Lead
Mondrian believes that "the artist is nothing more than a channel of expression", and Chen Keping supports this view in his works and attitudes.
His works depict the female body in a simple and understated style, and although the female figure is full, the painter has always restrained his brushstrokes and colors, and does not use strong and colorful tones.
What kind of charm does this plump woman have?
How does the painter express this beauty?
How does Chen Keping show the truth that "the artist is a channel of expression" through his paintings?
1. A woman with a plump body.
Most of Chen Keping's paintings are mainly oil paintings, and in his oil paintings, the figure of women always occupies the main position, and the women in the paintings are mainly women with plump bodies and beautiful faces.
Naturally, this style of painting by Chen Keping has also attracted the attention of many viewers, and some people have once called Chen Keping "China's Monet".
Monet spent his life painting idyllic landscapes and clear skies, and Chen Keping did the same, and his paintings often featured women and serene domestic environments.
Chen Keping's paintings not only have a sense of beauty that makes people unable to extricate themselves at a glance, but also have the delicate mind of the painter.
He handles light and shadow very well in his paintings, and depicts the posture of the women in the paintings vividly.
Chen Keping's paintings are an understanding of the depiction of light and shadow and posture, and how does he depict them?
Chen Keping depicts the woman's body in his paintings, but even if he paints the woman's body is full, he does not use gorgeous and flamboyant tones, but a simple and low-key.
Chen Keping is very "restrained" in painting women's postures, he is very good at using light and shadow to depict women's postures, and he will also use some dark and low-key tones in his works to decorate his paintings.
In Chen Keping's paintings, the background of the paintings is some very simple and low-key interior scenes, but this background better highlights the noble class of the women in the paintings.
This contrast effect is very important to the painter, and he hopes that the woman in the painting can have a simple and understated beauty, without using ornate tones and brushstrokes, but also give people a visual impact.
The plump women in Chen Keping's paintings, he has never used beauty filters, but the women he paints are extremely beautiful, what kind of beauty is behind the beauty?
What kind of beauty will these plump women show?
The plump women shown in Chen Keping's paintings all reveal a sense of "restraint" and "restraint".
This sense of beauty also shows the painter's personal temperament, Chen Keping is a very humble person, he never sees himself as a master, but as a "little painter" who paints his works with his heart.
In his paintings, every detail and every meticulous depiction of the painting reflects his dedication and loyalty to art.
Chen Keping's paintings, like his character, are simple and low-key, but it is precisely this simplicity and low-key that can better highlight the connotation and theme of the paintings.
The woman depicted in Chen Keping's paintings seems to be a kind of "sculpture", but what kind of beauty does this kind of woman have?
Second, the beauty of restraint.
Chen Keping depicts the woman's posture in his paintings extremely well, what kind of beauty does this kind of woman have?
What kind of understanding and depiction of this kind of woman in Chen Keping's paintings?
Chen Keping's depiction of women in his paintings never relies on the curves of women's bodies and the proportions of women's bodies, but depicts women's elegant, dignified and graceful temperament through the depiction of women's postures in his paintings.
In Chen Keping's paintings, the background of the paintings is some very simple interior scenes, but the women in the paintings always show a noble temperament.
This noble temperament contrasts with the background of the painting, thus highlighting the subject matter of the painting.
Chen Keping's depiction of light and shadow is very good, and he will use some dark creative techniques to depict the theme in the painting, and highlight the theme of the painting.
No matter where the woman in the painting is standing, the light and shadow will always show the figure of the woman in the painting, but this posture always gives people a kind of beautiful enjoyment.
In Chen Keping's paintings, the women in the paintings seem to enjoy the beauty of light and shadow, and the viewer will also be attracted by the beauty in the paintings, resulting in a kind of aesthetic enjoyment.
The woman in the painting seems to be admiring an object in the painting, her movements are very gentle, her fingers are slender, and the slenderness of the fingers gives a noble temperament.
The woman in the painting seems to be admiring a blue and white porcelain bonsai, and the bonsai in the painting is very distinctive, and it seems to be very valuable.
The woman in the painting seems to be admiring this bonsai, which seems to be a kind of furnishing, and the woman in the painting gives people a sense of home elegance.
In Chen Keping's paintings, the background of the painting is a very simple and low-key interior scene, and the woman in the painting gives people a kind of noble and beautiful enjoyment, and this contrasting beauty arouses the viewer's beautiful emotions.
The women in Chen Keping's paintings, no matter what their movements, have a kind of restrained beauty, and she always maintains a restrained movement.
The eyes of the woman in the painting seem to be in a daze in the distance, and the casual movements can always show the beauty of the woman in the painting.
Chen Keping's depictions of women always depict women's faces as very beautiful, while the women in the paintings always maintain a restrained movement.
The restrained movements of the woman in the painting are in stark contrast to her beautiful face, and the beauty of this contrast triggers a kind of aesthetic enjoyment for the viewer.
In Chen Keping's paintings, the women in the paintings all reveal a kind of restrained beauty, and her restrained beauty reveals a restrained beauty.
Chen Keping's paintings, both the background and the subject of the painting, are very simple, and there are never gorgeous tones and brushstrokes in his paintings, and it is this simple and low-key style that can better highlight the theme of the painting.
The women in Chen Keping's paintings, no matter what their movements, reveal a kind of "restraint", and this restrained beauty reveals the inner world of the painter.
In Chen Keping's paintings, he never used beauty filters in his depictions of women, but depicted the true state of women.
The real state of the woman in the painting is a kind of restraint and restraint, and her restraint and restraint reveal the beauty of the woman, which can arouse the viewer's beautiful emotions.
III. Conclusion
The women in Chen Keping's paintings are not only plump, but also show a kind of restraint and restraint, which is exactly what the painter wants to express.
In his paintings, the painter has a delicate depiction of the real image, without using any beauty filters, and the beauty in his paintings can arouse the viewer's beautiful emotions.
Chen Keping is loyal to his works and art, and he never regards himself as a master, but as a "little painter" who creates paintings with his heart.
Mondrian said that "the artist is just a channel of expression", and Chen Keping's loyalty and humility towards his works are all reflected in his works.
The artist's loyalty to the work often affects the style and depth of the work, and it is precisely because of the loyalty and humility of these artists to art that more classic works can be created.
Artists should regard themselves as a channel of expression and have a humble attitude, so as to better create their own works, so as to better express the unique charm of their works.