#是养恩大还是生恩大 #
"Walking Non-Stop" and "Like Father Like Son" are no less important roles played by Kore-eda in the Japanese warm-hearted faction than Miyazaki, whom I have always loved. Perhaps it is accustomed to his narrative style always being able to flow under the calm of a lake, and at a certain appropriate moment, in a state of enlightenment and clarity, he has reached the state of great consummation. The less dramatic construction model, which accommodates more invisible contradictions in life in the form of a short script, thus presenting an insightful emotion due to the closeness of the distance, is not imposing, but the line of "return" is clear and accurate.
Synopsis: Ordinary office worker Nomiya Ryota and his wife Nomiya Midori have been married for many years, and their feelings are very good, the two jointly raise their smart and well-behaved son Nonomiya Yoshito, and happiness is revealed everywhere in the tranquility of life. What the three people who thought that the peaceful life would continue was that a phone call from the hospital where Gyeongdo was born swept the small family into the limelight. It turns out that Keito is not the son of Ryodo and Midori, but is the result of the love of Yudai Saiki and Yugali. Is it the precious feelings of getting along day and night, or is the bondage of blood connected to each other important? Faced with the consequences of a small misunderstanding many years ago, Liangduo and Green did not know where to go. And for Yudai, Yugali and their non-biological children, Saiki Ryuharu, they are also standing before the crossroads of life.
The two most significant elements in the Japanese drama style, one is the memory killing, one is the epiphany of the character immersion moment, the domestic unknown directors prefer this mode of expression, but there is always a kind of "sadness" tone that does not become a tiger, exaggerated physical behavior, impetuous line design, as if adolescent love is the most beautiful image, but it is regarded as the norm of the student life, it will certainly not be too liked.
For Kore-eda, who single-handedly wrote the script and directed the work, the only dramatic treatment far from reality is probably the original setting of two families holding the wrong child, and the hindsight of the two families comes from the blood type of the entrance examination and the plot of the nurse on duty surrendering is not reckless. The guilt generated by many nurses in the face of the nurse's stepson is an important turning factor that prompts them to face up to the separation of father and son, but we must also see that the psychological changes caused by the deepening of the contradiction between many and green couples are also hidden lines, that is, we can understand -
"Epiphany" is usually a means of expression to solve the current problem, but the long and powerful process of laying the groundwork is the real factor that triggers the effect of "one sentence top ten thousand sentences".
On the other hand, the fragments of the memories of killing are usually unfolded in the hands of Kore-eda in a "coincidence" manner: Many eyes see the every move of the "new son" Ryuharu, and are highly integrated with the childhood self presented in their minds, more and more affirming the "blood" relationship between the child and himself; when the nurse's stepson stops in front of Ryota, he unconsciously recalls his harsh state when facing his stepmother. This kind of reminiscence paragraph with a strong personal bias not only advances the direction of the story as a whole, but more importantly, it three-dimensionalizes many "father" images.
Under the shell of gao leng seriousness is the unknown sense of embarrassment, and he begins a completely different life journey as a father, and the change of this external transmission medium also makes many people full of tension. He did not improve the shortcomings of his father's erroneous educational model, so his consciousness of taking responsibility for his father was extremely weak. He looks at the past and tries to reverse the erroneous continuation of the original family, but still repeats his father's mistakes in this "battle". On the contrary, as the Son of Man, Gyeongdo got rid of the shackles of "blood" and intervened in many transformations as an inclusive person, and the timid, introverted, sensitive, and kind Gyeongdo had the appearance of a father and a cowardly heart, and this strength was the biggest source for Liangduo to change from an epiphany to a practitioner.
More thinking about human nature, and more importantly, thinking about the psychological construction of children, is the value of the current warm literature. In the process of blood turbulence caused by family reorganization, adoption, wrongdoing, and abduction, parents try to control their children's interpersonal relationships in a one-size-fits-all and rough way, and the protection of their children's psychology should be the most noteworthy aspect at present than the obedience of living habits and behaviors.
Kore-eda's story has a strong oriental color, and the characters show a lot of living habits, family atmosphere, and education models, and most of them follow the traditional concept of the East, that is, the son is more like another self to the father, so in the cultivation of the son, more thoughts that have nothing to do with the instinct of love are invested, such as inheritance, hobbies, and completion.
Our concept of "Shaw" is greater than that of "filial piety", and whether it is closer to unity in personality habits and habits has become a measure of whether most parents judge whether their children are necessary to cultivate. That is why Guan Yu made a suggestion to Liu Bei when he established the unification: "Since the elder brother has a son, why should he use a borer?"
"Blood" and "nurturing kindness", which is more important than the other, have become the depth of Kore-eda's discussion.
There is a hypothesis in quantum mechanics that two interrelated particles, no matter how long the distance between them, a change in one particle must cause a change in the other. This kind of "spirituality" that ignores distance involves a more vivid positioning in Japanese - bondage, many of which are due to the reason that they lost their mothers in their infancy to passively force their stepmothers, and more than once attributed all such family conflicts to "blood" and were not enough, so after learning of Gyeongta's non-child status, they came up with the evaluation of "sure enough", in his thin family cognition, blood is the noblest emotion and reason, so there is also an overly rational evaluation of "my son should be like this".
The uneasiness, panic, and resistance that Keita and Ryuharu show after exchanging families are only helped by thinking about putting themselves in each other's shoes, and perhaps also show Kore-eda's view that the role of mothers in the family is usually more important.
The principles of education are understanding and identification, and the key factors of family bond come from companionship and trust. Blood and nurturing are at one point, and there is no difference in order. In Huang Bo's film "Dear", while criticizing the traffickers, he consciously focuses on the discomfort shown by the abducted children returning to their families, although it is only a few minutes of plot, it is still a new cognition for the audience.
When we are all emphasizing the importance of the original family and providing a better platform for children to live, who should practice psychological reconstruction? This is also a question left to most restructured, broken families.
The Hellinger family arrangement system has a so-called "order of love", which means that whoever comes first is the first to come, and who comes later is the last to come; when this order is respected, the love in the family system has the best flow. The time of attribution defines each person's place in the family, and when this order is observed, there is a sense of ease and relaxation.
Perhaps before education and bloodline, only the sense of belonging is the first, and the most appropriate system for the family can make love flow smoothly.