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5 billion traffic, the truth of slapping the face: Why did Daolang's "Rakshasa Sea City" detonate public opinion?
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In the summer of 2023, a song called "Rakshasa Sea City" is like a stone thrown into a calm lake, stirring up a thousand waves, this song created and sung by singer Daolang, with its unique style, obscure lyrics and strong criticism, quickly swept the major music platforms, the number of playbacks exceeded 5 billion times, becoming a phenomenal cultural event, in stark contrast to the popularity of the song, the controversy surrounding Daolang and his works has also intensified, including many doubts and ridicule from the "predecessors" of the music industry, What kind of social reality does this storm of public opinion triggered by a song reveal? Traffic and aesthetics, controversy and thinking, are all intertwined in this war without gunpowder
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1. The Sound of Rakshasa: A counterattack from the border to the center
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Daolang, a name from a remote area of Sichuan, but in 2004 with a song "The First Snow in 2002" became popular all over the country, his singing voice is rough and affectionate, the lyrics are simple but hit the hearts of the people, quickly captured the hearts of countless listeners, and the album sales have set an amazing record. vulgar".
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In the face of doubts and criticism, Daolang chose to remain silent and gradually faded out of public view, he devoted himself to creation, polished his music, and waited for the opportunity to speak again, in 2023, Daolang, who had been dormant for many years, returned to the music scene with his new album "Mountain Songs", and one of the songs in the album "Rakshasa Sea City" became the fuse that ignited public opinion
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The lyrics of "Rakshasa Haishi" are based on Pu Songling's classical novel "Strange Tales from Liaozhai", which tells the story of a fictional country, and the song satirizes all kinds of strange status quo in society in a playful tone, which arouses a strong resonance among the audience, some people hear the criticism of hypocrisy, snobbery and injustice, and some people interpret the reflection on music aesthetics and values. It has evolved into a cultural symbol that carries multiple interpretations and social emotions
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2. The carnival of traffic: collective disorientation under the aesthetic fault?
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On the short video platform, countless netizens spontaneously created and shared videos related to the song, which further expanded the influence of the song
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It is a fault line in music aesthetics, the lyrics of "Rakshasa Haishi" are full of metaphors and allusions, and the style of music also integrates a variety of elements, which requires a certain amount of cultural accumulation and aesthetic ability to understand and appreciate, in the era when traffic is king, many listeners' music choices are often passive acceptance and imitation, lack of independent thinking and judgment ability, which leads some people to blindly pursue and ignore the understanding of the connotation of the song just because of the "brainwashing" melody and "magical" rhythm of the song
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In the era of social media, any event may be infinitely amplified, triggering an emotional reaction of the group, some people deliberately misinterpret the meaning of the song in order to win attention, create topics and controversies, and even point the finger at the music people who have had a holiday with Daolang, turning a music incident into an online scolding war
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3. Beyond Traffic: Return to the essence of music
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The explosion and controversy of "Rakshasa Haishi" has forced us to re-examine the value and meaning of music, as an art form, music has never existed to cater to the market and traffic, it should carry the thoughts and emotions of the creator, and arouse the resonance and thinking of the audience
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Daolang's music may not be refined enough or mainstream enough, but it truly reflects the voices of the bottom of the society, expressing the joys, sorrows and sorrows of ordinary people
In the era when traffic is king, we need to keep a clear head, don't be kidnapped by traffic, and don't let traffic become the only criterion for measuring the value of music, we need to return to the essence of music, feel the charm of music with our hearts, and interpret the connotation of music with thinking
4. Conclusion: Beyond music, there is a wider world
The aftermath of "Rakshasa Sea City" is still echoing in our ears, and the storm of public opinion caused by the song will eventually subside, we must not forget the thinking that this storm has brought us, in the era of information explosion, how can we maintain the ability to think independently? In an era where traffic is king, how can we stick to our aesthetics and values?
Perhaps, music itself cannot change the world, but it can awaken our innermost emotions and thoughts, allowing us to feel the beauty of the world and think about the complexity of the world in music; Let's find resonance and self in music
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