In the vast cultural river of China, tradition and innovation have always been two indispensable elements. When the two collide on the stage of art, they often inspire a striking spark.
In 2016, the CCTV variety show stage "Ding Lu Dong Cho" witnessed such an eye-catching cultural symphony, and the dialogue and confrontation between Shang Wenjie and Li Guyi and two artists not only showed us the collision of different cultural concepts, but also made us deeply feel the delicate balance and integration between tradition and innovation.
Shang Wenjie, a talented singer, is unique in the music scene with her unique musical style and profound cultural heritage. She is not only fluent in multiple languages, but also incorporates multicultural elements into her music composition and singing.
On the stage of "Ding Throat Choking", Shang Wenjie chose to sing in French, which undoubtedly brought a unique audio-visual feast to the audience.
Shang Wenjie's musical style is unique, and she is good at combining traditional musical elements with modern musical styles to create a new way of musical expression. She believes that music is a language without borders and should have a wider space for dissemination.
By singing in French, Shang Wenjie hopes to break the language barrier and let more people understand and love traditional Chinese culture. This is undoubtedly an innovative attempt at traditional culture and a brave exploration of musical art.
In Shang Wenjie's view, the inheritance of traditional culture is not to stick to the old forms, but to constantly explore new ways of expression and transmission on the basis of respecting traditions.
She believes that only by continuous innovation can traditional culture radiate new vitality and let more people feel its unique charm. Shang Wenjie's point of view undoubtedly provides us with a new perspective for thinking, and gives us a deeper understanding of the inheritance and innovation of traditional culture.
Compared with Li Guyi, Shang Wenjie's cross-border attempts seem to be a bit avant-garde and bold. However, in Li Guyi's view, this kind of attempt is a challenge and subversion of traditional culture.
As a veteran musician, Li Guyi has a deep affection for traditional culture and a firm belief in it. She believes that on such a stage to promote traditional culture, we should insist on singing in Chinese to show confidence and respect for local culture.
Li Guyi's point is not groundless. She believes that language is the carrier of culture and an important way to inherit and promote culture. In cultural exchange, it is essential to maintain cultural purity.
She cited the example of foreign musicians such as Pavarotti who insist on using their mother tongue when performing in China, emphasizing the importance of maintaining cultural purity in cultural exchanges. She believes that only on the basis of sticking to the local culture can we better communicate and integrate with other cultures, so as to achieve cultural prosperity and development.
Li Guyi's views have been recognized and supported by many people. She adheres to the position of traditional music, and interprets her love and respect for traditional culture with her singing voice and actions.
Her music works are full of in-depth excavation and inheritance of traditional culture, and her singing style is also unique, full of strong ethnic customs. On the stage of "Ding Lu Throat Choking", Li Guyi used her singing voice to convey her love and persistence for traditional culture to the audience.
When Shang Wenjie and Li Guyi met on the stage of "Ding Gi Throat Choking", a confrontation about cultural inheritance and innovation quietly unfolded.
The two artists each stand their own ground, interpreting their understanding and love for traditional culture in their own way. Their confrontation is not a simple confrontation and conflict, but an in-depth dialogue about cultural inheritance and innovation.
In this dialogue, Shang Wenjie showed her cross-border thinking and innovative spirit. She uses her music to try to break the boundaries between tradition and modernity, and to rejuvenate traditional culture.
Li Guyi, on the other hand, adheres to the position of traditional music, interpreting her love and respect for traditional culture with her singing voice and actions. Although the views of the two artists are different, they both have made positive contributions to the inheritance and promotion of traditional culture in their own ways.
This confrontation not only allowed us to see the different understandings of different artists on cultural inheritance, but also made us think about how to better inherit and promote local culture in the context of globalization. It is not easy to find a balance between inheritance and innovation, but it is precisely this kind of exploration and experimentation that can make traditional culture glow with new vitality and vitality.
The confrontation and resonance between Shang Wenjie and Li Guyi on the stage of "Ding Throat Dong Cho" presented us with a wonderful dialogue about cultural inheritance and innovation. Although their views are different, they have their own merits.
All of them provide us with valuable perspectives and inspirations. On the road ahead, we need to continue to explore and innovate, absorb and integrate the excellent elements of other cultures on the basis of respecting traditions, and achieve cultural prosperity and development. At the same time, we must also stick to the foundation of local culture, so that traditional culture can radiate new vitality and vitality in the process of modernization.
Disclaimer: The content and pictures involved in this article are taken from online resources. This article is only to convey a positive message, and there is no bad direction. If there is any copyright or other infringement involved, please contact us as soon as possible and we will remove the relevant content immediately. For the possible doubtful events in the article, once contacted, we will delete or modify it in a timely manner.