Appreciate the Ming Dynasty calligraphy master Peng Nian's sixteen small ink treasures
Through the long river of history, we stop at the peak of calligraphy in the Ming Dynasty and savor the sixteen classic works of Master Peng Nian. Every stroke is the mark of time and the whisper of history. The fragrance of ink overflows, as if you can hear the elegance and pride of the literati and writers of that era. The Book of Peng Nian is not only a display of skills, but also a flow of emotions and the inheritance of culture. Let us immerse ourselves in this feast of calligraphy art and feel the shock and beauty across time and space.
—Epigraph
The Ming Dynasty (1368-1644) lasted for 12 and 16 emperors, and the state of Zuo lasted 276 years, and in order to consolidate its rule, it strengthened centralized power and ideological control. In the Ming Dynasty, calligraphy was the mainstream, and seal carving was prevalent. Influenced by the culture of scholars and doctors, the calligraphy of the Ming Dynasty was mainly based on the line and pursued the beauty of delicate and beautiful. At the beginning of the Ming Dynasty, calligraphy inherited the style of the Yuan Dynasty, and after Chengzu moved the capital to Beijing, the style of Taige calligraphy rose. Ming Chengzu attached great importance to culture, recruited calligraphers and granted official positions, and promoted the practice of calligraphy.
Let's share the calligraphy works of Peng Nian, a famous calligrapher in the Ming Dynasty.
Peng Nian, the word Kong Jia, the number Longchi Mountain people, Zhengde six years Jinshi, Jiangsu Wu County. When he was young, he traveled with Wen Zhengming and was famous for his literature, calligraphy and painting. The family is poor and has a good drink, but only communicates with words and refuses to accept gifts. The collection of books is abundant, and there are "Hanlu Hall, Yunguang Pavilion". He is the author of "Longchi Mountain Qiao Collection", and ended his life in poverty. The History of the Ming Dynasty contains his deeds in volume 287.
Peng Nian, a calligrapher in the Ming Dynasty, has profound calligraphy attainments and can be called everyone. He first learned the style of the Jin people, and obtained the essence of the ancient law, and then turned to many teachers, the regular script not only has the strict law of Ouyang Xun (letter), but also does not lose the majestic bearing of Yan Zhenqing (Qing Chen), revealing a profound traditional foundation and unique personal style between the lines. The cursive script is taught by Su Shi (Zizhan), swaying freely, not only has the uninhibited and uninhibited attitude of the Dongpo monks, but also integrates his own emotions and understanding, forming a unique artistic style. In addition, Peng Nian also carved seals, and his seal management skills were also a must, showing his versatile artistic talent.
Ming Dynasty calligrapher Peng Nian's "Book of Calligraphy and Poetry" appreciation
Ming Dynasty calligrapher Peng Nian's "Book of Poetry" on paper, 26 cm in length and 33.5 cm in width, 7 couplets, collected by the Palace Museum in Beijing. His books inherit the old and bring forth the new, handsome and refreshing, and the mood is pleasant. Going through the album, the pen is clear, and there is no hole. "Kong Jia", "Longchi Shanren" seals, collection prints see "Youshu Collection", "Po Yan Zhai", full of elegance, cherished by calligraphy lovers.
Ming Dynasty calligrapher Peng Nian's "To Yuanzhou" appreciation
The Ming Dynasty calligrapher Peng Nian's "To Yuanzhou" is stored in the Forbidden City, and the small Kai is exquisite. This is the work of Peng Nian to the same door Lu Shidao (Yuanzhou), both of whom are Wen Zhengming masters. After Peng Nian appreciated his poems, he borrowed the "Tiger Hill Scroll Seal Book" for three days, and the friendship was deep. The penmanship of the regular script in the book is exquisite, containing the charm of the Jin people, and the light and shade are just right, showing the exquisite and style of Peng Nian's regular script.
Ming Dynasty calligrapher Peng Nian "Xiao Kaizhi Shou Xuan Dou Fang" appreciation
One of Peng Nian's "Xiao Kaizhi Shouxu Dou Fang".
The Ming Dynasty calligrapher Peng Nian's "Xiao Kaizhi Shou Xuan Dou Fang", a treasure on paper, is now in the Shandong Provincial Museum. This work is 22.3 cm in length and 20.8 cm in width, written in exquisite small letters, with delicate handwriting and elegant layout, showing the profound attainments and unique charm of Peng Nian's regular script art.
Peng Nian's "Xiao Kaizhi Shou Preface Doufang" II
Ming Dynasty calligrapher Peng Nian's "Inscription of the Revenge of the Returning to Fen Tu" appreciation
The Ming Dynasty calligrapher Peng Nian's "Inscription of Qiu Ying Returns to Fen" is now treasured in the Palace Museum in Beijing. This work is 26.7 cm long, the font is strong and powerful, and the structure is rigorous, showing the profound foundation and unique style of Peng Nian's regular calligraphy art. His books and Qiu Ying's paintings complement each other, and together they interpret a good story of art and culture.
Ming Dynasty calligrapher Peng Nian's "Little Kaishi Lake Linpan Poem" appreciation
The full picture of Peng Nian's "Little Kaishi Lake Linpan Poem".
Ming Dynasty calligrapher Peng Nian's "Little Kaishi Lake Linpan Poem" is 29 cm long, collected by the Museum of Fine Arts, Boston, United States. This work is written in Lu Zhi's "Stone Lake Picture Scroll" at the back of the volume, written in exquisite small block letters, the font is delicate and straight, and Lu Zhi's paintings are contrasting. Peng Nian's calligraphy not only shows his profound artistic attainments, but also adds a strong cultural flavor to this scroll.
One of Peng Nian's "Little Kaishi Lake Linpan Poems".
Peng Nian's "Little Kaishi Lake Linpan Poems" II
Ming Dynasty calligrapher Peng Nian's "regular script Fuchunjiang stone poem scroll" appreciation
One of Peng Nian's "Regular Book Fuchunjiang Stone Poems".
Ming Dynasty calligrapher Peng Nian's "Regular Script Fuchunjiang Stone Poem Scroll", regular script on paper, 32.4 cm long, 480 cm horizontally, is now treasured in the Nanjing Museum. This volume of calligraphy pen is strong, rigorous in structure, vivid in rhyme, the beautiful scenery of the Fuchun River stone and the poet's emotions are perfectly integrated, showing Peng Nian's profound artistic skills and unique calligraphy charm.
Peng Nian's "Regular Book Fuchun River Stone Poem Scroll" II
Peng Nian's "Regular Book Fuchun River Stone Poem Volume" No. 3
Peng Nian's "Regular Book Fuchun River Stone Poem Scroll" No. 4
Ming Dynasty calligrapher Peng Nian's "To the Money" appreciation
One of the Ming Dynasty calligraphers Peng Nian's "To Qian Zhuza", with a size of 34 cm in length and 26 cm in width, is now in the Shanghai Museum. This notebook is a precious material for the study of calligraphy and literati exchanges in the Ming Dynasty.
Commentary: Ding Lang wants not to take medicine today, he is dizzy and can't ask, and he is in vain. The boy was also in trouble for running, so he delayed, hoping to comfort the numbers. Xueyu's in-laws wrote the Goryeo fan, and fortunately it was transferred. If Xueyu doesn't come, beg to hide the inner basket, tens of millions. New Year's Tone First White. Mr. Chimuro's clerk.
Ming Dynasty calligrapher Peng Nian's "To the Money" appreciation
One of Peng Nian's "To the Money".
The Ming Dynasty calligrapher Peng Nian's "To Qian Zhuza" No. 2, a masterpiece of calligraphy, is stored in the Shanghai Museum. It is 17.5 centimeters in length and 26.5 centimeters in width, divided into triptych writing, the pen and ink are hearty, and the words are filled with the sincere emotions and elegant tastes of the literati, which is a precious relic of the calligraphy art of the Ming Dynasty.
Commentary: "Not facing and half a month, how easy it is to go." The heat is scorching day after day, followed by wind and rain, and I dare not ask for advice. Under the guidance, Wang Jiang himself disdained petty and paid two apprentices, which was quite rough. There are a few or three, although it is only a scale, and the knife head means slightly higher than Xiangshan, and the craftsman is the same. Today is over, and if you want to give in to the punishment, Gu Zhi cooks tea and smiles. Re-ride the shade and hang the mother of Qingxi, very lucky. If there is no time, begging for a job, you will not be entangled. Blasphemy, the emperor is afraid of the emperor. If you can spare time, you will be able to do it. Ten days. New Year's Tone First White. Mr. Chimuro's Servant History".
Peng Nian's "To the Money" II
Peng Nian's "To the Money" No. 3
Ming Dynasty calligrapher Peng Nian's "To Gu Moral Education" appreciation
The Ming Dynasty calligrapher Peng Nian's "To Gu De De Za", with a size of 30 cm in length and 31 cm in width, is divided into two parts, which is now in the Shanghai Museum. The book is written smoothly and vigorously, revealing the deep friendship between Peng Nian and Gu Deyu, and is a valuable material for the study of calligraphy and literati exchanges in the Ming Dynasty.
Commentary: Treasure fruit is lost, and the love is unsparing. Part-time handwriting, when and "Qingli Post" side by side. Thank you. Bow down again. Mr. Shao Qianzheng Jun's literary servant.
Gu Deyu, the first number of Shaoqian, is called Anyasang, a native of Wu County, and Lu Zhongxing, Peng Nianshan, and Wuzhong are called the three highs. He likes to read and is good at calligraphy.
"Qingli Post" is the "Seventeen Posts" in the "Poultry Qingli Post".
Ming Dynasty calligrapher Peng Nian's "Former Chibi Fu" appreciation
One of Peng Nian's "Former Red Cliff Fu".
The Ming Dynasty calligrapher Peng Nian's "Former Chibi Fu" Xiaokai, made in 1548, is elegant. His writing is vigorous, the structure is stable, and it is slightly oblique, showing ingenuity. However, its style is similar to that of Wen Zhengming, and Xiaokai is more like a model of pavilion style, which was finally sealed by history and failed to stand alone in the world of books. This phenomenon is thought-provoking, the road of art, the most important thing is innovation, in order to surpass the predecessors, leave a name in history.
Peng Nian's "Former Chibi Fu" II
Peng Nian's "Former Red Cliff Fu" No. 3
Peng Nian's "Former Chibi Fu" No. 4
Peng Nian's "Former Chibi Fu" No. 5
Peng Nian's "Former Chibi Fu" No. 6
Ming Dynasty calligrapher Peng Nian's "regular script poem fan" appreciation
The Ming Dynasty calligrapher Peng Nian's "Fan of Regular Script Poems" is based on gold paper, 18 centimeters in length and 49 centimeters in width, showing gorgeous and elegant. This work was painted in Renzi (1552), and the pen and ink reveal the feelings of the literati. Auctioned in Shanghai Daoming Spring, this fan has attracted the attention of many collectors with its unique artistic charm.
Commentary: Dongting autumn moon is born in the middle of the lake, and the layers of waves are melted gold. The lonely wheel slowly turns uncertain, and the air is cloudy and cold...... The sky rooster calls each other and the dawn comes out, and the shadow contains light to let the sunrise. The sunrise is noisy and people are not idle, and the night is not human.
Ming Dynasty calligrapher Peng Nian's "regular script poem fan" appreciation
The Ming Dynasty calligrapher Peng Nian's "Fan of Regular Script Poems" is made of gold paper and is delicate in size, 17 centimeters in length and 52 centimeters in width. Its regular calligraphy is rigorous, the structure is stable, and the words reveal a profound calligraphy foundation and literati taste, which makes people stop and appreciate it.
Ming Dynasty calligrapher Peng Nian's "Yan Ti Kaishu Yunchuan Ji" appreciation
The Ming Dynasty calligrapher Peng Nian's handscroll of "Yan Ti Kaishu Yunchuan Ji" is based on Yan Zhenqing's majestic brushwork, integrated into personal charm, and the words are beady, and the power penetrates the back of the paper. This work not only shows Peng Nian's deep understanding of Yanti calligraphy, but also reveals his otherworldly calligraphy attainments, which can be called a treasure of calligraphy art in the Ming Dynasty.
Yun Chuan Ji Commentary: omitted.
Ming Dynasty calligrapher Peng Nian's "Xiao Kai Luo Shen Fu" appreciation
One of Peng Nian's "Xiao Kai Luo Shen Fu".
The Ming Dynasty calligrapher Peng Nian's "Xiao Kailuo Shen Fu", on the occasion of Jiajing Xinhai Qixi Festival, Peng Nian's own inscription, highlighting the exquisite calligraphy skills. This work is delicate and smart, the brushstrokes are delicate and nuanced, and the words reveal a deep understanding and unique perception of Cao Zhi's "Luo Shen Fu", which is really a masterpiece of calligraphy in the Ming Dynasty.
Peng Nian's "Xiao Kai Luo Shen Fu" II
Peng Nian's "Xiao Kai Luo Shen Fu" No. 3
Peng Nian's "Xiao Kai Luo Shen Fu" No. 4
Peng Nian's "Xiao Kai Luo Shen Fu" No. 5
Peng Nian's "Xiao Kai Luo Shen Fu" No. 6
Ming Dynasty calligrapher Peng Nian's "Lin Su Shi's Return to the Coming Scroll" appreciation
One of Peng Nian's "Lin Su Shi's Return to the Coming Speech".
The frontispiece of the Ming Dynasty calligrapher Peng Nian's "Lin Su Shi's Return to the Coming Words" was inscribed by Xu Chu: "Writing casually", and the calligraphy is smooth and free. Peng Nian copied Su Shi's works, not only resembling the shape but also getting its charm, the pen is strong, and the flow of clouds and rivers shows the style of the literati, leaving a precious calligraphy treasure for future generations.
Commentary: "Returning to the Beginning." The Yu family is poor. Cultivation is not enough for self-sufficiency. Childish room. There is no millet in reserve. Born and born. No trick has been seen. The relatives persuaded the rest to be the chief officials. Detachment. Ask for it. There will be things in all directions. The princes are virtuous in favor of love. Uncle to be poor. Then it was used as a small town. At that time, the turmoil was not quiet. Fear of long-term service. Peng Ze went home for 100 miles. The benefits of the public land. Enough for wine. So I asked for it. and a few days. There is a sense of return. What? Qualitative nature. Non-exaggeration. Hunger and cold cut. Violation of the delivery of illness. Often from personnel. All of them are self-serving. So he was amazed and generous, and he was deeply ashamed of his life's aspirations. I hope for a while. When the sky is gone. Lost looking for Cheng. My sister was mourned in Wuchang...... Jiajing Guihai is looking forward to July at the same time, and Longchi Mountain Qiao Peng Nian knows".
Peng Nian's "Lin Su Shi's Return to the Coming Speech Volume" II
Peng Nian's "Lin Su Shi's Return to the Coming Speech Volume" No. 3
Peng Nian's "Lin Su Shi's Return to the Coming Speech Volume" No. 4
Peng Nian's "Lin Su Shi's Return to the Coming Speech" No. 5
Peng Nian's "Lin Su Shi's Return to the Coming Speech Volume" No. 6
Peng Nian's "Lin Su Shi's Return to the Coming Speech Volume" No. 7
Peng Nian's "Lin Su Shi's Return to the Coming Speech Volume" No. 8
Peng Nian's "Lin Su Shi's Return to the Coming Speech" No. 9
Peng Nian's "Lin Su Shi's Return to the Coming Speech" No. 10
Peng Nian's "Lin Su Shi's Return to the Coming Speech" No. 11
Peng Nian's "Lin Su Shi's Return to the Coming Speech Volume" No. 12
Peng Nian's "Lin Su Shi's Return to the Coming Speech Volume" No. 13
Peng Nian's "Lin Su Shi's Return to the Coming Speech Volume" No. 14
Peng Nian's "Lin Su Shi's Return to the Coming and Coming Speech" No. 15
Peng Nian's "Lin Su Shi's Return to the Coming Speech" No. 16
Ming Dynasty calligrapher Peng Nian's "Title Liu Jue's Poetry Scroll" appreciation
One of Peng Nian's "Title Liu Jue's Poetry Scroll".
Ming Dynasty calligrapher Peng Nian's "Scroll of Liu Jue's Poems" is in the collection of the Freer Museum of Art, United States. The Ming Dynasty calligrapher Peng Nian splashed ink with calligraphy, and inscribed it on the "Poetry and Picture Scroll" carefully drawn by Liu Jue. His handwriting is chic and elegant, and his pen is strong and powerful, which complements Liu Jue's poetic painting. The title of Peng Nian is not only an appreciation of Liu Jue's artistic attainments, but also a model of the perfect integration of calligraphy art and painting art in the Ming Dynasty.
Peng Nian's "Title Liu Jue's Poetry Scroll" II
Peng Nian's "Title Liu Jue's Poetry Scroll" No. 3
Peng Nian's "Title Liu Jue's Poetry Scroll" No. 4
After admiring the 16 calligraphy works of the Ming Dynasty calligrapher Peng Nian, I was deeply impressed by his unique calligraphy style and exquisite skills. His writing is smooth and powerful, and his strokes reveal a strong literati atmosphere. Each work is like flowing water, with both traditional calmness and heaviness, but also innovative agility and elegance, which is breathtaking, demonstrating Peng Nian's profound calligraphy skills and unique artistic attainments.
Appreciating the calligraphy of famous artists, enjoying a calm life. Readers, what do you think of listening to the moon to share Peng Nian's above works for you? Welcome to leave a message in the comment area~