In fact, in the door of cross-talk, there are still many exquisite rules for master and apprentice, such as the old Guo's Deyun Society, which in the early years paid attention to the old school's "three years of learning art, two years of effectiveness", which means that when Guo Degang accepts apprentices, he does not want money, but after the apprentices leave the master, the money earned in the first two years needs to be handed over to the master, which is the rule of the Deyun Society
In addition to this, in the cross-talk door is rarely broken there are rules for accepting apprentices, for example: under normal circumstances, the master in the cross-talk door accepts apprentices, can only accept younger than their own age, the same generation of teachers and apprentices in the cross-talk faction is very few, but there are exceptions, if the two people are really the same age or the master is younger than the apprentice, there is a rule, that is, the master must be highly respected, have real skills, can convince people, so that it will be recognized by others
In the early years, the descendants of Chang Baokun, the famous "little mushroom" Chang Baokun in Tianjin, when they received su Wenmao, the age difference between the two was seven years, but no one ever questioned whether Chang Baokun could be Su Wenmao's master, the reason is that his skills have been seen by everyone, there is nothing to doubt, and in today's cross-talk circles, there is actually a cross-talk master and apprentice of similar age, he is the big man Jiang Kun and the apprentice Tang Aiguo in the cross-talk circle in the past ten years
Many people may not know that Jiang Kun and Tang Aiguo are in terms of status, and it is really impossible to say who is more popular, although from the perspective of reputation, Jiang Kun is definitely a little bigger, but in terms of honor and title, Jiang Kun and Tang Aiguo can be regarded as equally divided, the same national first-class actor, vice chairman of the Shandong Qu Artists Association, vice chairman of the Shandong Literary Federation, or the captain of the Jinan Literary and Labor Troupe, this title is not weak compared to the master
And the reason why Tang Aiguo will worship Jiang Kun as a master, the main reason is that in the early years of Jiang Kun's reputation is too big, since the new school of cross-talk was passed on to Jiang Kun's faction, every year's Spring Festival Gala, Jiang Kun is a celebrity, and around the 90s, Jiang Kun's reputation and influence, and the peak of Zhao Benshan are similar, plus Tang Aiguo is a wild road, from the novel cross-talk are teaching themselves to sing, after entering the cross-talk industry, can let him worship the teacher, it is Also Jiang Kun, although the age of the two, Jiang Kun is only 7 years older than Tang Aiguo, But in terms of cross-talk skills, Tang Aiguo worships Jiang Kun, which is a very normal thing
As the saying goes: the master leads the door, and the practice is in the individual. In fact, nominally Tang Aiguo worshipped Jiang Kun as a master, but in fact, since Jiang Kun became famous, there have been very few cross-talk works reproduced in the world, which is known to everyone, after all, at that time, he was in several positions, and he was busy, and there were naturally fewer professors for apprentices, so Tang Aiguo basically spoke with his own works, but since the appearance of the work "Lazy Sugar Gourd", Tang Aiguo has rarely appeared in the field of vision of the Chinese people
In fact, most of this problem lies in Tang Aiguo itself, you know, as a Shandong native, Tang Aiguo has returned to Jinan to develop since he visited Jiang Kun, and continues to serve in the army, so most of the passages he created are also performed in the army, and the popularity is naturally not high, and compared with Beijing and Tianjin at that time, the development of Jinan's cross-talk culture was not very good, so even if Tang Aiguo created a lot of classic cross-talk like "Fifteen Moons", "Amusement Dreams", "Patriotic Law" and so on. But it has not attracted widespread attention
In addition to the performance channels, Tang Aiguo's spirit and cross-talk skills on the stage are very stable, although he speaks a Shandong dialect and has a smell of "sugar gourd" everywhere he goes, but Tang Aiguo's cross-talk is steady and steady, coupled with the professional praise of his old partner Qi Zhiqiang and others, Tang Aiguo can be said to be not weaker than his own master and others in the ability to speak cross-talk
Unfortunately, although Tang Aiguo can create, have works, and have good skills, the audience of the broadcast and performance channels of the works is too small, in addition to his own passages being broadcast by the CCTV program "Zhengda Variety", he has basically not seen him appear on the stage, so until now, the popularity is not high, and the classic role, which is also a lazy "sugar gourd", has also been regarded as an old artist who has become an artist
I don't know if all the friends here still have any impressions of Tang Aiguo?