Word for word! unpredictable! Master font modeling techniques

Text design requires certain skills to make the text appear visually good. From the designer's point of view, design skills allow designers to quickly grasp the design process and design text works faster and better. For consumers, the use of design techniques of the text works, in the visual more powerful.

The sharp angle method is to change the rounded corners of the text into several forms such as straight points, curled points, curved tips, and oblique tips, which can be vertical or horizontal. Visually, the original thick font has become a very tough font. This design approach can show a strong sense of vision.

The ligature method is to break the restrictions between square characters through the natural connection between adjacent words and words or between strokes, and form a lively and beautiful character form with coherent glyphs. The ingenuity of this type design is that it can make the whole picture full of rhythmic beauty. The ligature pays attention to the fluency of the rhythm of font writing, making the information more prominent and distinct, and producing effective communication. The feeling of being able to write in one breath can highlight the overall rhythm of the text message and the density of the information.

When designing, you should choose connectable parts or common strokes, conceive according to the content and characteristics of the text, the strokes can be long or short, and the glyphs can be large or small, so that the font produces a sense of balance and symmetry, contrast and unity. This font design method is more common in advertising design and web design, which can quickly improve the design sense of the picture.

The thickness method is a design technique that simplifies strokes by converting vertical or horizontal lines into other types of lines. The thickness method can give people a visual feeling of gravity differentiation, the thicker side of the font appears heavier, and the thinner side of the font appears lighter.

The broken brush method is to open the place where the text is closed and enclosed appropriately, or to break a part of a place so that the front and back strokes are no longer closely connected. This design method can make the text have a sense of design and modernity.

The broken pen method can also make some changes in color and form for different parts of the text, so as to achieve unexpected effects. In the design, the strokes of the text are shifted, decomposed, and cut, so that they show gaps, produce a feeling of fracture, brokenness, etc., which can bring novel visual feelings.

The hollow method is to use lines to outline the outer outline of the text, and leave the middle of the font blank. During the design process, overly thick font outlines produce a phenomenon of coincidence or overlap. For example, when the Song font is hollowed out, it will give people a very rough feeling, affecting the overall sense of the picture, at this time, the original single line can be maintained without changes, so as to achieve the balance of the overall picture.

Using the basic stroke composition of the font, the strokes are deformed according to the actual content and meaning of the font, so that they appear to be exaggerated and unique shapes, so as to achieve the purpose of highlighting the theme. Deformation design is the use of a certain design method to change the external structure of the font, so as to achieve the effect of deformation. Misalignment, stretching, stroke, etc. are common methods of deformation, which can quickly change the shape of the font.

misplacement. The misplaced design is to stagger the neat fonts to create a staggered and rhythmic artistic effect. This arrangement makes the original regular text change.

flexible. Telescopic design is the simplest way to expand the word processing, to expand, shrink, compress and other ways to change the shape of the text, although there is no major change in the design, but this design form gives the text a new life, improve the grade of the text.

Stroke. Stroke is colloquially speaking, it is to add a border to the edge of the text to depict a new dimension on the font. This design technique can highlight the text, strengthen the edges of the text, and make the font appear thick and thick.

The commonality of font strokes, as the name suggests, refers to two or more fonts jointly using the same stroke to form a text form, linking different fonts with the same strokes through overlapping and contiguous strokes to form a new composite font with a unique style, showing the diversity of font design.

The new form of font produced by stroke sharing, no matter from any angle to show, different fonts still maintain their own independent meanings and characteristics, and at the same time visually, they will produce a unified and overall close connection, so that the font and font have a tangible common meaning. The common design between strokes strengthens the connection between fonts and shows a distinct overall feature.

Font decoration design is to keep the text as a whole unchanged, the strokes of the font to do a certain decorative design, under the premise of ensuring the text information transmission function, to enhance the formal beauty of the text. Through the modification of the strokes, the font presents an elegant, smooth rhythmic beauty.

For the decorative design of font strokes, we must not only pay attention to maintaining the readability of the text, so that the expression of the content can be concise and clear, but also pay attention to showing the artistic characteristics of the font design, leaving a deep impression on people, reflecting the new aesthetic concept of the visual image, and bringing beautiful visual enjoyment.