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Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

author:Lou Dong Shu'an

Author Qiu Jiduan Qiu Jiduan Cultural Expo

Zhu Yunming (Zhu Zhishan) cursive "Yueyang Louji" silk book collected by the Han Museum is 48.5 cm wide and 570 cm long, with a total length of 22.5 meters. Instrument testing was made in 1503, Zhu Zhishan was 42 years old, and he was a masterpiece of the golden year.

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

Zhu Yunming's cursive "Yueyang LouJi" is a complete volume

At the end of the Ming Dynasty, Chen Jiru called Zhu Yunming's Calligraphy the First of the Ming Dynasty after the "Record of Yueyang Lou" in the Hanguan.

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

Wen Peng said in the back: "I am innumerable in the number of good scholars, and each family has its own intentions, but I wish Jingzhao the leader of the gathering."

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

Qianlong inscribed the preface to the "Record of Yueyang Lou" of the "Hanjiang Snow Art Museum", and when it was re-decorated, it also attached one of Shi Tao and one green landscape of Qian Weicheng, so as to ensure that the calligraphy and painting were combined to be spectacular.

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

The value of the two green landscapes can be viewed on an equal footing with Zhishan's "Record of Yueyang Lou".

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"
Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

The Hunan Museum also collects a painting of Zhu Yunming's wild grass "Yueyang LouJi", on paper, hiding the head and tail, and cannot see the whole picture of mounting, and the reader's views on the pen power between the two will be different.

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

Hunan Museum Zhu Yunming cursive "Yueyang LouJi"

In the later part of this calligraphy, Wen Zhengming said: "There are no less than a few books in the Yueyang Building of Zhu Xizhe's book, and Yu's record is the best in the collection of Zhu Shengfu Xiaolian and Shi Minwang Literature Erjun. See this book again today... The saints in the true books are also".

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

Wen Zheng made clear the two meanings of this trek, one is that Xi Zhe wrote that there are several copies of Yue Yang Lou, and the other is that when he saw this book (The Hanjiang Snow Collection), he couldn't help but exclaim: The Saint in the True Book!

Paintings, calligraphy, the same content authors create multiple books, it is not surprising, the problem is that the judgment of authenticity by eyesight is often a thousand miles away.

Today's technology is so developed, the era of instrument detection and production is the only way.

Wang Shizhen said in the back: "Wish Jing Zhaoshu a clean and beautiful book, under the great order, above the princes of the North Sea." True letters are easy to come by, but cursive writing is rare." Beihai refers to the Tang Dynasty calligrapher Li Yong.

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

Zhu Yunming's contemporary master of calligraphy and painting Xu Wei, the largest collector of folk calligraphy and painting in history, Xiang Yuanju praised it.

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

The Qing Dynasty sages wrote this inscription, and one of the four kings, Wang Yuanqi, made people think deeply about this passage: "In the past hundred years, the true relics of the Inner House have been lost to the world since the Right Army, as for Zi Ang Boqi, I have seen no less than five or six hundred volumes, and there are great sighs that are not in harmony with ancient and modern."

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

Wang Yuanqi was less than three hundred years old, and he saw that the authentic works of Wang Xizhi Zhao Zi Ang Xian Yu Shu and others who had flowed into the inner province were no less than five or six hundred volumes.

Zhu Yunming's wild grass "Yueyang Louji" one of the authentic works in the "Hanjiang Snow Art Museum"

This was only what Wang Yuanqi had personally seen, and the folk artifacts he had not seen were probably ten times and a hundred times greater.

Before the Ming and Qing dynasties, few people in history dared to say that the two kings did not have a true lineage.

Today, almost all scholars have spoken in large numbers, and the king of Wang Xi has not really survived to this day. Anyone in the folk who has been tested by scientific instruments as the True Foot of the Second King will cause a round of laughter and insults.

Collecting ecological trapped evil exercise people shudder, who is the underworld boss behind the scenes?

The poison left by the "Doubtful Ancient School" that began in the Republic of China was far away and fierce, and this poison was so well used by interest groups that ancient Chinese art was almost burned to jade.

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