characters come alive, but also makes this drama a cultural phenomenon.
The audience's yearning for natural life and simple emotions is hooked.
This kind of drama shows that the return to traditional and natural lifestyles in modern TV production still has its own unique appeal and market value.
The production and reception of these episodes reflects the diversity and complexity of the current TV drama market.
Every type of series has to work on plot coherence, character depth, and narrative appeal to ensure that they continue to capture viewers' attention and retain their interest.
This allows writers and production teams to more effectively improve the overall quality of TV series and ensure that they stand out in a competitive market.