Without further ado, let's start our inventory today
Kung Fu Fat Kung FuPen and KEY.L Liu Cong released the song "Rogue", which may be one of the few songs from the C-BLOCK members that I don't like.
Tell his family the reason why I don't like it, first of all, there are certain problems with Kung Fu Fat's singing ability and voice, adding Auto-Tune is not very suitable for the song atmosphere of the whole song, and Kung Fu Fat is a bit imitating the feeling of Post Malone.
The second is the composition of Taiba, and even a little bit of the shadow of "Peach Blossoms". I don't know if you and I feel the same way.
Ma Siwei's new single "Top Boy Sheng", this song can actually be compared to the "Douban Sauce" in "Dark Horse", the exact same Bass, Flow is also extremely similar.
However, the accompaniment is still a little full, and when "Douban Sauce" was released, I vigorously complained about this "simple style" Trap Beat. I really can't understand, since I want to show off Flow and weaken the accompaniment color, then why do Trap and look down on my snare drum?
GAI's song "Fearless" is the theme song of the movie "Amazing Dad", which is definitely one of the best advertising songs and movie theme songs in the rap industry in Chinese this year. In fact, the whole song is not outstanding in the category of rock and roll, it is a very ordinary structure, and Riff is not bright enough.
But excellent in the feeling of GAI singing, GAI's hoarse and rough voice sings a mature taste in such a youthful and budding story, and there is also a sense of understanding and recognition of the father after the son grows up.
In fact, I still like the feeling of GAI singing rock, the voice is a bit like the lead singer of a streamer group I like, "Heartbroken", I feel that he can also try a little more rock or heavy music. It is easy to narrow the road when the mainstream of pop is more, and then the limitations of singing their newly developed rock music into "Love My China" rap music are a bit too much to lose.
Big Dog's new album "Wang Ke 3", as the third part of the personal series, is obviously still a significant improvement over the previous two. At least the mixing technology has come up, without the roughness of that era. The lyrics have also become less youthful and crazy, and have begun to be steady and full of literature.
The album was outside my aesthetic category, and I had always been uninterested in the tone of the big dog, feeling frivolous without strength and ups and downs, sounding relaxed but without any mood swings.
At the same time, his Flow is not the BoomBap Flow in my understanding, smooth and more than enough, but always missing a little finishing touch, and his tone is the same, the whole song is sung flat, maybe when I am thirty years old when he comes out of "Wang Ke 4" I will like it.
Lil Howcy's new album "Howcy Daking", this album is obviously much tougher than his relatively relaxed and pleasant "Tentacles" in 2020, whether it is the style, the choice of timbre in the arrangement, the direction of the composition and the mood, there is less clarity. Like the album cover, the singles on the entire album are full of fierceness.
One of the most recommended singles on this album is "Queirut," the most unique Drill I've heard in Chinese rap so far.
The overall tone choice is neither as gloomy and stable as in the United States, nor is it the performance method of the college entrance examination in the current program, choosing a more sharp voice tone, with a good fluency of Trap Flow and a small number of melodic singing segments, which is a very unique Drill Beat driving method, and the freshness is indeed quite close to the accompaniment.
Blow Fever's new single "PABLO" with Kozay has changed some of my impressions of Kozay. For Kozay's music, especially the performance on the show, there is always something unspeakable.
The song's extensive distortion of Kozay and some of Tyga Type's rhythmic accompaniment allow Kozay's song to finally shake up. Of course, the highlight has to be Blow, in fact, compared to the previous music, Blow's Flow is always a bit monotonous in my opinion, but under such a rhythmic accompaniment, it is simply a work of heaven, Dope.
The third part of Pissy's new album Happy Planet, Mars, finally enters the gentle melodic part of the album. I appreciate the first two parts, and this part is my least favorite part of this album, because the theme of Happy Planet is really not in line with the EMO of this part.
Personally, I think the better single is the first "Unfinished", the composition is still quite wonderful, very Wang Lihong.
Ai Zhiheng's new album "Small Town Legend", this is the first time I have listened to his music, the first sound is still very handsome, his voice is not very recognizable, but suitable for adding Auto-Tune, just the right Mumble is really handsome.
But after listening to this album, you will find a very interesting thing, each song is a key, that is, the front of the flat sentence rises a little, but in his control, the use of a lot of suitable Flow arrangement is still more Dope.
The new single "Creative Genius" of the Straight Fire Gang is an advertising song of the campus innovation platform ICCG. This song is really not like an advertising song, or Party A has no requirements and restrictions, and it completely follows the creativity of the Direct Fire Gang.
Because as a campus creative platform, the music that wants to promote the choice is definitely more youthful and exciting, and the accompaniment piano Loop of this song is so soothing, and the rhythm part is also too heavy.
The arrangement of this song and the emotions of the straight fire gang, I feel that it is not very suitable for this theme, too stable to have the passion of innovation, I hope to have a more enthusiastic Flow and tone to cover this accompaniment.
ODE collaborated with Belmussen's new album "Groovy Soul", several Traps, several retro discos, and a small love song.
Focusing on a few works of Disco arrangement, in fact, Disco and Funk appear as elements in HipHop music or it is easier to do, choose the right timbre, and the feeling will come out.
The songs on the album are more interesting in the drum selection and the timbre selection of some synthesizers. But I don't know why, now rappers like to add Auto-Tune to such arrangements, and the age label is gone.
At the same time, the composition and singing method are also more modern and popular, and there is no Funk's sense of rhythm of broken sentences. Not all music is suitable for doing some Electron processing like Swing Jazz.
TangoZ's new single "Change", as a Drill, is a harness of some of TangoZ's personal characteristics. Accustomed to Listening to Drill's sparsely choreographed Flow, I suddenly found that fast-paced and some more elaborate choreography can also have a good grasp of portamento.
That's the top, that's dry. This kind of Flow is obviously more satisfying to the appetite of Chinese rap listeners, and I can't help but fall behind. In particular, the acceleration of The Second Half of Mumble is really comfortable, and I look forward to listening to this song once at the performance site.
Yang Xiaochuan and Tony Rey released the song "Stand up & Speak Up", which is a single with strong family and country feelings. While paying tribute to the hero who guarded the country's border, Yang xiaochuan also discussed the oppression and discrimination against Chinese in the United States.
Because Chinese lacks a certain neighborhood culture, many people choose to look at other Chinese people coldly when they are oppressed. This kind of musical theme that evokes blood and compatriot feelings is encouraging, but I don't quite understand why his arrangement, the very exciting electric organ Riff, was replaced at verse, and I think it can be very good throughout the song.
This is this issue of "Doctor Music Review", last week's new song in the rap circle which one you like the most, welcome to leave a message in the comment area.