Video producer Hu Longzhao
On December 15, the closed Yinzhou Intangible Cultural Heritage Museum was very quiet, and at the gate, Zhu Yingdu, the inheritor of the intangible cultural heritage of Zhejiang Province, was painting the door god.
The 76-year-old Zhu Yingdu has been associated with the ash sculpture for more than 40 years, and many of the ash sculptures on antique buildings are from his hands, and the gray sculptures of some cultural protection units also have traces of repair by him. In the past few days, the Yinzhou Intangible Cultural Heritage Museum during the epidemic period has been closed for internal micro-transformation. In order to make the gate of the intangible cultural heritage museum more folk culture, the person in charge of the museum asked Zhu Yingdu to draw a door god on the gate.
Zhu Yingdu is depicting the door god
The door god is a symbol of Chinese folk culture, which has the meaning of praying for auspiciousness, driving away evil spirits and protecting righteousness. After the completion of some ancestral halls and mansions, most of them will ask skilled painters to paint various door gods on the doors, and the door gods have become the finishing touches in the entire building.
Zhu Yingdu was born in Xianxiang Town, Yinzhou District, and was very fond of painting when he was young, and his grandfather sent him to the attached middle school of the Chinese Academy of Fine Arts at that time. During the year in the Affiliated High School of the Academy of Fine Arts, Zhu Yingdu learned many painting techniques with his talent and diligence.
Color
Every process of drawing the door god is poured into the ingenuity of the painter. Zhu Yingdu attaches great importance to the portrayal of human figures, and the door gods he paints are either solemn or brave and martial, and realistic and convey the gods. This time, he designed a number of first drafts, and strived to paint the images of Qin Shubao and Wei Chigong to life.
According to Zhu Yingdu, in the past, the paintings of the door gods had relatively simple lines and dark colors, and were often painted with a fierce appearance, a rough posture, and a murderous atmosphere. Now more attention is paid to composition and modeling, the thickness of the line is smooth and solid, and the color is warm, which increases the festive atmosphere compared with the past.
After a week of depiction, a pair of mighty door gods have entered the final line-drawing process. Zhu Yingdu said: "I hope that the epidemic will end soon, and when the intangible cultural heritage museum opens its doors to welcome guests, the pair of door gods can become a new Internet celebrity punch card in the museum." ”
The mighty door god has entered the final line-drawing process
Source Ningbo Evening News reporter Hu Longzhao Editor Wu Lingjun
First Instance Zheng Xinwei Second Instance Ren Xiaoyun Third Trial Du Chunjing Final Trial Chen Jianhong