Seven absolutes. Four Songs in Drunken Composition One of the Southern Song Dynasty · Lu
The arrogance of the evening is not low, and one drink can still be 300 cups.
The rotten eyes are like electricity, and the snort is like thunder.
"The heroic spirit of the late journey is not low", the "late journey" here refers to Lu You's later years, and the "heroic spirit" reflects his ambition and pride. Despite his advanced age, Lu You's ambition has not diminished due to old age, on the contrary, he still maintains his vigorous vitality and unyielding spirit.
"One drink can still be three hundred cups", this poem uses exaggerated techniques to show Lu You's alcohol consumption and pride in drinking. He was able to drink 300 glasses of wine at a time, which not only showed his abundance, but also showed his open-minded personality and uninhibited lifestyle.
"Rotten eyes are like electricity", here "rotten" describes bright eyes, and "square like electricity" further reinforces this brightness, comparing it to lightning. This poem depicts the light in Lu You's eyes, symbolizing the enthusiasm and wisdom in his heart, and even in his old age, his eyes are still as sharp and bright as electricity.
"The snort is like thunder", here "snort" is to describe the sound of snorting, and "snorting like thunder" exaggeratedly depicts Lu You's snort as loud as thunder. This not only reflects Lu You's heroic temperament, but also hints at his cheerfulness and recklessness after drinking.
On the whole, this poem shows Lu You's uninhibited character and ambition by depicting the drinking scene in his later years. Even in his later years, he still maintained his love for life and his persistence in himself, which is admirable. At the same time, this poem also reflects Lu You's unique charm and personality as a great poet.
Seven absolutes. Drunk in four songs, the second of the Southern Song Dynasty · Lu
Flying alone in the wind, I came to rest in the east of Daedong by chance.
No one will sit in the open with a cup, and you want to see the blue sky into the wine.
"Flying alone in the wind, I came to rest in Daedong by chance." In these two sentences, Lu You uses a romantic imagination to describe himself as if he is riding a crane, flying alone in a long wind, and occasionally resting on the east side of Mount Dae. The image of "flying alone with a crane" here not only reflects the poet's detachment and uninhibitedness, but also reveals a sense of loneliness and independence. And "Da Edong" probably refers to Mount Emei, which often appears in Lu You's poems, representing a pure land in his heart.
"No one will sit in the open with a glass, but you want to see the blue sky into the wine." These two lines depict the poet's unique behavior and state of mind after being drunk. He sat alone in the open air, with a glass in his hand, as if no one could understand his state of mind at the moment. And the most fascinating is the sentence "to see the blue sky into the wine", which incorporates the entire sky into the cup, as if to drink with the heaven and the earth, this kind of pride and romance coexist imagination, is the unique charm of Lu You's poetry.
On the whole, this poem expresses Lu You's unique perception of life and love for nature by depicting a drunken fantasy. His poems are full of romance and detachment, but also reveal a deep sense of loneliness. This complex and subtle blend of emotions is the moving feature of Lu You's poetry. Through this poem, we can have a deeper understanding of Lu You's inner world and emotional expression as a great poet of the Southern Song Dynasty.
Seven absolutes. Four Songs in Drunkenness, Part 3, Southern Song Dynasty · Lu
Zeng Cilin Bai Yujing, singing and dancing Shu people were shocked.
But he rode the yellow crane to the sky, and the rainbow was drunk with the moon tonight.
"Zeng Cilin Bai Yujing, singing and dancing wildly, Shu people are shocked." In the first sentence, "Linyu" refers to fine food and wine, while "Bai Yujing" usually refers to the place where the Emperor of Heaven lived, and here it is used to refer to the imperial court in general. The poet recalls the time when he was blessed with wine and food at the court. Then, the sentence "Singing and dancing in Shu is shocked" depicts the poet singing and dancing wildly in Shu (now Sichuan), alarming the locals, highlighting the poet's uninhibited character and pride.
"But he rode the yellow crane across the sky, and tonight the rainbow was drunk and the moon was bright." In the last two sentences, the "yellow crane" is often regarded as the mount of the immortals in traditional Chinese culture, symbolizing detachment and freedom. The poet imagines himself riding a yellow crane and flying across the air, far from the shackles of the world, showing a yearning for detachment from the world. The sentence "Tonight the rainbow is drunk with the moon" depicts the poet drunk in the moonlight, as if drunk with heaven and earth, dancing with the bright moon, "weeping rainbow" may refer to the rainbow, or it may refer to the bridge, or the poet's hazy illusion after being drunk, adding a touch of mystery and romance to the whole poem.
On the whole, through the interweaving of memories and imagination, this poem shows Lu You's uninhibited personality and yearning for freedom and detachment. At the same time, it also reveals his nostalgia for the glory of the past and a faint sadness about the current situation.
Seven absolutes. Drunk in four songs, the fourth of the Southern Song Dynasty · Lu
The painting corner is not all night, drunk with the flying pavilion and happy to be wide.
The moon is full of rivers and the wind is urgent, blowing down the purple crown of the ghost.
"The third corner of the painting is not all night, and the drunkenness is happy with the flying pavilion." In the first sentence, "the three ends of the horn" refers to the sound of the horn played in the army or on the castle tower has been played three times, implying that the night is deep, but "the night is not over" indicates that the long night has not yet ended. In this context, the poet climbed the high-rise building after drinking, "drunk with the flying pavilion", looking at the distance by the railing, and his mind was suddenly broad-minded, and "Xi Tiankuan" expressed that the poet felt an unprecedented freedom and open-mindedness under the influence of alcohol, as if the whole world was displayed in front of his eyes.
"The moon is full of rivers and the wind is urgent, blowing down the purple crown of the ghost." In the last two lines, the poet depicts the scene of the bright moon shining on the earth and the river wind blowing strongly. The "moonlight on the ground" here not only adds brightness to the picture, but also symbolizes the clarity and transparency of the poet's heart. "The River Rushes" strengthens the dynamic sense of the picture, and also reflects the poet's inner turmoil and uninhibitedness. The last line, "Blowing off the purple crown of the ghost", is a dramatic detail that describes the river wind so fierce that it blew off the purple crown on the poet's head. The "ghost" here refers to the poet himself, and the "purple crown" is a symbol of his identity. The crown is blown off by the wind, which seems to imply that the poet has thrown off the shackles of the world after drinking and returned to his true self.
On the whole, this poem is based on climbing high and looking far away after drinking, and expresses the poet's pursuit of freedom and detachment from the world by depicting the scene of the river breeze on a moonlit night. At the same time, there is no lack of drama and romance in the poem, which makes the whole poem both full of life and artistic appeal.
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