Jingchu cultural relics are as splendid as stars, carrying splendid civilization, inheriting history and culture, and maintaining the national spirit. There are 234 museums registered in Hubei Province, with a total collection of more than 2.5 million pieces (sets), each cultural relic is a treasure of the long history, and each set of collections is a witness of wisdom and civilization. Recently, after the declaration and recommendation of various units in various places, the Hubei Provincial Department of Culture and Tourism (Hubei Provincial Cultural Relics Bureau) organized the selection and assessed 100 "Jingchu Treasures", which are now recommended. Next, the editor will divide it into five phases according to the historical stage, taking you through these 100 precious cultural relics to trace the history and find the trace.
In this issue, let's learn about the cultural relics and treasures of the Yuan, Ming and Qing dynasties and modern periods, let's take a look!
Archives of cultural relics
Name: Taiding Iron Clock
Collection unit: Xiangyang Museum
Era: Yuan
Introduction:
Among the cultural relics in the collection of the Xiangyang City Museum, the largest is a large iron bell with almost full inscriptions, which is also one of the largest iron bells found in the mainland so far. The bell is 210 cm high, 145 calibre, 53 cm high, and weighs more than 2,000 kg. Round body, the mouth edge is skimmed, and the top of the bell is the double dragon head Pu prison button. The top arc is nearly flat, and is divided into two areas by fine convex chord patterns, the inner area has no pattern on the plain surface, and the outer area is a deformed lotus petal pattern; The upper part of the bell body is divided into four areas by the convex string pattern, and the interval is divided into four big characters of vertical calligraphy: "Huangtu Yonggu", "Emperor Dao Yaochang", "Buddha Sun Shines", "Falun Chang Turns", each district is full of words, all are Yangwen, describing the historical evolution of Guangde Baolu Temple, the reason for casting the bell and the list of donors, and property. The bell was originally a big bell in the Guangde Baoyan Temple of Wantong Mountain, Nanzhang County, Xiangyang Road, cast in the third year of Yuan Taiding (1326), moved to Xiangyang Bell and Drum Tower in early Ming Dynasty, and moved to the courtyard of Xiangwang Mansion in 1984. After the reconstruction, Cheng'en Temple cast a larger bronze bell in the eleventh year of Chenghua in the Ming Dynasty (1475) and hung it on the bell tower.
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Archives of cultural relics
Name: Jade carving real martial arts seated statue
Collection unit: Wudang Museum
Era: Yuan
Introduction:
Originally preserved in Huayang Rock of Wudang Mountain, it is now in Wudang Museum. It is the only jade carved stone statue in Wudang Mountain. The whole is carved from jade, and the figure is wholesale, wearing a round-necked middle coat, a long straight collar on the cover, hands folded on the dantian pinch, and the legs are sitting cross-legged.
Xuanwu God, also known as Xuantian God, Zhenwu Emperor, Yousheng Zhenjun Xuantian God, the full name of Zhenwu Demon Emperor, is the famous Yujing God among Taoist immortals. Now the main god of Wudang Mountain is the Emperor Zhenwu, and he is called "Zhentian Zhenwu Ling Yingyou Holy Emperor" in the Taoist scriptures, referred to as "Zhenwu Emperor". Folk are called Demon Tianzun, Patriarch of Retribution, and Patriarch of Hair. After the Ming Dynasty, it had a great influence in the whole country, and modern folk beliefs were particularly common.
The statue is made of different materials, the figure form is portrayed vividly, the hair is covered with a clear hair, and the carving skills are skillful and steady. It not only shows the reverence of the people of the Ming Dynasty for the Emperor Zhenwu, but also reflects the overall characteristics of the jade carving process of the Ming Dynasty from the side.
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Archives of cultural relics
Name: Four love plum bottles
Collection unit: Hubei Provincial Museum
Era: Yuan
Introduction:
In 2006, it was unearthed in the tomb of King Yingjing of Zhongxiang, Hubei, and is located under the coffin bed at the foot of the princess's coffin. This plum bottle has a small mouth and an outward skimming, a short neck and plump shoulders, and a flat bottom. The shoulder of the bottle is decorated with a phoenix wearing a peony, and four stories are depicted in the four diamond-shaped windows on the abdomen: Wang Xizhi's Ailan, Tao Yuan's Ming Aiju, Lin Hejing's love for Meihe, and Zhou Dunyi's love for Lian. The foot is painted with a circle of upturned lotus pattern, with three layers of pattern at intervals with curly grass pattern and brocade ribbon pattern, the layers are clear, complex but not chaotic, the overall production is exquisite, elegant and exquisite.
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Archives of cultural relics
Name: Blue and white four love plum bottle
Collection unit: Wuhan Museum
Era: Yuan
Introduction:
Small mouth outward, short neck, full shoulders, flat feet. The upper and lower layers are divided into three layers, and the upper shoulder is decorated with a phoenix wearing a peony pattern; The theme of the abdomen in the middle layer is decorated with four diamond-shaped consecrations, which depict the four ancient literati and their beloved loves: Wang Xi's Ailan, Tao Yuan's Ming Aiju, Zhou Dunyi's Ailian, and Lin Hejing's love for Meihe, that is, the four love pictures, with vivid images, distinctive features, and realistic scenes; The lower part of the lower abdomen is painted with a lotus pattern and a honeysuckle pattern.
The blue and white porcelain of the Yuan Dynasty is represented by Jingdezhen, which is exquisitely made and rare and extremely precious. This Yuan blue and white plum vase, with beautiful shape, smooth lines and rich color, depicts the four ancient literati and their love. The characters have both form and spirit, distinctive characteristics, the clothing pattern is chic and natural with a pen, and the theme decoration and blue and white color are blended together, which is a rare Yuan blue and white boutique. It has been identified as a first-class cultural relic by experts of the State Cultural Relics Appraisal Committee and included in the "Dictionary of the Essence of Chinese Cultural Relics".
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Archives of cultural relics
Name: Liangzhuang Wang gold ingot
Collection unit: Hubei Provincial Museum
Era: Ming
Introduction:
Unearthed in the tomb of King Zhuang of Ming Liang. The gold ingot has a flat arc end, a girdle, and the front is cast with the inscription "Yongle 17th year April day in the West and other places to buy eight colors of gold one ingot Wu pick two", and the back is plain. The seventeenth year of Yongle was 1419, when Zheng He returned from his fifth trip to the West, and it can be seen from the inscription that this gold ingot was made by Zheng He's fleet with a batch of gold bought in the West. The discovery of this gold ingot is of great significance, as it is an archaeological excavation and an inscription to prove that it is related to Zheng He's voyage to the West, which has added valuable materials for the trade between the Ming Dynasty and Western countries.
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Archives of cultural relics
Name:Golden Dragon, Jade, Jianwen Mountain Jane (set)
Collection unit: Wudang Museum
Era: Ming
Introduction:
Golden Dragon, unearthed in 1982 in Wudang Mountain Zixiao Palace Sword Table, a total of unearthed golden dragon, jade bi and mountain Jane each one. Due to the slight depression and deformation of the local area under pressure, the whole is well preserved.
The mountain slip describes in detail that on the fifteenth day of the first month of the first year of Jianwen (1399 AD), Zhu Bai, the king of Xiang, sent Zhou Sili, a master of Taihuiguan in Jingzhou, to preside over the establishment of Jiao ritual activities in the blessed land hall of Zixiao Palace in Wudang Mountain, praying for the peace of the country and the people.
The golden dragon is vividly shaped, showing the image of the "dragon" in traditional Chinese culture in the early Ming Dynasty. The shape is a dragon with parallel legs, the dragon's mouth is closed, the dragon's whiskers hang obliquely, the scales of the dragon's body are clear and distinct, there are four beams of flowing fire on the back, the tail is slightly upturned like a tiger, and the front and rear five claws are stretched out strongly.
The excavation of this set of cultural relics has a very important reference value for the study of the culture, history, religion and art of the Jianwen period of the Ming Dynasty. At the same time, because the Yongle Emperor deliberately destroyed the items of the Jianwen period after succeeding to the throne, this set of cultural relics provides an important reference for the research and analysis of major historical events in the Ming Dynasty.
Jade, unearthed in 1982 in Wudang Mountain Zixiao Palace sword platform. A total of one golden dragon, one jade bi and one mountain slip were unearthed. The whole is round, the outer edge is slightly thin, the color is milky yellow and white, and the hand is smooth and delicate.
The mountain slips unearthed from this set of cultural relics describe in detail that on the fifteenth day of the first month of the first year of Jianwen (1399 AD), Zhu Bai, the king of Xiang, sent Zhou Sili, a master of Taihuiguan in Jingzhou, to preside over the establishment of a Jiao ritual activity in the blessed land hall of Zixiao Palace in Wudang Mountain, praying for the peace of the country and the people.
Jianwen section of the mountain Jane, unearthed in 1982 in Zixiao Palace to give the sword platform, a total of unearthed a golden dragon, jade and a mountain Jane. Vertical rectangular with oblique shoulders. The obverse is engraved with Taoist runes; The reverse side is engraved with the blessing of Zhu Bai, the king of Xiang in Wudang Mountain, the blessing of the blessing of the Zixiao Palace of Wudang Mountain, the first year of Jianwen (1399) Ren Shenshuo 15 Bingchen, one of the 26 princes of Zhu Yuanzhang, Zhu Bai, one of the 26 princes of Hunan Xian, in the fief of Jingzhou Taihui Guanxiu Putian Dajiao five days and nights, ordered Zhou Sili, the master of the Jing Dynasty, to the blessed land of Zixiao Palace in Wudang Mountain to tell the news, put the golden dragon to carry the mountain Jane, jade bi to fly into the sky, through the sky and God.
As the royal family temple of the Ming Dynasty, Wudang Mountain was highly respected by the Ming Dynasty and was named the "Dayue Taihe Mountain" above the five mountains. Emperor Yongle of the Ming Dynasty once enshrined Zixiao Palace as the "Zixiao Blessed Land", and the plaque was written by Mu Xin, the commander of the horses, which means that Zhong Lingyuxiu is here and is a fairyland on earth.
The discovery of this set of cultural relics provides an important reference for the study of religion, culture, art and major historical events in the Ming Dynasty.
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Archives of cultural relics
Name: gilt copper Xuanwu
Collection unit: Hubei Provincial Museum
Era: Ming
Introduction:
Tong Xuanwu was originally located in Hubei Province, Junxian Wudang Mountain Grass Shop Zhang Ye Temple (Zhang Ye Temple is to commemorate Zhang Sanfeng Taoist repair), in 1959 when the cultural relics were relocated (due to the big water) moved to the Yuan and Temple, the same year that was transported to the Hubei Provincial Museum collection.
The device is gilded with copper, part of the gold has fallen off, the basalt is a combination of turtles and snakes, the turtle's head is high, the legs are bent and stretched to crawl, and the back is deep tortoiseshell pattern; The head of the snake stretches forward, the pan wraps around the turtle body, the whole body is shallowly carved with scales, the head of the turtle and the snake is opposite, the tail and tail are entangled, the shape is vivid and magnificent. During the Yongle period of the Ming Dynasty, the golden palace of Wudang Mountain was repaired, and there were a large number of gilded bronze statues, and this copper Xuanwu was the most refined, which can be called the artistic treasures of ingenuity. On May 16, 1994, it was identified as a first-class cultural relic by the National Cultural Relics Appraisal Group.
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Archives of cultural relics
Name: Yunlong gilded bell
Collection unit: Xiangyang Museum
Era: Ming
Introduction:
The Yunlong gilt bell is 25.8 centimeters high and 16.5 centimeters in diameter. The surface of the whole body is gilded. The round body, with the belly and tail of the double dragon wrapped as the handle, the dragon arches the back and four feet to support the ground and is connected to the bell body, with five claws. The arc of the crown of the bell is almost flat, with a round hole with a diameter of 1.5 cm in the center, decorated with four symmetrical ruyi moire, and the shoulders of the bell are decorated with sixteen deformed lotus petals. The body of the bell is divided into eight areas by the convex string pattern, and eight cloud dragon patterns are embossed in the area, and each interval is decorated with a ruyi cloud pattern, a total of eight. The bell skirt has a circle of sea waves, and four circular protrusions are evenly distributed along the mouth, which is the impact seat.
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Archives of cultural relics
Name: Bronze gilt Zhang Sanfeng seated statue
Collection unit: Wudang Museum
Era: Ming
Introduction:
Zhang Sanfeng's bronze gilt sitting statue, the whole copper cast gilt, originally stored in Wudang Mountain Yuzhen Palace, is now stored in Wudang Museum. A group of three statues, the main statue is a sitting statue of Zhang Sanfeng, and there is a Taoist child on the left and right.
As a generation of high Taoism, Zhang Sanfeng has a great influence in ancient Chinese history, during the cultivation of Wudang Mountain, he saw snakes and birds fighting, and realized the world-famous Wudang Taijiquan. Emperor Zhu Di of the Ming Dynasty built the "Yuzhen Palace" in order to see him, hoping to meet the real person Zhang Sanfeng in this palace; In the second year of Tianshun, the emperor ordered to present this group of statues, which is the earliest statue of Zhang Sanfeng found in the country.
The group of statues is well-made, vivid in shape, elegant in style, and lifelike in character depiction, showing the superb shaping, casting technology and smelting technology of the Ming Dynasty. It provides an important reference value for the study of culture, history, religion and smelting technology in the Ming Dynasty.
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Archives of cultural relics
Name: Wu Weixue Fishing Picture Axis
Collection unit: Hubei Provincial Museum
Era: Ming
Introduction:
Wu Wei (1459-1508), also known as Shiying, Lu Fu, Xiaoxian, was a native of Jiangxia, Hubei, and the people of the time called a group of painters represented by him "Jiangxia School". Wu Wei twice served in the inner court, and in the Ming Dynasty filial piety Emperor Qin gave the "painting champion" as the first in contemporary times, and had a great influence in the Chenghua and Hongzhi years. This "Snow Fishing Picture" is one of the larger silk paintings in Wu Wei's hand-me-down works, and its structure is obviously inherited from Ma Yuan and Xia Qi's method of "interception", and the picture depicts the fishermen fishing in the snow in the harbor where the lake and mountains meet.
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Archives of cultural relics
Name: Jianghan Range Rover map
Collection unit: Wuhan Museum
Era: Ming
Introduction:
Ink and color on silk. The work offers a bird's-eye view of the three towns of Wuhan in the Ming Dynasty. Wuchang, a military town on the south bank of the Yangtze River in the upper left, is surrounded by the city wall, and the Yellow Crane Tower under the Snake Mountain is abruptly and towering, and the Qingchuan Pavilion on the opposite bank is looking across the river. In the painting, the Yangtze River and the Han River are separated by water and divided into three towns. On the right side of the picture, the Qingchuan Pavilion located at the mouth of the south bank of Hanyang echoes with the Yellow Crane Tower across the river, and a stone step behind the Qingchuan Pavilion leads directly to the top of Guishan Mountain. The foremost close-up view of the painting is the uptown of Hankou. The houses on the shore are lined up one after another, although the size is small, there is an endless stream of cargo ships coming and going, and business and trade are prosperous. The "Jianghan Range Rover Map" depicts the water and land scenes at the confluence of the Yangtze River and the Han River in the middle and late Ming Dynasty, reproduces the physical and administrative features of the three towns of Wuhan at that time, and retains the relatively real image memory of the three towns of Wuhan more than 400 years ago, which is an important document for the study of Wuhan's urban development and historical changes.
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Archives of cultural relics
Name: Wang Shouren's book of conscience poems four volumes
Collection unit: Hubei Provincial Museum
Era: Ming
Introduction:
Wang Shouren (1472-1529), whose name is Bo'an, alias Yangming, was a native of Yuyao, Zhejiang, and advocated the goal of "the unity of knowledge and action, so as to conscience". During the lecture, Wang Shouren composed many poems of conscience, among which "Four Songs of Conscience to Show All Beings" was the most far-reaching. In the sixth year of Jiajing (1527), the governor of Liangguang and the governor Wang Shouren quelled the rebellion in Guangxi, and on the eighth day of September of the second year, the imperial court sent a special envoy Feng En to hold the emperor's edict and color coins and silver as a pedestrian, and rewarded Wang Yangmingjun, becoming a disciple of the master of Ming Dynasty. This volume was written in Jiajing Wuzi (1528) in September, and the book was only two months away from his death. The volume has Wang Fu'an's introduction, Zhang Taiyan and Ma Yifu's inscriptions.
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Archives of cultural relics
Name: White jade double phoenix neck pot
Collection unit: Wuhan Museum
Era: Qing Dynasty
Introduction:
White jade. Round carving. The shape of the pot is two phoenix birds with their necks crossed and embracing each other. The lid of the pot is two phoenix heads with crossed necks. The body of the pot is composed of two phoenix bird bodies, wings and feet embracing each other, the cheeks of the phoenix are close to each other, the feet are against each other, and they are intimate and snuggling. The bottom of the pot is engraved with the "Qianlong Imperial System" filled with gold seals. The model is square, decorated with back lines around it, and the groove line is filled with gold. This pot is a bionic jade with innovative features of shape and ornamentation, which skillfully combines natural creatures with the body of the pot. The abdominal hollow wall of the utensils is thin, crystal clear and moist; The shape is novel and kitty, the level of jade-making craftsmanship is exquisite, the inscription is clear, the font is delicate, and the phoenix bird decoration is fine and expressive. This pot is not only a drinking utensil, but also can be used as a jade ornament, is a treasure made by the palace office in the Qianlong period of the Qing Dynasty.
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Archives of cultural relics
Name: Peng Han bequeathed Sun Yat-sen's pastel Kaiguang landscape figure Tusuo Er flower pot
Collection unit: Xinhai Revolution Museum (Xinhai Revolution Wuchang Uprising Memorial Hall)
Era: Republic of China
Introduction:
Peng Han bequeathed Sun Yat-sen's pastel Kaiguang landscape figure Tusuo Er flower pot, a first-class cultural relic. In the early years of the Republic of China, the pastel porcelain of Jingdezhen folk kiln was delicate, the glaze was blue and white, and it was in the shape of an octagonal waist drum. The front of the flower pot is piled up, and the ink color line is signed "Mr. Zhongshan Yongshou Peng Han Legacy in April of the first year of the Republic of China". On the left side, a double flag pattern with a five-color flag and an eighteen-star flag crossed is painted. On the right side, it is signed with ink and color lines "Xunyang Yuchang Improvement and Supervision".
From April 9 to 12, 1912, Sun Yat-sen was invited to visit Wuhan, the district of Shouyi, accompanied by Peng Hanyi, who had been the vice minister of justice of the Hubei Military Government. During this period, in order to express his admiration and best wishes for Dr. Sun Yat-sen, Peng Hanyi presented the pre-customized flower pots to Sun Yat-sen in his private name as a commemoration.
This cultural relic is decorated with novel and exquisite, the painting is elegant and beautiful, the fine brushwork is fine, the calligraphy is smooth, it integrates calligraphy, painting and printing, it is elegant and handsome, and it also confirms the profound revolutionary friendship between the Hubei revolutionaries and the leaders who followed Sun Yat-sen, and has high historical and artistic value.
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Archives of cultural relics
Name: Zhongshan ship
Collection unit: Wuhan Zhongshan Ship Museum
Era: Republic of China
Introduction:
The Zhongshan ship is slightly long and streamlined, and the hull deck and the right side of the ship's string each retain a bullet hole that was blown through in the bloody battle of Chrysostom in 1938. The bow of the ship is printed with the blue sky and white sun flag, and the name of "Zhongshan" is engraved on both sides of the stern.
Zhongshan ship, formerly known as Yongfeng ship, was ordered from Japan by the Qing government in 1910, completed and launched in 1912, joined the First Fleet of the Chinese Beiyang Government Navy in 1913, in 1922 Sun Yat-sen boarded the ship to command the counterinsurgency struggle for 54 days when he was martyred in Guangzhou, after Sun Yat-sen's death in 1925, it was renamed Zhongshan ship in commemoration of the table, and was sunk by Japanese planes in the Jinkou waters of the Yangtze River in the Battle of Wuhan in 1938. The Zhongshan Ship has gone through five major historical events: the National Defense Movement, the Dharma Protection Movement, the "Sun Yat-sen Guangzhou Martyrdom" Incident, the "Zhongshan Ship Incident" and the Battle of Wuhan, and is an important witness to China's modern history. In 1997, the Zhongshan ship was salvaged as a whole. In 1999, the Zhongshan Ship Museum was established. In 2008, the Zhongshan ship was relocated to the hull exhibition hall of the Zhongshan Ship Museum after being "renovated as old as the old and restored to its original appearance".
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Archives of cultural relics
Name: Jiang'an Trade Union Membership Certificate of Jinghan Railway Federation of Trade Unions
Collection unit: Wuhan Memorial Hall of the former site of the Central Organ of the Communist Party of China
Era: 20s of the 20th century
Introduction:
The badge is zigzag, with a red five-pointed star in the center and the word "work" inlaid in the middle. The back of the badge is inscribed with the word "1927" and the number "Jiang 1492". In November 2019, it was rated as a first-class cultural relic. This badge is extremely rare and of great value for the study of the workers' movement on the banks of the river and in the Wuhan area.
In April 1922, Jinghan Quanlu held the first workers' congress in Changxindian, and decided to establish a federation of trade unions. Soon, 16 regional workers' clubs, including Jiang'an, Zhengzhou, and Changxindian, were established. In October 1922, the Jiang'an Workers' Club was established in Hankou, with Lin Xiangqian as its chairman. On February 1, 1923, the Jinghan Railway Federation of Trade Unions held its inaugural meeting in Zhengzhou, and the Jiang'an Workers' Club became its branch union, with about 3,000 members that year. In February 1923, under the leadership of the Communist Party of China and the organization of the Jinghan Railway Federation of Trade Unions, the workers of the Jiang'an Rolling Stock Factory and Jiang'an Railway Station in Liujiamiao, Hankou, launched a general strike of the Jinghan Railway workers that shocked China and the rest of the world. In the "27" general strike, the Jiang'an trade unions, together with the trade unions of the whole road, waged an indomitable struggle against the reactionary warlords.
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Archives of cultural relics
Name: Graduation certificate of the Central Peasant Movement Training Institute
Collection unit: Wuhan Revolution Museum
Age: Modern and modern
Introduction:
Red copper texture, five-pointed star-shaped. In the middle of the obverse, the Kuomintang emblem is painted on a round blue ground and white, and the center of the party emblem is painted with a wooden plough pattern, and the words "Central Peasant Movement Training Institute" surround the party emblem, and the words "Chinese Kuomintang" are displayed below the party emblem. The back of the badge is engraved with the vertical row of yang engraving "Rural Revolution" and the horizontal row of yin engraving "928" badge number, which are well preserved.
This is the only graduation medal issued by the Wuchang Agricultural Lecture Hall found so far. The Wuchang Agricultural Lecture Center officially opened on March 7, 1927, and held a grand opening ceremony and military parade on April 4. On June 19, the Wuchang Agricultural Lecture Center held a graduation ceremony, and each student was awarded a bronze five-pointed star-shaped badge, the front of the badge was engraved with a golden plowshare, and the back was written with the four big characters of "Rural Revolution", guiding the students to the correct direction after graduation. This badge is a relic of He Shujie, a student of Wuchang Agricultural Lecture Center. After graduating, He Shujie returned to his hometown as a peasant movement cadre to lead the peasants in the revolutionary struggle. After He Shujie's death, his wife kept his graduation badge properly, and donated it to the Jingmen County People's Government in 1958, which was later transferred by the Jingmen County Government to the Memorial Hall of the former site of the Wuchang Peasant Movement Training Institute.
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Archives of cultural relics
Name: The Political Department of the First Army of the Chinese Red Army told Luo Tian Tengjiabao the mass letter
Collection unit: Huanggang City Museum
Time: 1930
Introduction:
It was collected in January 1958 and identified as a first-class cultural relic by the State Cultural Relics Appraisal Committee in January 1994. The leaflet, which is printed on red rough-edged paper, printed in black ink, in handwritten italics, with vertical text and blank space on all sides, was issued by the Political Department of the First Red Army on December 10, 1930. In the early days of the Agrarian Revolutionary War, Tengjiabao was assigned to the Shangluoma Special Zone, which contributed to supporting the Shangnan Uprising. From 1929 to 1937, the 32nd Division of the 11th Red Army, the 1st Red Army, the 4th Red Army, and the 28th Red Army moved to Tengjiabao many times. In December 1930, the Red First Army (army commander Xu Jishen and deputy army commander Xu Xiangqian) issued the "Letter to the Masses of Luotian Tengjiabao" here, which inspired the people's revolutionary fighting spirit and consolidated the revolutionary base area.
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Archives of cultural relics
Name: Marx and Lenin head silver dollar issued by the Northern Hubei Peasant Bank
Collection unit: Fang County Museum
Era: 1931
Introduction:
In 1931, the silver dollar of Marx's head issued by the Northern Hubei Peasant Bank: In 1931, Marshal He Long led the Red Army to create a revolutionary base in Northwest Hubei in Fangxian County, and the currency issued by the Northern Hubei Peasant Bank was created by 20 old silversmiths in Fang County, and the silver dollar minted at that time was divided into two types: Marx image and Lenin image, with a face value of one yuan, and a total of more than 10,000 pieces were minted. This silver coin with a face value of one yuan has the inscription "Made in the Chinese Soviet Republic" on the obverse, the head of Lenin in the center, and the pattern of sickle and hammer, lace and the word "one yuan" on the reverse.
The silver dollar is mainly circulated in the northwest Hubei base area, in the process of making the silver coin, respectively, the use of casting, forging and other relatively backward technology, the real thing looks relatively rough, which just reflects the economic and technical conditions of the revolutionary base area in the early days of our party, is a portrayal of the revolutionary martyrs' hard work, for the base currency research provides precious historical materials.
In 1978, it was transferred to the Fang County Museum by the County Finance Bureau. So far, three pieces have been found, which are extremely rare, and only one is found in the Hubei Provincial Numismatic Museum, and one image of Marx and one image of Lenin are stored in the Fangxian Museum. In May 1994, the State Administration of Cultural Heritage organized an expert group for the appraisal of first-class cultural relics in the museum's collection, and Juniper was identified as a first-class cultural relic.
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Archives of cultural relics
Name: Chen Tanqiu's relics
Collection unit: Hubei Provincial Museum
Era: 1933
Introduction:
Comrade Chen Tanqiu, formerly known as Chen Cheng, a native of Huanggang, Hubei, and one of the leaders of the Hubei Communist Group, participated in the First National Congress of the Communist Party of China held in Shanghai as a representative of the First National Congress of the Communist Party of China. Organized Wuhan Middle School with Dong Biwu to cultivate new revolutionary forces. This letter was written by Comrade Chen Tanqiu to his third and sixth brothers in 1933 when he was the secretary general of the Jiangsu Provincial Party Committee. In the letter, he mentioned that his life of running around and floating was afraid that his two children would be dragged down, so he reluctantly entrusted the children to his brother, hoping that his brothers could take care of them on their behalf. This letter to the family is not only a manifestation of the martyr Chen Tanqiu's great sacrifice for the party and the country, but also shows the dedication of the pioneers of the Communist Party of China in propagating the revolution, leading the movement, persisting in struggle, and working hard for the party's cause.
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Archives of cultural relics
Name: Henan-Hubei Border District Construction Bank side currency lithograph
Collection unit: Jingshan City Museum
Era: Republic of China (1912-1949)
Introduction:
Unearthed in Caowu Town. Henan-Hubei Border District Construction Bank 100 yuan banknote printing plate, the plate is engraved with six coin faces, each with a face value of 100 yuan, the pattern is a bicent, the top is engraved with the theme of "Henan-Hubei Border District Construction Bank" for two oval open patterns, the left side is engraved with a train, the right side is decorated with a power station farmhouse, the middle is vertically engraved with a capital "one hundred yuan", the four corners of the ticket face are engraved with "one hundred hundred", and the bottom is horizontally engraved with "the 33rd year seal of the Republic of China". The face length is 12.8 cm and the width is 5.6 cm.
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Rare Cultural Relics Award! Meet 100 Treasures of Jingchu (1)
Rare Cultural Relics Award! Meet 100 Treasures of Jingchu (2)
Rare Cultural Relics Award! Meet 100 Treasures of Jingchu (3)
Rare Cultural Relics Award! Meet 100 Treasures of Jingchu (4)
Editor/Chu Xiaoyou
Source/Hubei Cultural Relics Compilation and Distribution/Hubei Cultural Tourism
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